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Full text of "Catalog of Favor, Ruhl & Co : Chicago branch."

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CATALOG 



of 



FAVOR, RUnL & CO 



CHICAGO BRANCH 



425 South Wabash Avenue 




IMPORTERS AND DEALERS IN 

ARTIST MATERIALS 

of 

Every Description 



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ft*£1 »' 



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Important Notice 




O NOT mutilate this catalogue ; it is prefer- 
able to give tne name and size or the article 



11 



THIS CATALOG 

is not intended as a price list, but it is compiled for the convenience 
of our customers until such time as market conditions make it 
possible to issue a catalog with prices. At the present time prices 
are constantly changing. 

THE OBJECT OF THIS CATALOG IS MERELY TO DESCRIBE 
ACCURATELY AND COMPLETELY SUCH ARTICLES AS WE 
CARRY IN STOCIC 

We would suggest that you make up an order of the material 
which you require, and send it to us for execution. 

Goods -will be charged at the prevailing prices or 

PRICES CAN BE HAD ON APPLICATION 



All goods skipped at purchaser's risk. 
Packing" cases -will be charged at cost. 
Prices are subject to change without notice. 



Important Notice 




O NOT mutilate this catalogue ; it is prefer- 
able to give the name and size of the article 
desired. Care in writing tne order will save 
unnecessary correspondence and time in filling orders. 

Orders from persons not known to us must be 
accompanied by satisfactory references or a remittance 
covering the amount of the purchase. 

When desiring the goods sent C. O. D. a remit- 
tance of half of the amount of the order must always 
be sent \ ith order, -which will be deducted from the 



invoice. 



K-emittances can he made by Bank Draft, Express 
or Post Office Money Order made payable to us. 
When neither of these can be procured United States 
Bank Notes or Postage Stamps can be sent by regis- 
tered letter. 

Prices do not include postage or express charges. 
It is necessary, therefore, to add this to your remit- 
tance. 

Ail goods will be packed with the utmost care and 
no allowances will be made for breakage. All claims 
must be made within five days after receipt of goods. 

All goods shipped at purchaser s risk. 

Packing cases -will be charged at cost. 

Prices are subject to change without notice. 



ARTISTS' MATERIALS 



Colors and Materials for Painting on China and Glass 

A. LACROIX'S CHINA COLORS 

Prepared MoiOT m Tubes. Ready fob Use. 



BLACKS. 

Per Tube 

Raven Black 

Ivory Black 

DM ES. 

Two Fire Blue 

Dark Blue 

Common Blue 

Deep Blue 

Deep Ultramarine. . . 

Light Sky Blue... 

Sky Blue 

Victoria Blue 

Old Blue for imitat- 
ing Old Dutch Tiles. 
English Faience, 

etc 

Delft Blu. 

Blue Xo. 29 

Cornflower Blue 

Old Rouen Blue 

BROWN*. 

Black Brown 

Chestnut Brown 

Otter Brown 

Vandyke Brown 

Gillyflower Brown .... 

Brown Xo. 3 

Brown Xo. 4 or 17. . 
Brown M or 108. . . . 

Dark Brown 

Deep Red Brown. . . . 

Light Brown 

Sepia 

Yellow Brown 

CARMINES. 

Light Carmine A. . . . 
Light Carmine Xo. 1 

Carmine Xo 2 

Deep Carmine Xo. 3. 




Painting Colors 

carvvtions. 

PerTul' 
: nation Xo. 1 . . . . 
rnation Xo. 2. . 
lation. deep. 

FL1 \. 

Flux 

GREENS, 

Grass Green Xo. 5 . . . 
Brown Green Xo. 6.. 
Dark Green Xo. ',.... 

Green Xo. 36 T 

Apple Green 

Deep Blue Green .... 
Chrome Green 3 B. . . 
Deep Chrome Green. . 
Deep or R n Green 

Emerald-stone Green. 

Sap Green 

Bronze Green 

Duck Green 

Moss Green V 

Moss Green J., yellow- 
ish 

Xight Green 

Olive Green 



GREYS. 

Grey Xo. 1, light 

Grey Xo. 2 

Pearl Grey Xo. 6 
Neutral Grey. . . . 
Warm Grey 

OCHRES 

Dark Ochre 

Yellow Ochre 



Odefiiil 1 
tain Bii 
Uwflerl 
IhriM Bfc 
Betftt B 






- ■ 1 



PURPLES. 

Per Tub. 

Purple No. 2 

ion Lake 

Purple 

Purpl 

H- Purpl. 

UK 

Red ... 

Laky Red 

rang 

Brigh ed 

sal Re 

... 
-linese Roe* 

It for Gold. . .. 

WHITES. 

Chinese White 

Permanent White... 



VIOLETS. 

Deep Violet of Gold . . 
Light Violet of Gold. 

Violet of Iron 

Grey Violet of Iron.. 



YELLOWS. 

Ivory Yellow 

Jonquil Yellow 

Yellow for mixing. . . 

Orange Yellow 

Permanent Yellow... 
Silver Yellow 






Gm 



"rilot 



Da 






t-.lr 



ot Gib 



J 



ARTISTS' MATERIALS 



8 



A. LACROIXS CHINA COLORS-Continued 



Celestial Blue.. 

Indian Blue. . . . 

Lavender Blue. . 

ferine Bin*'. . . . 

Reddish Brown 
Shammy Brown 

Carmelite 

I "'-lail. n 

Light Coffee 



Per Tube 



Grounding: Colors in Tubes 

Per Tube 
Chromium Wate r- 
Green 

Copper Water-Green. 
Grounding Green. . . 

Steel Grey 

Turtle-dove Grey. . . . 

Isabella 

Fusible Lilac 

Maize .... 



Per Tube 
■Mauve 

Coral Red 

Rose Pompadour 

Salmon 

Turquois Blue 

Turquols Green 

Chinese Yellow 

•Id Bud...'...- 

Very Fusible Rose.. . 



LACROIXS NEW CHINA COLORS 



Per Tube 
Relief White 

2oalport Green, light 

-oalport Green, dark 

Ubert *s Yellow 

■-gg Yellow 

irnnswiek Black 

Vir Blue 

rrey for Flesh 

'lame Red 

: hading Green 



IH LONG 1 DBES 

Per Tube 
R y a 1 Copenhagen 

Grey 

R o y a 1 Copenhagen 

Warm 

Canary Yellow. ...... 

Blue Green, light 

Blue Green, dark 

Rose 

Grey for Flowers 

Pompadour Red Xo. 23 
Outlining Black 



Per Tube 
Sevres Blue 

Superior English 
Pink 

-Maroon 

Pansy 

Peach Blossom 

Rose Leaf Green 

Old Holland Blue 

I >u harry Pink 

Best Orange 

Gold Grey "'. 



FAVOR, RUHL & CO.'S LIQUID LUSTRE COLORS 

TO DECORATE CHINA, EARTHENWARE AND GLASS 

IN 1/6-OUNCE VIALS 



ight Grev 


Per i 
Vial 


Per 
Vial 


ediuni Grev. . . 






lue Grev 






earl Grey 






How 












tamoie .... 






town . , 












i descent Rose 
d 






te 






ue Green 






ve Green 












•rk Blue 






ght Blue 








4 /% 






Violet 

Gold Lustre 

Covering for Gold 
Lustre (to produce 
Deep Violet) 

Platinum 

Black 

Light Green 

Dark Green 

Light Green Bronze. 
Dark Green Bronze. . 

Steel Blue 

Copper Bronze 

Ruby No. 2 

Yellow Brown 

Chatoyant 

Silver 

Mother of Pearl. 
Opal 



Per I .. 
Vial 



Per 
Vial 



■ • 



I 



ARTISTS' MATERIALS 



ROYAL DRESDEN CHINA COLORS 
For Painting on China, Earthenware, Etc 




PREPARED MOIST IN TUBES. READY FOR US 



No. 
1. 

3. 

4. 

5. 

.*:>. 
II. 

4 

6. 

7. 

8. 



Per Tube 



WHITE. 

Relief White. (Aufsetz 

VF.IIOWS. 

Egg Yellow.. .(Eigelb) 



1,< mon 
Canary 

Relit 

Ivory 
Albert 



• • - 



9. 
10. 
11. 
25. 

42. 
52. 



. . .(Citronengi I 
. ..(( ana gelb) 
...i. \n gelbi 
.... Elfenbi i •• 
(Alb< lb) ■ • - - 
How Oi bre.(Ochi ■ :l " 

GREENS. 

-.low i en.(G< 5in I 

ie Green 

liuht (B hell 

Blue ! I Blaungrttn 

dark dunkel I 

Dark Green. (Dunk< in) 



g 



Shadin 
Olive 
Grass 
Turquois 

Black 
Brown 






■• 






.1 



• . 









. i - 



12. 

13. 
14. 
16. 

26. 
16. 
56. 

41. 
32. 



iin I 
(Olivengrun) . 

Hi I 

. ( Sch warzgriin I 

, 1 1 iin) . 

in i i is. 
Blue.(Luftblau) -• 

. (Dunkelblau) 

i 

(Turkieblau I 

(Hellblau) . 

i Ri nderblau) 

i i), if. rblau) 

BLACKS. 

Brun k (Braunschweig- 
Black whwars) 

Outlining 

Black (Schrii war 



Air 
rk 

Carmine 

Turqui 
Light 

Banding 
Delft 



• * 












l 



• « 



i • 









■ 



No ' Per Tube 

PDTKI UTO riuiM.i SS 
it. Rose Pun purpur) . . 

is. Carmine " ..(< minpurpur). . 
19. Deep " irpur) . . 

(Rubin pur)... 

M I M urron) 

Violet of Ii iviolel I .... 

Dei p Vi. dunkel) . . 

ji Blue '" ■ ■■ ' • 

(Rosa) 



How I 
23. Pompadour 

Red 
44. Su 
doi 

Hi n^n R 
:: I | d. . 

53. < 



RBD8. 



! • 
i l'.-tnpai 1 I. 

qual 

i Braunrotl. 

e) 

rrnin ) ... 



imow NS. 

e (Chocoladen- 

own . . braun I 

g < lusarbeitungs* 

Brown . braun I 

a Brown. 1 labraun) 

I Gelbbraun) ... 
•• .tDunkelbrauB) 
itnul .(K inienbraun). 

t.ur.vs. 

for 

. . . (GraufurBlumen) 

2 i Flc8h(Grau fiir Flcisch) 



40. Elux 



FLUX. 

i F'.uss) 



<B 

Copata 

Bio 

OetaKb 



Yellow 

Finishii 

Dar 

Shi 

Auburn 

• 

01i 
Ro; 

R'l 

Persui 

Yellow 



M 
Pomp 
Pomj 

(fli 



Dres 
(i 



ARTISTS MATERIALS 



FRY'S VITRIFIABLE COLORS IN POWDER, ETC. 





BLACK. 



Per Vial 



German Black 



BL1 BS. 

Aztec Blue 

Sevres Blue 

nding Blue 

Copenhagen Blue. . . 

Air Blue 

Baby Blue 

Celestial Turquoh 

BROWNS. 

Yellow Brown 

Finishing Brown. . . 

Dark Brown 

Shading Brown. . . . 

Auburn Brown 

Meissen Brown 



G » i : E \ s . 

Moss Gieen ... 

Olive Green 

Royal Green 

Russian ' n . . . 
Persian Green. . . . 
Yellow Green 



Per Vial 

Sevres Green 

Sap Green 

Apple Gre< n 

Grey Green 

Sea Green 

Deep Blue Green. . . . 

Empire Green 

Shading Green 

Dark Green 

Brown Green 

Now Green 

Black Green. 

VIOLETS. 

Royal Purple 

Violet No. 1 

Violet Xo. 2 



GREYS. 

»ld Grey 

Silver Gr< \ 

It oval Copenha gen 

Grey 

Warm Grey 

ail Grey 

Grey for Flesh 



PIMvN WD riRI'LES. 

Per Vial 

Roman Purple 

Ruby 

Rose 

Peach Blossom 

Palma-Rosa Salmon. . 

REDS. 

Yellow Red 

Pompadour 

Viii]. i of Iron 

Blood Red 

Carnation 



yellow s. 

Egg Yellow 

Albert Yellow 

Lemon Yellow 

i i imrose Yellow 

Trenton Ivory 

Oriental Ivory 

Imperial Ivor] 

I ",iw Yellow 

Mixing Y< How 

GLAZE. 

>iv < Haze 



Samples of above colors each Comph te set sampl' 

Any of the above colors can be used for dry dusting if desired. 



Colors Specially Prepared for Miniature and Figure Painting 



Per Vial 

Flesh No. 1 (blond).. 

Flesh No. 2 - bru- 
nette) 

Pompadour Xo. 1 . . . 

Pompadour Xo. 2 
(fluxed) 



Per Vial 



Reflected Light. 
Cool Shadow. . . 

Tender Shadow 
Warn i Shadow. . 



Per Vial 
Finishing Brown No. 

1 

Finish in.,' Brown Xo. 

2 (fluxed) 

Samples, each 



Per Vial 

Fry's White Enamel. 

Fnglish Enamel 

Dresden Relief White 
(Aufsetzwelss) . . . 



Paste, Enamels, Etc. 

Per Vial 

Pink Enamel 

Coral Enamel 

Turquoise Enamel . . . 
I obalt Enamel 



Per Vial 

Dresden Flux 

Hancock's Paste for 

Raised Gold 

Hancork's Hard En- 
amel 



ARTISTS' MATERIALS 



FRY'S VITEIFIABLE COLORS IN POWDER, ETC.— Continued 

Matt or Gouache Colors 

Per Vial Per Vial 
Bronze Green 

Olive Green 

Light Turquoise Blue 

Dark Turquoise Blue 

Deep Blue 

Purple 

Lavender 

Rose 

Cardinal Red 

Samples each Complete set samples, 



Per Vial 



Ivory Vellum. 
Old Ivory.... 
Light Yellow. 
Golden Yellow 
Orange Yellow 
Pale Green . . . 
Yellow Green 

Empire Green 
.Meadow Green 



Indian Red. . . 
Pompadour . . 
Yellow Brown 
Golden Brown 
Bronze Brown 

Soft Grey 

Black 

White 



Fry's Liquid Lustres 



Per Vial 

Grey 

Pearl Grey 

Blue Grey 

How 

Orange 

Shammy 

Brown 

Yellow Brown 

Rose 

Light Green 

Dark Green 

Blue Green 

Olive Green 

Blue 

Mother of Pearl 

Opal 

White 

Covering for Gold 
Lustre (to produce 
Deep Violet) 

Gold Lustre 




Per Vial 
Dark Blue 

Steel Blue 

Light Blu« 

Chatoyant 





Per Vial 

Platinum 

Iridescent Ror.e 

Purple 

Violet 

Ruby 

Black 



HALF VI VIS. 

Gold Lustre 

Steel Blue 

Chatoyant 

topper 

Platinum 

Iridescent Rose 

Purple 

Violet 

Dark Blue 

Ruby 

Black 

Silver 



Oils and Mediums 

y's Medium 1 OZ., 

Pry's Special Tinting Oil 1 oz., 

Fry's Enamel Medium 1 oz.. 

Fry's Oil for Raised Paste 1 oz., 

English Grounding Oil 1 oz., 



Earl. 



Each 



pint, 
pint, 
pint, 
pint, 
pint, 



Irory 
T.tntoi 
I/.mon Y 
Albert Y 
Egg Tell 
Neutral ' 



Yellow I 

Dark Yel 
lyke 
Par: 
Hair Bn 



Yellow 

I natk 

Bio- 

Brown 

Salmon 



Azure 
Gr. 



Matt 
Matt 



ARTISTS' MATERIALS 



M. M. MASONS OVERGLAZE COLORS FOR PORCELAIN 



IN* POWDER 



CAREFULLY SELECTED AND FINELY GROUND 




YELLOWS. 

Per Vial 

I vory 

T,enton Ivory 

Lemon Yellow 

Albert Yellow 

Egg Yellow 

Neutral Yellow . . % . . . 

browns. 

Yellow Brown 

Dark Yellow Brown. . 

Vandyke Brown 

Paris Brown 

Hair Brown 

Finishing Brown.... 

BBD8. 

Ydlow Red 

irnation 

Pompadour 

Blood Red 

Brown Pink 

Salmon 



GREENS. 

Per Vial 

Apple Green 

Celadon 

Grey Green 

Sevres Green 

Moss Green 

Yellow Green 

Olive Green 

Brown Greon 

Shading Gn i en 

Myrtle Green 

Royal Green 

Empire Green 

Grounding Green.... 

1 >;irk Green 

Black Green 

Russian Green 

Blue Green 

Dark Blue Green, . . . 
Chinese Green 

BLUES. 

Copenhagen Blue.... 
Turquoise Blue 



Per Viai 

Persian Blue 

Banding Blue 

Royal Blue 

GREYS. 

Copenhagen Grey. . . . 

French Grey 

Pearl Grey 

Warm Grey 

Slate Grey 

PIMvS, PURPLES AND 
VIOLETS. 

Peach Blossom 

Rose 

Rose for grounds. . .. 

Hancock's Carmine.. 

Ruby 

Best English Maroon 
Violet 

BLACKS. 

Black (best for paint- 
ing and outlining) 
Hard Black 



Transparent Glazes for Underglaze Effects 



Per Vial 



Azure Glaze. . . . 
Grey Blue Glaze 



Per Vial 



Green Glaze. . . . 
Turquoise Glaze 



Matt Colors for Ground-laying 



Matt Old Ivory... 
Matt Bronze Green 



Per Vial 



Matt Bleachy Blue 



Matt Deep Red. 
Man Wcdgewood 
per vial "' 



Per Vial 



Blue 






6 



ARTISTS' MATERIALS 



M. M. MASON'S OVERGLAZE COLORS FOR PORCELAIN— Continued 



BISCB 



Relief Enamels, Fluxes, Paste, Etc. 



Per Vial 

Best White Enamel. . 
Turquois Enamel. . . . 
Pink Enamel 



Per Vial 

Red Enamel 

Best English Enamel 
Aufsetzweiss (in pow- 
der) 



Per Via! 

Soft Flux 

Dresden Flux 

Hancock's Paste for 
Raised Gold 



Per Bof 

Pain* ins Medium, 1- 
oz. bottli 

Painting Medium. 8- 
oz. bottles 



Mason's Oils and Mediums 



Per Bottle 

Enamel Medium. 1-oz. 

bottles 

Best English Ground- 
ing Oil, 1-oz. bottle 



Lavender 
bottles 



Oil, 



Per Bottle 
1-oz. 



Yellow Br 
Vandyke I 
Purple Br 
Brown Hi 
Dark Bro 
Finishing 
Hair Broi 



Mason's Liquid Lustre Colors 



IN l/6-OUNCE VIALS 



#ms Bl 
Deck's Bl 
Robin's E 
Royal Coi 
Banding 



Per v& Per 
Vial Vi 

Grey 

IVarl G? 

Blue Grey 

Yellow 

Orange 

Chamois 

Brown 

Yellow Brown 

Iridescent Rose. - 

Silver 

Ivory - 

Opal 

Rose 

N«w Blue 

Olive Green 

Blye Gre« n . . ... 




Per *£ Per 
Vial Vial 
Purple 

Violet 

Id 

■ tlnum 

Black 

Ligfc 

>rk G 

N< v Gm 



»lK»r 



ua"o 

White 

lug for Gold 
Lustre (to produce 

deep Viol 

Mother of Pearl 



Black .. 



MoiiGr- 
«o*Gr 
DeepBJ 
8axon T 

Sight 1 
Dark G 
S*P Ur 
Verdigr 
Brown 

0% j 







ARTISTS' MATERIALS 



9 



BISCHOFF'S VITRIFIAELE COLORS FOR CHINA PAINTING 



Dry, in Powder 




BROWNS. 

Per Vial 

Yellow Brown 

Vandyke Brown 

Purple Brown 

Brown Pink 

Dark Brown 

Finishing Brown 

Hair Brown 

DUES. 

6evres Blue 

Deck's Blue 

Robin's Egg Blue 

Royal Copenhagen... 
landing Blue 

BLACKS. 

Black 

Purple Black 

GREENS. 

Moss Green, A 

Moss Green, C 

Deep Blue Green 

Saxony Green 

Russian Green 

Night Green 

Dark Green 

Sap Green 

Verdigris 

Brown Green 

O'ive Green 



Per Vial 

Shading Green 

Yellow Green 

Celadon 

GREYS. 

Gold Grey 

"White Rose 

(Grey for flowers) 

Neutral Grey 

Ashes of Roses 

PINKS AND PURPLES . 

Old Rose 

Rose 

Peach Blossom 

Deep Purple 

Ruby 

American Beauty. . . . 
Magenta 

REDS. 

Flesh 

Carnation 

'Flame Red 

Poppy Red 

Carmine Flesh 

Pompadour 

Blood Red 

Dragon's Blood 

Violet of Iron 



VIOLETS. 

Per Vial 

Violet 

Pansy 

YELLOWS. 

Albert Yellow 

Dark Yellow 

Lemon Yellow 

Ivory Yellow 

Orange Yellow 

GLAZES. 

Ivory 

Warm Grey 

Salmon Pink 

Transparent 

Lavender 

PASTES. 

For Raised Gold. . . . 
For Mending China. . 

ENAMELS. 

White 

Turquoise Blue 

Turquoise Green 

Pink 

Light Blue 

Dark Blue 

Lettuce Green 

Yellow 



10 



ARTISTS* MATERIALS 



AULICH'S CHINA COLORS 
Dry, in Powder 



Per Vial 

itosa 

American Beauty. . . . 

crimson Pnrple 

Blue Violet 

I »eep Violet 

Lilac 

Dark Bine 

Turquoise Blu«- 

Apple Green 

J Hue Green 

Turquoise Green 

Water Green 



Per Vial 

w Green 

I »ark Green 

Black Green 

< "live Green, good f..r 

Beleek 

Warm Green 

Grey, for White Roses 

Copenhagen 

Lemon Yellow 

Albert Yellow 

Yell«.\v Brown 

Sepia Brown 



Per Vial 
I »ark Brown 

Vandyke Brown — 

Auburn Brown 

Meissen Brown 

Poppy Red 

Pompadour 

I von- Glaze 

White Enamel 

Flux. Soft 

Superior Black 

Aulich's Medium, for 
pa luting and tintiug 



Best Bj 
Purple I 
Hair Bli 

Hard •• 



SPECIALTIES OF THE OSGOOD ART SCHOOL 

Standard Pink Standard Grounding Oil 

andard Jacque Rose Tar oil 

Finely Prepared Tinting nil 



FRY'S CHINA PAINTERS' OUTFIT 
Beginners' China Painting Outfits 

OUTFIT A."— 

Polished Wood 

1% inches, c 
taining 1l ils 

Fry's Chi 11 a 

I '•■' rs, l bottle 
Fry's Medium, 1 
Palette Knife. 
3 Camel Hair 
Pa i u t i n g 
Brushes, arid 1 
Red Sable 
Liner, each com- 
plete 

OUTFIT "B."— 
Polished Wood 
B"X. 3%XlO%X 

i inches, con- 
taining 15 vials 
Fry's China 
Color, (includ- 
ing Ruby ) . 1 
bottle Fry's 
Medium, 1 Pal- 
Camel Hair Painting Brushes, and 1 Red Sable Liner, each completed?.. ^?!?" 







res 1 
TurqooL 

. 
y B 

Air Bin 

al I 

Altec 1 

Auburn 
Hair B 

. 
Fii 

Pearl i 

Ko 

Grej 

w 

A> 

Note. 



5 



Y*lloi 
Br 



Mudlj 
uUut 



ARTISTS' MATERIALS 



11 



CAMPANA'S HIGH GRADE POWDER COLORS FOR 

CHINA PAINTING 

IN VIALS. 




BLACKS. 



Per \'i:tl 



Best Black . 
Purple Black 

Hair Black. . 



FLUX. 



Hard 
Soft 



BLUES. 

Sevres Blue 

Turquoise Blue 

Banding Blue 

Lby Blue 

( lopenhagen Blue. . . . 
Black Blue 

Air Blue 

Royal Blue 

Aztec Blue 

BROWN'S. 

Auburn Brown 

Hair Brown 

Yellow Brown 

Chestnut Brown .... 

Meissen Brown 

Finishing Brown, 

No. L' 

Finishing Brown .... 

GREYS. 

Pearl Grey 

Royal Copenhagen 
< I rey 

Warm Grey 

Ashes of Roses 

Note. — Colors marked So. 2 



GREENS. 



rer Vial 



Yellow Green 

Water Green, light . 

Olive Green 

Brown Green 

Shading Green . . . 
Peacock Green 
Darkest Green 
Sultan Green, rich. 

Grey Green 

Deep Blue Green. . 
Empire Green 

Myrtle Green 

Moss < rreen 

Royal Green 

Apple Green 

New Green 

Persian Green 

Russian Green 



■ • 



• ■ 



PINKS AND PURPLES 

Rose Salmon 

Best Rose 

Peach Blossom 

American Beauty . . . 

Royal Purple 

Ruby Purple. X<>. 2. . 
Crimson Purple .... 
Ruby Purple, brilliant 

REDS. 
Pompadour Red. light 
Pompadour Ked. dark 
Blood Red. No. 2 . . 
Blood Red 



Per Vial 
Yellow Red. No. 2. .. 
< 'arnation 

Yellow R«m1 

Poppy Red 

VIOLETS. 
Violet of Iron. No. 2. 
Violet of Iron 

Violet 

Hark Violet, No. 2. .. 
Deep Violet of Gold.. 

FLESH COLORS. 

Flesh, soft tint 

Flesh, shadow 

Flesh, da rk shadow. . 

Flesh, grey 

Flesb, transparent. . . 

YELLOWS. 

Imperial Ivory 

Trent ou Ivory 

Ivory Yellow 

Neutral Yellow 

Primrose Yellow .... 

Albert Yellow 

I >eep Yellow 

Egg Yellow 

Leinou Yellow, rich . . 

GLAZES (For Dusting). 

Ivory 

<;reen 

Pink 

Blue 

Lavender 



are one shade lighter than colors bearing the same name. 



Camp ana's Liquid Lustre Colors 



Orange 

Yellow 

Light Green . . . 
Yellow Brown . 

( >pal 

Brown 

Mother of Pearl 



Per Bottle 



fellow Pearl 

Olive Green . 
Briliant Green 
Dark Green . 

Blue Green . 
Black 



rer Bottle 



Campana's Mediums 



Per Bottle 

Dark Blue 

Iridescent (strong).. 

Violet 

Purple 

Ruby 



Medium for Mixing Colors 
Diluting Medium 



Per Bottle 



12 



ARTISTS' MATERIALS 



SLEEPER S MACHINE SPREAD CRUCIBLE ROMAN GOLD 

FOI iHNA DECORATING. 

(The Gold in the Dust-proof Package) 



A Sign 
of Quality 




.. .^-^ ■> 

■ ^\\\\\\fm^« ^ 

L 7/' ____^^ kl 

.£ ' \k Vet - ' m ^"-" - '" l 5: "" ~ 

~ nil Tz\ V\ . — — 3^ m..i» ■ ^^ 

Tfriimiiiiir - Hill — " 

The dust, air and moisture proof pack- The gold is ready for Instant use by 
age, that protects the gold from all detri- simply cutting the celluloid cover and re- 
mental conditions. moving the g No other move- 
ment or c re paired 

Per Box Ter Doz. 

Sleeper's Crucible Roman Gold 

si t*s Crucible Dnfluxed Gold ........ 

sic a Crucible White Gold •• 

S r's Crucible Green Gold 

Sleeper's Velvet Gold 

Same quality as the ' rucible Gold, bnt less qui and not 

in the patent dust-proof pack 

Per Box 

Velvet Gold < aan or i afluxed > 

Sleeper's Monogram Gold 

Same quality as the Crucible Gold, but larger quantity and lot 

iu the patent dust-proof pad 

Per Box 

Human or I'nfluxeri 



Vaflaxcd 



influx 



S 




ARTISTS' MATERIALS 



13 






PREPARED GOLDS 

Marsching's Superior Matt or Burnished Gold in Paste Form 

The Old Reliable 



Per Box 
Roman <ioid. No. l 

Roman Gold, No. - 

i: iinan Gold, No. 3 

rutiuxwl Gold 



rer Box 



<;reen Gold 

(ireen Gold Bronze. . . . 

Red Gold 

Roman Gold for G 



VARIOUS GOLDS AND SILVER 

Per Box 

dey'fl Gold (Roman and Unfluxed I Mason's Roman Gold 

Hasburg's Phoenix Gold (Roman and Sherratt's Gold, large 

Unfluxed I Sherratt's Gold, small 

Fry's Gold (Roman and Unfluxed) .. 

MARSCHING'S BURNISHED SILVER 

In Bash' Form on Glass Slab Per Box 



Per Box 



MONOGRAM BRIGHT GOLD 

Ground Ready for Use 

All your Waste of Gold is Saved by using Monogram Bright <;>>ld, 
direct from the bottle, packed in a box which provides 

a stand for the bottle. 

Unequalled in richness and lustre, made for 
decorators of china, who desire to produce -work 
of superior quality. The bottle is especially 
designed with an opening large enough to allow 
f<»r the use of any size china painter's brush. 

Each 

Monogram Bright Gold (liquid i 

Monogram Bright Silver (liquid) 

Monogram Bright I'latinura (liquid) 

Tin: BOTTLE 8TAWD BOX Monogram Roman Gold (liquid) 





GOLD, SILVER AND PLATINUM 
IN LIQlftD FORM 

MARSCHING'S SUPERIOR LIQUID BRIGIIT GOLD 



La 



In packages containing one vial of Liquid Dri 

Gold, and one vial of ess^nc for thinning 

Mi rsohimi's Liquid Burnish Gold 

Marsching's Liquid Bright Silver 

Mi rsching's Liquid Bright Platinum 

Fry's Liquid Bright Gold 

Mason's Liquid Bri-jht Gold 

Campana's Liquid Bright Gold, lar.- • 

Campana's Liquid Bright Gold, small 



I 



U 



ARTISTS' MATERIALS 



FAVOR, RUHL & CO.'S WHITES, ENAMELS AND FLUXES 

IN POWDER FORM 



W3IITE ENAMELS 

Soft White Enamel Per Vial 

Medium White Enamel 

Hard White Enamel 

French White Enamel 

Best English Enamel White 

Dresden Enamel White 

Permanent White 

Chinese White 



FLEX. ETC. 

rural Flux Per Vial 

ft Flux 

1 rench Flux 

Paste tor Relief c;nid 

Paste for Rough Gold Grounds 

Paste for Raised Bright Gold 



PASTE, ALLOYS, ETC. 

Lacroix Paste for Raised Gold for China F«' r ^ W 

Lacroix Paste for Raised Gold for « ss 

Lacroix Relief White • Aofsetzweiss I for Gold 

Lacroix Relief Whir.- (Aufsetzweiss) dry in powder f >ld 

I'resden Relief White, for : - I (Aofsetzweis* 

Dresden Relief Wh r Gold (Anfeetzweias) dry in powder 

Gold Flux 

I ild Alloy 



Tube 
\ ial 

Tube 
Vial 



.« 



>• 



• - 



• • 



GOLD, SILVER AND PLATINUM IN POWDER FORM 

FOP DECORATING CHINA, EARTHENWARE AND GLASS 

Burnish Gold Grey, ready prepared and fluxed Per Dwt. 

Burnish Gold Black, ready prepared and fluxed 

Unflnxed Gold (Chemically pure Brown Gold) for working over color. . 

Burnish Silver, ready j r> pared and fluxed 

Burnish Silver. T'nfluxed 

Burnish Platinum, ready prepared and fluxed 



■. 






■ ■ 






4* 



• • 






• • 



«« 



FAVOR, RUHL & CO.'S PASTE FOR RAISED GOLD 
In Jar?, ready for use Per Jar 



LACROIX S CEMENT 



Per Vial 



For Mend) g <Tiina 
For Mending < !la 



ASBESTOS CORD 

For tying cemented articles to fire in kiln Per Ball 

In rolls of 6 yards Each 



FRY'S TRACING WAX 

For 1 nlnz tra m he molded with the fingers 



P.-r Box 



FAVOR, RUHL & CO.'S ERASING FLUID 
For etching I a or China, also for removing G I and >r that has u*en 

fired ; half-onnec bottles Per Bottle 



For China Painl 

rs 15x20 



GRAPHITE PAPER 

A fine Transfer Paj 'duces f lines on China; 

Per Sheet 

pedal price by the ream 



DRESDEN TRACING PAPER 

For I n Painters : in si. 10x24 . Per Sheet 



BURNISHING SAND 
Burnish Sand (for Matting Gold) fer Bottle 

Burnish Sand (tor Matting Gold*, ponnd le Per Pound 



v^r: 



FJIVOI 






ta*t 



3i 8 be 
8i61dc 
*i \ 
LOxl 



4x4 1 

Bx«| 

10 



* •- 






& 4 I 



ARTISTS' MATERIALS 



CHINA MARKING PENCILS 



incased in paper, not wood, therefore easy to sharpen. The best 

pencil for marking on China 

onte Lithographic Pencils. Nos. 1 . 2, .'i. in wood 



EARTHENWARE STILTS 

Double Pointed. For Stacking China in the Kiln. 



1. 2. 3. 4 



»os. 

»os. T. and 6 
Cos. 7 and v 
Joe. 9 and 10 
>os. 11 and 12 



PLATTEN 



For Stacking China in the Kiln. 



15 




Each Per Doz. 



Ter Doz. 



sheets 10x10 inches 



Each 



WHITE CHINA TILES FOR DECORATION 

GLAZED 



Each 



3x 6 inches 
6x 6 inch. 
8x 8 inches 
10x10 Inches 



MULLERS 




Slabs 

4x 4 inches 

6x 6 inches 

8x 8 inches 

10x10 inches 



Mullers 

Bach % inch diameter 

% inch diameter 

1 inch diameter 

1% inch diameter 

1% inch diameter 



Each 



m 



« • 



■ ~ 



« - 





V 



— TV "~ I " • "~ 7 - 



x 













^ 



36m *1 



I tan 



■ 












« * 







ARTISTS' MATERIALS 



17 



GLASS BRUSHES 

FOR MATTING (SCO! RING) ROMAN GOLD 




No. l — % inch diameter, 8 Inches long 

No. 2 94 Inch diameter. 8 Inchi og [[ 

No. 3 — l inch diameter, 8 inches long 

No. l A — • _. inch diameter, i inches long 

Vi - I- :: . inch diameter, 4 Inches long 

\ v — 1 Inch diameter 1 inches long 

FINE STEEL COLOR ERASERS 



ich 




*% inch. Curved tl, Polished Wood Handle i; :lc i, 





1% inch. Dust Knife and Eraser, Polished Wood IT.mdle Each 

CURVED STEEL COLOR ERASER WITH PIN 





Polished Wood Handle 



Each 



KERAMIC GAUGE 




For banding and centering plates 
vases, etc Each 



IMPROVED PLATE SPACER AND 

DIVIDER 

The spacer is 
made of stiff 
cardboard, the 
c i re 1 e s and 
lines being 
printed in va- 
rious colors. 
Directions fur 
nished with 
each spacer. 

Bach 

I Hvider 
(paper) 




Lead Points for Use in Keramic Gauge 





No. 102. Round Wood Boxes, containing 6 leads Each, 



I 



is 



ARTISTS' MATERIALS 



CHINA PAINTERS' PALETTE KNIVES 

"Petite" Steel Palette Knives 




Finest Quality Tempered Steel. Ebony Handle* 

2%, 3, or 3%-incn blade 



Each 



Steel Palette Knives 

German Shape. 




Each K;l, " h 

inch Wad. coa Handles 3% -inch blade, Cocoa Handle* 

ij blade, Cocoa Handles 

Horn Palette Knives 

Bach 

No. O. "Petll for working gold.. 

-4 Inches long 

Inches Ions- • 

<; Inches long 

T 1 ... Inches lonf 

U Inches long 

3%-inch blade. Black Horn Handles (riveted | 

IMPROVED CHINA DECO- SELF-CENTERING 

RATORS' BANDING WHEEL . BANDING WHEEL 







Nos. 1-2 

Polished I with lnd< 1 lines for centering plates, cups, etc 

Light running, on solid cs 1 

No. 1. 6 -inch diameter of disk Bach 

\ ( . 2. RVi-incli diain of disk " 

aterlng, aluminum 

OC5 o So&W IMPORTED CHINA PALETTES 

° Each 

China Palette, size 7x4% Inches, 

jff villi 21 rrc< slant, and cover 

China "Mixta* Pi te, with 80 

' reef •!_. inches 




ARTISTS' MATERIALS 



THE CHINA PAINTERS' "IDEAL" PALETTES 

IN TIN BOX. WITH COVER 
TO PREVENT THE DUST FROM TOUCHING COLORS AND GOLD 



19 




No. 1. 0x13 inches, 
for colors, with 
brush tray, 

Each 

No. -. 0x7 [aches, 
for go 1 d. w i 1 b 
brash tray, 

Eacli 



NEW INDESTRUCTIBLE CHINA PAINTERS' PALETTE NO. 4 

The al>ove name states just 
-what this Palette is. INDE- 
STRUCTIBLE. 

This Palette will at once 
recommend itself to all China 
painters by its easily remov- 
able slab. The hinged parti- 
tion on the right side of the 
palette can be pressed down, 
the slab raised with the edge 
of the guard and removed 
■without a loss or smearing of 
any one of the colors that may 
be on it. 

There is no sliding out of 
the glass and smearing the 
colors as in the old style pal- 
ettes. 




Each 



Size 9x13, with space for color and brashes 
Opal Glass Slabs. No. 4 Palette 



NEW "ECLIPSE" CHINA PAINTERS' PALETTE 

Same style as the No. 4 Indestructible with spaces on the side to hold vials of 
China color and brushes Each 



30 



aRTISTS* MATERIALS 



NEW BOXES FOR CHINA MATERIALS 




Those boxes an- made in five sizes and arranged to hold colors put op in vials such as 
Lacroix's. Fry's M 11 as Dresden or Lacroix Tubes. 






i 



i 



Each 



No. 1 V 

No. 2 V 

No. 3 V 

No. 4 V 

'No. i 

4 V 



D— G'.xll C\l i; , inches. IS divisions 

D- xlO xl% inch _ >ns 

D- _ fexl% inch.-. 40 divisions .... 

D— Oi.jxi: 2 inch. visions (wit ho 

D— 7 xll x2% inch divisions. Contains special size "Idea 
Palette 

D— 9%xl inch 14 divisions. Containing [deal" Palette, with 
ring in center for convenience in placing in, and taK out of 
box 



s.: 



•This box is only furnished with paid 



No. 1 



Fitted g 18 Mineral Color, Ground Glass 
si, inches, Botl Medium, Boi i Grouni _ Oil - 
Palette Knif. . inch. Horn Palette Knife 4 inch, Glaas Mnller, 
One China Marking Pencil. Brushes, Special Ideal C 
One Box Marsching's Gold. Kach 



GROUND GLASS SLABS 
For Nos 1. 2 and 3 VD 






1 



AR.TIST5' MATERIALS 



21 



OILS AND MEDIUMS FOR CHINA PAINTING 




Per Bottle 

1 oz. '•_• oa 

bot. * ■*» t . 



Laeroix's Medium (tor I >ry Colors).... 

Laeroix's Rectified Turpentine 

'Laeroix's Rectified Pat oil of Turpen- 
tine 

•Domestic Fat Oil of Turpentine 

Laeroix's Rectified Oil of Lavender 

Laeroix's Rectified Oil of Cloves 

Superior Dresden Thick Oil, best quality 

Dresden Thick Oil, second quality 

Dresden "Medium" (for Dry Colors) 

Extra Prepared Balsam Copaiba 

Rectified Spirits of Tar 

dil of Tar 

Aniseed Oil 

Best English Grounding Oil. to dust dry 

colors on 

Tinting Oil. to thin colors for light 

grounds 

Essence for thinning Liquid Bright Gold, 

i'it gramme bottles 

•All orders for Fat Oil of Turpentine will lie filled 
with the Laeroix make, unless the Domestic is speci- 
fied. 



Per Rot. 



?»*" ft fa& Cooley's Tinting Oil. 
^^zTcf"" < Foley's Lavender Oil 



SIZE OF 1-OZ. BOTTLE. 



( L 



STUDENTS" CHINA PAINTERS' OUTFIT 



Contains 




12 Vials Campana's Powder Colors 
consisting of Black, Blue. Grey. Vio- 
let, fellow, Browns, Greens, Reds. 

mel Hair Quill Brushes. Square 
shader. each; Small and Medium 
size> 

Camel Hair Quill Brushes, Pointe-I 
Shader each; Medium and Larg 
sizes. 

Red Sable Liner. China Slab for Mix- 
ing Colors. Glass Brush for Burn- 
ishing Sheet French Tracing Paper. 
Steel Palette Knife. China Marking 
Pencil. Box Roman Gold, Sheet 
Graphite Paper, Bottle Mixing 
Medium. Price 



. . . 






ARTISTS' MATERIALS 



BEST FRENCH PENCILS AND BRUSHES 

ESPECIALLY MANUFACTURED FOR FAINTING ON CHINA, OTC. 

French Square Shaders "Regular" 

>l PEBFII IMEL HAIK IN «^l II) 



18. 

r\i. 

Per Doz. 



6 



B 



French Square Shaders Extra Short" 



8UPEBFI>-E CAMEL HAIR IN qril 



No*. 

tch, 

Per Doz. 



2 



6 



* 



■ 



ARTISTS' MATERIALS 



23 



BEST FRENCH PENCILS AND BRUSHES— Continued 
French Square Shaders "'Extra Large" 




Xo. 9 




No. 10 

Superfine Camel Hair in Quill*. Xo. 9 

Superfine Camel Hair in Quills. Xo. 10 

Superfine Camel Hair in Quills. Xo. 11 

Superfine Camel Hair in Quills. Xo. 12 



Each Per Doz 



French Grounding Brushes 




Xo. 10a. 
Xo. n. 



Xo. 11 



Superfine Camel Hair in Quills, pointed 
Superfine Camel Hair in Quills, square. 



<-h Per Doz 



French Miniature Pencils 



BUPEBF1NE CAMEL HAIR IX QUB 



Nos. 
Hack, 
Per D02. 



II 
Y 

K 
000 



00 



2 



2r\ 



ARTISTS' MATERIALS 



BEST FRENCH PENCILS AND BRUSHES— Continued 



French Pointed Shaders 



bUPERH-NK (AMI I- ftAIB I ' 




N OS. . . . 

Each . . 
Per doz . 



1 










'■■■ - 
fed 
! -r ta 



French Tracers 



SUPERFINE i I HAIR IN QUILLS 



Nob. 
Each . . 
Per doz . . 



Trenton 
Tracer 



6 



8 



Per, 






ARTISTS' MATERIALS 



25 



BEST FRENCH PENCILS AND BRUSHES— Continued 

French Short Painting Brushes 

SUPERFINE CAMEL HAIR IN QUILLS 



Nos i 

Each.. . 
Per doz . 



4 



8 



French Long Painting Brushes 

SUI'EBI i «B I AMI. I. UAIK IX QUILLS 



Nos . . . 
Each... 
Per dois. . 






i i 



3 



6 



6 



* 






?6 



ARTISTS' MATERIALS 



BEST FRENCH PENCILS AND BRUSHES— Continued 

French Square Liners 

SI KINK CAMEL 1IAIB IX QUILLS 



Noe 1 

Each . . . 
Per dvz. 







French Scrollers 

-i li Kl INK CAMEL LIA1B IX Ql II ! - 



• 



Noa .. .. 1 
Each. . . . 
Per doz.. 




3 



8 




ARTISTS' MATERIALS 



BEST FRENCH PENCILS AND BRUSHES— Contotsfd 

Best French Fitch Hair Stipplers 

SLANTING IN WIRE-BOUND QUILLS 



FOB BLENDING 



3* 






Nos 

Each 

Per doz.. 



3 



5 



Best French Fitch Hair Stipplers 



SQUAKE 



IN \VlUE-|:oi.'ND QUILLS 



FOR BLENDING 







Nos 

Each 

Per «1oz 



3 



6 






8 







8 




28 ARTISTS' MAT ERIALS 

BRUSHES FOR CHINA PAINTING— Continued 

Genuine Red Sable Liners 

For Fine Lines and Gold and Paste Work on China. 

Each 

Dresden Style. A (for Taste), 16 inch 

. Short. No. 00. % inch 

Ex. Short. No. 0. % inch 

No. 1. 's inch 

No. 2 

No. 3 

.. 4 

No. 5 

No. G 

Imported Dresden Red Sable Liners 

For Gold, Paste Work and Fine Lines on China. 

Rack 

■ ■ • 

No. 

No. 1 

French Flat Camel Hair Brushes 




For Groundin-v 
l' Tin Ferrules with Wood Handles. 

Sizes, Nos 2 4 6 8 10 12 

eh 

Flat Camel Hair Brushes 
Extra Short and Thin 
For Grounding. 

In Tin Ferrules with Polished Wood Handles. 
Sizes. No* 1 :i 5 7 

LGb 

Cedar Pencil Sticks 

Length. G*£ inches. 
For Ouill Pencils, assorted thickness Per Doz. 










ARTISTS' MATERIALS 



29 



BRUSHES FOR CHINA PAINTING— Continued 
Russia Sable Tinting and Elastic Tinting Brushes 




Polished Handles 

Each 

% inch % inch 

& Inch % inch 

% inch 1 inch 



Each 



Elastic Tinting Brushes 



% inch 
V£ inch 

^s inch 



Each 



% inch 
•v Inch 

1 inch 



Each 



Ea h 



A, Convention;! 1 . . . 

B, Conventional . . . 
< \ Flow 

1). Fruits 

E. Conventional . . . 

IP, Conventional ... 

G, Fruits 



CAMPANA STUDIES 






Six Diagrams in Color, 


Each 






II. Flowers 




o, 


( Jonventional , . . 


I. < 'nnwntioir.il . . 


» 


p, 


Flowers 


J, Conventional . . 




Q, 


Conventional . . . 


K, Fruits 




r 


\;it urn list in 








Conventional . . . 


M, ( ionventlonal . . 




T, 




N. Rim 1 tesign . . . 









Each 



BOOKS ON CHINA PAINTING 



China Painting. By August Klimke, Deco- 
rator ami General Manager of the Roj al 
Pottery Works at Berlin. Published by 
Muller & Ilennig, Dresden. Germany. 
Each 

Practical Lessons in Painting on China, 
Etc By Madame Lo Baronne Delamar- 

ilelle and M. F. Goupil. Each 

China Painting. A Practical Manual for 

the Use of Amateurs in the Decoration 
of Porcelain. By Miss M. Louise Mc- 
Laughlin. Each 

Hotc to Apply Matt. Bronze, Lacroix and 
Dresden Colors and Cold to China. By 
Miss A. IL Osgood. Bach 

4. Manual for China Pa inters. Being a 

practical and comprehensive treatise on 
the art of painting china and glass with 
mineral colors. By Mrs. X. di R. Mona- 



ehesi. With colored plates, showing 138 

mineral colors. Second Edition. Cloth. 
Bach 

The Teacher of China Painting. The most 
practical manual for the Study of China 

Painting. By D. M. Campana. 

Each 

Firing Pinna Lessons on Everything are 

contained in this hook: How to stack, 
how to lire how to repair kilns, china, 
etc. By D. M. Campana. Each.. 

100 Lustre Color Combination. ontains 

all the new colors and combinations. 

how to apply, how to correct mistakes, 

etc. By D. M. Campana. Each.. 

Monogram Book. Showing a large variety 
of monograms in all sizes, also separate 
letters. By D. M. Campana. Each. 



80 



ARTISTS' MATERIALS 



FINEST DRESDEN CHINA MEDALLIONS 



For Decorating — Pin-Back Claw Mountings to Fit 



Oval Medallions and Mounts 




Medallion 
No. 



MedTn 
Each. 



::- 



31 

29/11^ 

26 

- 
\ 

24 
52 

21 
10 

17 



1 3/16x1 

15 1 1 
1 xl 1 > 

1 1 

1 1/8 xl 

1 1 J xl 9/16 

1 5/16x1 11 16 

1 L6 

1 1 2 xl 1 

1 5/S x2 1/16 
1 11/16x2 1/16 

l 

l :; 4 x2 

111 10x2 7/16 

1 7 - x2 5 16 

1 1 8x2 1 2 

2 1/16x2 1 

1 7/8 x2 5/8 

2 x2 5/8 



M'nt M'nt 
>. E 

7% 

7 

■ 

i 

I 

1 ! , 

1 

j 

1, 

1 





Round Medallions and Mounti 




Mttlallion 
Xo. 



6 

8 
9 






11/16 



16 






il i i 



111 



12 



1 1 8 



l l i 



13 1 7/16 



U 

15 

150 

10 



1 1 _• 
I 

i : 9 



MedTn M'nt 

I ,. No 

AAA 
A A 



B 

C 

D 

E 

S% 

G 

11 

I 
J 



We can furni.sb Hat Pins for any of the number. Mated above. 



M'nt 
Ea< 



On* 



Mrll.U.. 

B 



I 



Ibdi 

r 



ARTISTS' MATERIALS 



31 



FINEST DRESDEN CHINA MEDALLIONS-Continued. 



For Decorating — Pin-Back Claw Mountings to Fit 



Horseshoe Medallions and Mounts 




Heart Medallions and Mounts 



Medallion Medallion 



No. 
662 

560 



Each. 



Mount 

No. 

322 

321 
320 
319 
318 



Mount 

Kach. 




Bar Medallions and Mounts 




■ii.i nion 


Medallion 


Mount 


Mount 


No. 


Bach. 


No. 


Each. 


;,< >s 




50G 




509 




505 




510 




504 




521 




502 




511 




503 




:.13 




501 





Medallion Medallion 



No. 
530 
529 
531 
534 
532 
537 
546 
179 



E'dcu. 



Mount 


Mount 


No. 


Each. 


210 




208 




306 




201 




307 




209 




183 




196 





Crescent Medallions and Mounts 




Medallion 


Medallion 


Mount 


Mount 


No. 


Each. 


No. 


Each. 


542 




218 




543 




219 




544 




220 




548 




224 





I 



ARTISTS' MATERIALS 



BRUSHES FOR CHINA PAINTING— Continued 
Russia Sable Tinting and Elastic Tinting Brushes 




rsnEn ir \>m 



Each 



% inch 
Yj inch 
% \nch 



PAVOl 



Each 



% inch 



1 inch 



Large French Grounding Brushes 



II AMU 



BUFERFIXI UB 




No 12 



No I 



No Wire Bound Quill? >od Handles, 1 

No Wire Bound Quill-. Wood Kandl 





each, 
oh. 




Two-Quill Stipplers 




Two Quills. Square . 
Two Quills, Detr Foot 



each, 
each. 



' - • . 
hi 



ARTISTS' MATERIALS 



to 



FAVOR, RUHL & CO.'S FINELY PREPARED ARTIST COLORS IN 

COLLAPSIBLE TUBE. 




0R,RUHL1CQ 






Size of 3-loch 
Tule 




Size of 4-inch 
Single Tube 



Sizeof 4-lnefa 
Dou* leTube 



Size of Jf-Ib. or Quadruple 
Tube 



k 



M 



ARTISTS' MATERIALS 



Colors and Materials for Oil Color Painting 



FAVOR, RUHL & CO.'S 
FINELY PREPARED ARTISTS OIL COLORS IN COLLAPSIBLE TUBES 

CLASS A each, single tu! h. double tubes. 

Am. Vermilion Cork Black. I s Grey. 

il'nfad'g). Cremnitz White. 1 lanent Blue. 

Antwerp Blue. Emerald Green. Purple Lake. 

Asphaltum. Flake White. J an Blue. 

Bitumen. Geranium Lake. It 

Blue Black. Gamboge. Raw 

Bone Brown. Grey Tint. Roman Ochre. 

Brown Ochre. Ivory Black. 1 ink. 

Burnt Sienna. Indian Lake. Sap Green. 

Burnt Umber. Indian Red. Scarlet Lake. 

Caledonian Brown. Indigo. Silver White. 

Cappah Brown. Italian Pink. Sugar of Lead. 

irmine Lake. Jaune Brilliant. TerreVerte. 

Cassel Earth. King's Yellow. Trans. Golden Ochre. 

irome Green. Lt. Light Red. Vandyke Brown, 

rome Green, M. Lamp Black. Venetian Red. 

Chrome Green. D. Magenta. Verdegris. 

Chrome Yellow, Lm. Mauve. Verona Brown. 

Chrome Yellow, M. Megilp. Yellow Lake. 

Chrome Yellow, D. Mummy. Yellow Ochre. 

irome Yellow, Or. Naples Yellow, Lt Zinnol reen. Lt. 

imson Lake. Naples Yellow, D. Zinnober 1. 

Chinese Blue. Neutral Tint. Zinnober Green, D. 

Cologne Earth. New Blue. Zinc White. 
Cool Roman Ochre. Olive Lake. 

CLASS B each, single tub each, dou tubes, 

Alizarin Crimson. Chinese Vermilion. Ro arthame. 

Brown Madder. Citron Yellow la. 
Cerulean Blue. English Vermilion. 

CLASS C each, single tubes. each, double tubes, 

Carmine No. 2. Lemon Yellow. Oxide of ( hro. Trans ' 

Cobalt Green. Lemon Yellow. Pale. Pink Madder. 

Cobalt Blue. Madder Lak. Madder. 

Extract of Vermilion. Malachite Green. g How. 

Fr. Ultramarine Blue. Mineral Grey. Vermilion. 

Ft. Veronese Green. Orange Vermilion. Vii 
Indian Yellow. Oxide of Chromium. 

CLASS D each, single tub each, double tubes, 

Cadrain Yellow. Pale. Cadmin Yellow. Medium Cadmin 1 Orange. 

CLASS E each, single tubes. each, double s. 

limine French. Pur ladder. \ rmine. 

CLASS F each, single tut each, double tubes. 

Aurora Yellow. Aureolin. Burnt Carmine. 

Madder Carmine. 

QUADRUPLE TUBES WHITES 

Cremnitz , 

Flake each - 

Ml ver eac 5' 

Zinc <*<*. 

each, 



ARTISTS' MATERIALS 



4T> 



nSSOR & NEWTON'S FINELY PREPARED 

In Collapsible Tubes 

... .each, 



ENGLISH OIL COLORS 



ntwerp Bhe 

halt urn ( I hick). 
Itnmen. 

lack Lead. 
lue Black, 
one Brown, 
rown Ochre, 
rown Pink, 
urnt Roman Ochre, 
urnt Sienna, 
urnt Umber. 

iledonian Brown, 
appah Brown, 
issel Earth. 
Iiareoal Grey, 
hinese Blue. 
iromeGreen. No. 1. 
drome Green. No. 2. 
drome Green. No. S. 
irome Lemon, 
irome Yellow. 
Irome Deep, 
irome Orange, 
irome Red. 
innabar Green. Pale, 
nnabar Green. Light, 
nnabar Green. Olive, 
nnabar Green, Middle 
nnabar Green. Deep, 
dogne Earth. 
>ol Roman Ochre. 
>pal Megilp. 
>rk Black, 
emnitz White. 



CLASS No. I 

Crimson Lake 
Cyprus Umber 
Davy's Grey. 
Emerald Green. 
Flake White, No. l. 
Flake White. No. 2 (Less 
stiff). 

Gamboge. 
Gold Ochre. 
Indian Lake. 
Indian Red. 
Indigo. 
Italian rink. 
Ivory Black. 
Jaune Brilliant 
King's Yellow. 

Lemon fellow, No 2. 

Lamp Black. 

Light Red. 

Magenta. 
Mauve. 
Mauve. No. 2. 

Medium (Copal Megilp). 
Megilp. 

Monochrome Tint, Cool, 1. 
Monochrome Tint. Cool. :' 

Monochrome Tint. Cool 3, 
Monochro. Tint, Warm 1. 

Monochro. Tint, Warm. 2 

Monochro. Tint. Warm 

Mummy. 

Naples Yellow. French. 

Naples Yellow. 

Neutral Tint. 

New Blue. 



CLASS 



Izarin Carmine. 
Izarin Crimson, 
izarin Green, 
zarin Orange, 
zarin Scarlet, 
zarin Yellow. 
)wn Madder, 
-mine Lake. 



Xo lr each 

Cerulean Blue. 
Chinese Orange. 
Chinese Vermilion. 
French Vermilion. 
Geranium Lake. 
Green Lake. Light. 
Green Lake. Deep. 
Malachite Green, No. 2. 
Purple Madder. Alizarin. 



Olive Green. 

Olive Lake. 
Orjiim. nt. 
Oxford Ochre. 
Payne's Grey. 
Permanent Blue. 
Permanent White (Zinc i. 
Permanent Yellow. 
Prussian Blue. 
Prussian Brown. 
Prussian Green. 
Pur pie Lake. 
Pyne's Megilp. 

Raw Sienna. 
Raw Sienna, Pale 
Raw Umber. 

Roman Ochre. 

Sap Green. 

Scarlet Lake. 

Silver White. 

Sky Blue. 

Sugar of Lead. 

Terra Rosa. 

Terre Verte. 

TerreVerte (Olive Shade) 

Transparent Gold Ochre. 

Vandyke Brown. 

Venetian Red. 

Verdigris. 

Verona Brown. 

Yellow Lake. 

Yellow Ochre. 

Yellow Ochre, Pale. 

Zinc White. 



Rembrandt's Madder. 
Rose Madder, Alizarin. 
Rubens" Madder. 
Ruby Madder. Alizarin. 
Scarlet Madder. Alizarin 
Sepia. 

Vermilion. Pale. 
Vermilion. 



30 



ARTISTS MATERIALS 



WINSOR & NEWTON'S FINELY PREPARED ENGLISH OIL COLOI 

— Continued 



CLASS 

Brillant Ultramarine 
Burut Lake 
:.ruiine. No- 2 
pod 5Tellow 
• 
It Green ; 
reen. No. 2 
Kilt Violet 
anlne B ue 
Emerald' >xide Oti 'hroniiinu 
Emerautl<* « D 
Extract of Vermilion 
French lltran ae 
French Veronese Green 
Indian Ye! 



no. in -...;- 

Leltch's Blue 
Lemon Yellow, j»ale 
Lemon Yellow 
Maddi r Lake 
Malachite Green 
Mars Brown 
.Mar> < Grange 
Mars Ued 
Mars ^ iolet 
Mars Yellow 
Mi ilGri 
Mineral Volet 

Mineral Violet. No. 2 
Orange Vermilion 



•h. 



CLAsS No. IV each, 



in 
Burnt < \irniine 
I diniuiu Lemon 
Cadmium Yellow 
idmium Y \\ pale 
dminm Yellow, ex-pale 



im Y v, mid 
Cadmium Yellow, dr> ; 

lin Orange 
< 'a r mine, finest 

m 

• u Madder 



Aurora Yell 



I l*-\r' s t* iN Oi * . . < 

iTiiiu i • 



< txideof < "hrouiium 
Oxide of < 'hrominm, trau- 
Permaneot Mauve 
rmanent Violet 
Pink Madder 
Primrose fellow 

Purple Madder 
I >ore 

R< se Madder 

Rose Bladder (Pink shade 
Scarlet Madder 
mili< 
..in Yellow 
ridlan 



Orange Vermilion 

lian Purple 
• I i! ler Carmine 
« Irient Yellow 

►let Carmine 

Fellow Cartnine 



1'ltrn marine As 



class No. VI. eacl 

ctra Madder Oarmin Extra Purple Mad lltraioarlii" Ash (Genain 



CLASS No. \ 1 1 ■ 

Extra Ultramarine Ash 



Genuine ntramarine, medium .strength 

full 



Per Tu I*** 1 * 



Extra Sizes Whites 



Doable 
Tubes 



Flake Whit.'. No i each, 

Flake White. No. 2 h. 

emnitz White each, 

Silver White eh, 

Ziii-' White h. 



Tubes 



1 lb. 

Tillies 



• - 



WINSOR & NEWTON'S "WINTON" WHITE 




This v ••iduced to meet the demand for a really 

good quality <<f White Lead at a moderate 

Each 

Double Tubes 

Half-pound Tut* 




One-pound Tu! 
Tut >- pound Till 



Ea< 



ARTISTS' MATERIALS 



37 



I 



W1NS0R & NEWTON'S FINELY PR] 

FOR ARTISTS 




intwerp Blue 
lone Brown 
turnt Sienna 
?urnt Umber 
'hrome Lemon 
^hrome Yellow 
Chrome Orange 
Emerald Green 



riinson I>ake 



STUDIO SIZE (LARGE TUBE) 
SBRIBS I i>ertube f 






Flake White, No. 1 

Plaice White, No. 2 

Gold Ochre 

Indian Red 
Ivory P. lack 
Light Red 
Naples Yellow 



Prussian Blue 
I Law Sienna 
Raw Umber 
Terre Verte 
Vandyke Brown 
Yellow Lake 
Yellow Ochre 



SERIES II per tube. 

| Perma nent Blue I Sap G reen 



alizarin Crimson 
llaarln Green 
trown Madder 



SERIES III per tube. 

Cerulean Blue 
Chinese Vermilion 
French Verm i Eon 



Geranium I>ake 
Vermilion 



SERIES IV per tube. 



obalt Blue 
obalt Green 
meraude Green 
rench Ultramarine 
idian Yellow 



Lemon Yellow 
Bladder Lake 

Mars Yellow 
Orange Vermilion 
Oxide of Chromium 



R<rae Do re 
Rose Madder 

Scarlet Vermilion 
Vlridian 



Lireolin 

idraiuni Yellow, pale 



SERIES V per tu 

I Cadmium Yellow, middle 
Cadmium Yellow, deep 



e, 



( admium Ora 
Carmine 



SERIES VI per tube. 

Aurora Yellow 



38 



ARTISTS' MATERIALS 





Winsor & Newlei 
Fuely Preparei 
Permaneal 
Oil Colors for Art; i 

"Kensington* 

Brand 

Studio Si 






Put Up 
Exclusively fo 
Favor, Ruhl & C 

Letter from Winsor & Newton, Ltd., London, England— Dated January, 19 

JR. RUHL & CO.. 43 V Xew York. 

Dea —In case any of your )me- ould ask the question, we beg to i 

form yo >n can a e them that our K, gton Studio Tubes contain colo 

hich are manufactured from exactly the same pigments and materials as our gener 

stock, and that prec »mc care udi are e ° ^.fTrrTnM? 

Yours faithfully, NSOR & NEWTON, LTD.. W. E. KILLICk, Directc 




I* 

TeU< 
fill 



SERIES A— Price 
Blue Black 
Bur: na 

Burnt Umber 
Flake V 
(Med. 
Flake White No. 2 

(5 

Flake V Xo. 3 

n 

Found". t White 
Golden Ochre 

Ind Red 
SRI B— Price: 
Umber 
SEK 5 C— Price: 
Brown Maddc 
ZRIES D— Price: 
Cerulean Blue 
Cobalt Blue 
Cobalt Green. Light 
Cobalt Green. Dark 
Cobalt Violet 
ae Blue 
ERI E— Price 

urn Yellow. Ex 
Pale 
Cadmium Yellov 

Pale 



per tube 

Ivory Black 
Naples Yellow 
Old Terre Verte 
Permanent White 

(Zinc) 
Prussian Blue 
Raw nna Dark 
Raw S ana Pale 
Raw Umber 
Roman Ochre 
Terre Verte 
Transparent Brown, 
Light 

per tube 

Permanent Blue 

per tube 

| Ruby M adder 

r tube 

French Ultramarine 



\ 



Transparent Brow 

Dark 
Transparent Gold* 

Ochre 
Venetian Red Xo. 

^ Light Red) 
Venetian Red Xo. 
Virgin Gold Ochre 
Winton White 1 
Yellow Ochre 
Light Yellow Ochi 

(Oxford) 

Permanent Crimsc 



cc: I K 




Purple Madder 
Rose Madder 
Scarlet Madder 
Viridian i Oxide 
Chromium 



Cobalt Yellow 
Vermilion Chinese 
Vermilion Scarlet 



Lemon Yellow 
.neral Violet > 
neral Violet M 2 
Oxide of Chromium 
(Opaque) 
per 

admium Yellov 
Middle 
Cadmiur Deep 

Cadmium Orange 

Maratta Artists' Oil Colors 

in tubes % x 4 inches 
Red ge Yelk 

Red Orange Yellow 

Yellow Green 

Ye lie 
Ye 
Yellow Green 

Orange Yello 

Ye' 

Yellow Green 

I of 18 Tube J Cc Per S 

-Color. 12 Hues Per Set. 

re 7 Tube 1x6 For T\- 






COLORS 
Per Tube. 

BT-COLORS 
Per Tub 

HUES 
Per Tut 



range 

Red 

ed Orange 
Orange 

Red 

Red Orange 

Orange 



L»recn 

•*en Blue 
ue 

Green 

een Blue 
Blue 

Green 

n Blue 
Blue 



Blue Purpl 
Purple 
Purple R 

je Purpl 
Purple 
Purple Red 

Blue Purpl 
Purple 
Purple Red 



ARTISTS' MATERIALS 



39 






FAVOR, RUHL & CO.'S DECORATIVE OIL COLORS 

FOR ARTISTS, STUDENTS AND DECORATORS 
QUADRUPLE TUBES 1x6 INCHES 





5 unit Sienna 
• unit Umber 
'hrome Fellow, Lt. 
!hrome Yellow, Mdm. 
' 1 1 » - - : 1 1 ( • Fellow, Deep 
'hrome Yellow, Orange 
hrome Green, Lt. 
'hrome Green. Mdm. 

vli7.;irin Crimson 
'obalt Blue 




CLAS S A each 

Chrome Oreen. Deep 
Cremnltz White 
Emerald Green 
Indian Red 

Ivory Black 
Light Red 

Permanent Blue 
Prussian Blue 

CLASS B each, 

Cerulean Blue 
Emeraude Green 
Madder Lake 



ARTISTS' 

GOWNS 

Well made, of ser- 
viceable, washable 
material 

Every Artist 
should have one 
of thes e good- 
looking and useful 
garments to wear 
in the studio. 

Easily slipped 
on and off. 

Two Colors-^ 
Ta ii and Da r k 

Blue. 

Two Sizes — 38 

inches and 42 

inches. 

Each 



Raw Sienna 

Haw Umber 
Ultramarine Blue 
Vandyke Brown 

Yellow Ochre 
Zinc White 
Zinc Yellow 



Rose Madder 
Vermilion 




40 



ARTISTS* MATERIALS 



" KENSINGTON " SKETCH BOX 





r: 






~ 



M. 
«ny pa 



wi 



wood, fitted >vii invas pn g 1 mabo 

. y mad< r j ..a side of bo 

at am Id il 




se of panels - in. 

each, 

Separal each. 



Carte 






•'KENSINGTON" ARTISTS' SKETCHING PANELS 

MOUNTED WITH SMOOTH SKETCHING CANVAS 

• UK IS TIU >\\ IN 

7x0 in each. 

each, 

*xl ... each. 

10 each, 

12x16 in.. each. 



MS*, 

': it 



I 



ARTISTS' MATE^.ALS 



41 



FINELY PREPARED CANVAS FOR OIL PAINTING 

IX ROLLS OF SIX YARDS BEST ENGLISH LINEN 

Every roll measures, for stretching purposes, about 2 inches mon In width U.an 
marked in the list, and contains 6 yards. 




WINSOR & NEWTON'S "BRITISH" CANVAS 

English Linen, Extra Quality 



-7 inches wide. . . 

10 inches wide. . . 

inches wide. . . 

VI inches wide. . . 



Per 

yard 



IV, 
roll 



Per 
yard 



roll 



45 inches wide. 

54 Inches wide. 

62 inches wide. 

74 inches widi 



WINSOR & NEWTON'S "WINTON" CANVAS 



27 inches wide 

80 inches wide 

86 inches wide 

42 inches wide 



Per 
yard 



Per 

roll 



4." inches wide 

."4 inches wide 

62 inches wide 

7 4 inches wide 



Per 

nl 



Per 

roll 



FAVOR, RUHL & CO.'S "VANDYKE" 

Per roll 

30 inches 

34 inches 

40 inches 



CANVAS 

Per yard 



FAVOR, RUHL & CO.'S SPECIAL CaNVAS 

Per Per 

roll yarc 

A — Grey Tint. Medium Rough Surface, 39 inches wide 

A — Buff Tint, Medium Rough Surface, 39 inches wide 

B — Grey Tint. Rough Surface, 42 inches wide 

B— Buff Tint. Rough Surface. 42 inches wide 

E — Grey 1 int. Smooth Sketching. 40 inches wide 

F— Buff Tint Smooth Sketching, 40 inches wide 

In ordering above "Special" Canvas, always state whether Grey or Buff is want' d 






ARTISTS MATERIALS 



FINELY PREPARED CANVAS FOR OIL PAINTING^ -Continued 



No 1 Smooth. Engliih Linen 



P^ 



P 
yard 



aches wid- 

36 inches wide. 

. Inches wide. 

aches wide. 

. aches wide. 

indies wide. 

* indies wide. . 

120 



No. 1 Absorbent. English Linen 



inch 






: 



Per 
yard 



No. 1 White Back, 



■8 



ran 



p 

J3 






39 Inches wide 



No. 8. Coarse 



i 

- 



p. 

roll 7 ■ 






No iv; 






36 inches 



wide, 



wide. 

w 



No. 10. 






. 



30 inches wide 






* 



Per 

: - • : 



-■ 

30 
36 



No. 2, Roman, Rngtiah Linen 



ran 



Per 
yard 






a Rough. En~ 



nil 



:- I 



■I 



.- _ yan 



No. % Grey Back. Plain girthing 



r ' 



yard 



- 




r LI yard 



'-■■ 






ARTISTS* MATERIALS 



I Size 
6x* inches.. 
7x10 
6x12 
8x10 
8x12 
9x12 
Ox 1 I 
0x16 
2x14 
2x16 
0x18 
0x20 
18 



Each 



• • 






» • 



• ■ 



• • 



• . 



• • 



• • 



FINELY PREPARED CANVAS 



MOUNTED OX STBJ 1' III US 
Linen Canvas, Smooth or Hough 
Size Each Size 

18x26 inches.. 



12x20 inches. 
12x24 






M 



14x18 

14x20 

12x30 

14x24 

1U.\20 

14x26 

16x22 

16x24 

18x22 

18x24 



• » 
i 

• ■ 

4 • 
> • 

M 

• • 
<4 



16x28 

Hix:iu 

20x24 

18x30 

20x2 

18x36 

20x30 

22x28 

22x30 

18x40 

20x36 



• * 
- 1 

14 

41 

14 
(4 



Each 



43 



Size 




22x36 


inches 


24x30 


* ■ 


24x36 


■ • 


1 S % . 


li 


10x50 


• • 


24x42 


• • 


30x36 


• • 


25x50 


>< 


30x4 


• • 


"x46 


• « 


30x50 


44 


40x50 


• 4 



Each 



FAVOR, RUHL & CO.'S "VAN DYKE" CANVAS PANELS 



Jffl inches 
\lo •• 

\ 1 2 " 



eh 



• • ■ 



FINELY PREPARED ACADEMY 

BOARDS 



SMOOTH OR ROUGH SURFACE 



6x 9 inches 

0x12 inches 
2x18 inches 
8x24 inches 



Bach 



EXTRA SIZES 



9x25 in dies 
2x21 inches 



I eh 



SUPERIOR OIL SKETCHING 

PAPER 

!x30 inches, smooth, per sheet 

5x30 inches, rough, per sheet 



CANVAS PLIERS 




rr Stretching- Canvas Each, 



l'»xl4 inches 
12x18 

1 1 \ 2( > 



Each 



» « 



OIL SKETCHING BLOCKS 

SMOOTH OR BOUGH SURFACE 

These blocks are made of prepared Oil 
Sketching Paper preyed firnih together 
Each sheet may be separated by passing 

a knife umler its eds 



5i 7 inches 

7x n» inches 

8x12 indies 

9x12 Inches 

"*" »■*»»« '.'.'. '.'.'.'.]'. 

12x16 inches 

12x18 inches 

14x20 inches 



Each 






CANVAS PINS 




Wooden center with steel pins 
projecting on each side, to place be- 
tween canvases f.>r carrying wet 
sketches, per dozen 



WINSOR & NEWTON'S LONDON OIL SKETCHING BOARD 

ze *°x30 'inched 111, R ° maQ ^ '****' ***** * g °° d **** ***'** to WOrt on 

per board, 



ARTISTS' ' 



AUS 













:he ou 



tenoned, lb- 
ae joii *nd iat 

two pieces of a * i wl 
Both sides of the str 
•Then pat together • 



1\ inch vide. 



PerD 






30 io 39 inch 
•10 to 4* inch 



- !• r 






eal foot. 



- 



Bars or 



OVAL ST 



:•:■*: 






on hand 



I 



Ooa 



or 

ill be charged 



or any 



wb» •▼*! Stretch 

priee&. < - h 

made to c - 



S?? }C • 









ARTISTS' MATERIALS 



45 



AVOR, RUHL & CO.'S "VANDYKE" WOOD OIL COLOR SKETCH BOX 

MADE OF IMITATION WALNUT 




" Vandyke* ' Box 

Pitted with sketch board to hold wet sketches, partitions for brushes, paints, etc., 
and is without doubt the best box at the price in the market. 
This box can be had in the following sizes, viz.: 
9x12 each. 10x14 each, 12x16 each, 



White Wood Panels—To Fit "Vandyke" Sketch Boxes 

) x 12 inches each, 10 x 14 inches each, 

12 x 16 inches each, 




The "Handy" Thumb Sketch Boxes 



Each 



No. 1. Pocket .Size 6»i*4%xl% inches 

No. 2. Size 6%x5%x2fi inches, with 
Palette 

No. 3. Si/,- 8%x6%r2% inches, with 
Palette 

Designed to carry a small assortment of 

colors, etc., and arranged to carry 

several spare panels. 



No. 2. 



46 



ARTISTS' MATERIALS 



The "Chicago" Wooden Oil Color Sketch Box 




Sice 
On 



The "Chicago" Sketch Box is very substantially made, has a shellacked mahogany 
finish and a strong leather handle. A Brass rod holds cover rigid at various angles 
for sketching. Partitions for brushes, paint, oils, etc.. and space in cover for four 
wet sketches. Neat in appearance and light in weight. A favorite with artists and 
students. 

Fitted with mahogany palette and two wooden panels prepared for painting. 



Four Sizes. 

Inside measurements 9 x 13 inches 

side measurement- 10 x 14 inches 

Inside measurements 12 x 16 inches. . 

Inside measurements 14 x 20 inches 



Each 



P. S.-The above Sketch Boxes arc made of three-ply stock, top and bottom. 



ARTISTS' MATERIALS 



47 



ALL IN ONE 

yicetchin 
Outfit 




"All in One" Wooden Oil Color 

Sketch Box, Easel and 

Stool Combined 

The most compact sketching outfit 
on the market. It is very simple, yet 
exceedingly substantial. Hardwood 

box in mahogany finish. 
Brass trimmings with rack 
in cover for six wet 
sketches, metal extension, 
which screws on box to 
hold large canvas and acts 
as easel. Legs are adjust- 
able for uneven ground, 
stool is attached to box. 
Fitted with a mahogany 
palette, one board for wet 
sketches, lock and key, a 
strong, durable leather 
handle. All folding to- 
gether, making it easy to 
carry and transport. 

Inside measurements 12x16 
inches, complete 

Each. 



All in One* 




The "Reubens" 
Wooden Sketch Box 

Same construction as the 
" Ml in One" Outfit but 
without the Easel and 

Stool. 

Inside measurements 
12x16 ins., Each 



The ••Favor" 
Wooden Sketch Box 

Beautiful dull polish of an- 
tique, green finish, is substan- 
tially made with nickeled brass 
metal parts. The cover has 
space for six wet sketches and i^ 
adjustable to any angle, being 
held securely by brace on si- 
of box. Fitted with mahogany 
palette, one panel to hold v ■ 
sketches, lock and key and a 
strong black leather handle. 

Inside measurements 10x14 ins., 

Each 



r. S. — The above Sketch 
Boxes are mad* of three-ply 
-•'Favor 1 ' stock, top and bott 



48 



ARTISTS" MATERIALS 




'Complete 



The "Complete" Wooden Oil 
Sketching Box 

The Complete" Sketching Box is 
made of maple with a shellac finish; it 
has an extension metal tripod leg which 
screws in the bottom of the box and two 

•oden extension legs which fasten on 
cither side of the box and answer the 
purpose of an easel. When not in use 
legs are carried inside of box, and make 
outfit very compact. The color tray can 
he tilted to a horizontal position when 
in use. 

Space in cover for two panels to hold 
wet sketches. Fitted with mahogany 
palette, lock and key, leather handle and 
metal trimmings. 

Inside measurements 12 x 16 inches. 
Each 




The "Ruhr Wooden 
Sketch Box 



This is an exceptionally 
mat appearing box, finished 
in a dull antique green. The 
cover can be held secure at 
any desired angle and has 
space for four wet sketches. 
Fitted with mahogany pal- 
ette, two wooden panels and 
a strong leather handle. A 
good value at the price. 

Two Sizes. 
In measurements 

10 x 14 inches. . . Each 

Inside measurements 

12 x 16 in< Ins . . . Each 

"Ruhr 

P. S.— The aho\i Sketch Boxes are made of three-ply stock top and bottom. 



No. 0. 

ceptark t< 
secure! ■ 

No. 0. 
sables, 3 ] 
bottle pop 
cup and 1 

So. 0. 
Rubl & 

No. 
lv coverii 

'No. I 1 
Inches, w 
new recei 
i for h 
tbeir r la 

so. m 

I WtOH 

ors, 1 bo 
oil turpt 
4 red sa 
brushes, 
brushes, 
palei 
er. chare 
and ma! 

No. V 
same a 
with ?i 
colors. 



< 



n 
tub, i 

thed 

: 

pale 
2Bri 
chart 



ARTISTS MATERIALS 



40 



JAPANNED TIN OIL COLOR BOXES 

No. 0. Improved, empty sizo 12 2% in 5, fitted with en( 

for tubes, also extra tray for tubes or brushes, and lid with 

seen covering con ten 1 Each 

No. 0. Improved, fitted containing M Wi r & Newton's 

3 flat ! les, l badg< r t l . mi. r, pal< tte ! nif< inch cr; i 

ttle poppy oil, pale drying oil and turpentine, charcoal cl tin pal< 

od mahogany i al< tt< Each 

No. 0. Impi d, fitted, i ining sami ortm< 

Ruhl & nil . oli Eat ii 

No. 5. Improved. Si2 I I \ • ■ fitted v 
ly covering tubes, empty. tch 

No. iy 2 . Size 1x3^ 

inches, w ith i aii i d i o\ 1 1 d 
. .\ !<•< i pt acle for tu) ■■■ Ith 
lid Cor holding thi coloi in 
their plac< Each. . 

No. 1 ■_•. Fitted ining 

20 w »r & N< wton • oil col 
I bottl ich pale drying 
oil, i ui ]m mine oil, 

4 red sabl« 

brushes, 2 Bri iri tie 

brushes, 1 No. I badg< r bit nd- 
er, i ■ te h i u hold- 

er, charcoal, i ha i' l< tte cup 
and mahogany pali i h 

No. i ' '.», Fitt( d. conta ini 
:ie 

i: Favor, Ruhl & Co/s oil 
colors. tch 





Ko. 1*1 

No. \% Si e 13x9x214 in with raised top. Having Tor 

tnrvs. -f ,it- Insidi 3 < ovi r I entir< cont< ol the I 
the ili. :emenl of any articli 

No. l V Fitted, C« i n i ii oil i i 

pale drying oil, poppy oil, and turpentine, I red 
2 Brlght's bristle brushes, 1 No. i badger !>l. 
charcoal, chalk palette cup and mahogan ilette..., ... h. 

No. I 3 ,. Fitted, containing same as ortmeni a with ihl 

& Co.'s oil colors Each, 




^ 



ARTISTS' MATERIALS 



JAPANNED TIN OIL COLOR BOXES— Continued 

No. 2%. Size 1 ', -x :•"■, x 3U inches. 
with flat top, and new I ptaclee for 

tubes, and i lid securely holding 

tubes in ( laces. Double bottom, 

with slides fo -Tying wet sketches. 

Each, 

No. 2V£. Fi Jl '■ Vin " 
sor & Newton' olors. 1 bottle eai b 
pale drying oil, poppj oil, turpentine, 
4 able bru . G bristle brushes, 
1 No. I lg< r paletti knii 
I crayon holder, charcoal, chalk, palette 
f cup and tiogan] te Each, 

No. Fitted, con lag same as- 

sortment as above, with Favor. Ruhl 

& Co.'s oil colors Each, 

No. 2ft 





„ % 

J— — — " 

N Ff7n top ,m for carry- 

ing The inside i the entire ■ doj pi 

■ting th« d ient o: I Bach, 

No. 2%. Fitted, I Winsor & N. | colo I bottl 

le divm poppy oil tu 

1 badger . No. ♦ pali q holder, i i . ■ i «i- tte 

cup and maho 

No. 2*4. 1 tining satii with Ruhl & 
Co. '6 oil colors Each, 



u 



ARTISTS' MATERIALS 






JAPANNED TIN OIL COLOR BOXES— Continues 




: . 3 



No. 3. Si2e 14 x 10x3% inches, fitted with covered tray for tubes and four 
4-oz. tin oil bottles, double Fottom, open end with three slides for holdii vet 
sketches Each, 

No. 3. Fitted, containing 40 single and 2 double Winsor & Newton's oil 
colors, 9 bristle brushes. 2 Blight's bristle. 2 Landseer's brittle. 6 Russia sable, 
6 red sable, 1 Bright's r<d sable, 2 Bright's Russia sable. 1 bristle h bru 

1 chiseled bristle artists' brush. No. €; badger blender. 1 botth Oil, 

pale drying oil turpentine and mastic varnish in tin bottles paletti knife*. 
Improved palette- cup, polished palette, academy board, crayon holder, two-joint 
mahl stick and 2 hand books on oil painting Bach, 

No. 3. Fitted, containing Favor, Ruhl & Co.'s oil cole assortment same 
as above Mach, 



Eclipse No. 1. Size 1 * ln< very 
com] and well fit. t movable tube g frj 

ly and lid closing over same, extra brush tray 
witu clamps for holding wet brushes. 

Per dozen. 

Eclipse No. 1. Fitted, containing 42 I of 

Winsor & Newton'f iors, 1 bottle each pale dry- 
ing oil. spirits turpentine, genuine mastic varnish, 

round red sable I 1 red -able risefr. 5 

flat brl 1 Land r's bristle, 1 Bright's \ le, 

1 extra bristle bru^-li h; 1 varnish brush, 

badger blender, No. 6; 3-inch 
palette knife, crayon 
"harcoal, chalk, double palette 
cup, mahogany palette. 

Each 

Eclipse No. 1. Coi 
42 tubes. Favor, Rul.l ft Co. 
oil colors; assortment same 
as above Each. "Eelipse" No 1 (Patented) 

Eclipse No. 2. Size 13 inch' con id well finished, 
patent movable tube tn md lid closi tra with 

clamps for holding wet brusl ible Iide for sketches Each. 

d with Winsor & Newton's oil colors Each, 

Fitted with Favor, Ruhl & Co.'s oil colors h, 




52 



ARTISTS' MATERIALS 



OUTFITS OF FAVOR, RUHL & CO. S OIL COLORS 




< i 



The Amateur's Box" 



No. 6. "The Amateur's 
Be ze 11x6x110 men 
empt £acn 

.No. 6. Fined complete, 
containing 12 Lubes of W. 
tor & Newton's fii pre- 
pared oil colors, mahoga. 
palette. palette knife, spir- 
of tur and pale 

dr g oil, tracing and 

4 artists' 

ble and e brush 

- - blender japanned 
fin palettf 1 acader 

ard and 4 < oloi r udi- 
Each 



The "Compact" Oil 
Color Outfit 

fob ■ hixo, 

SCHOOL I 

ed J i box, 
inches lor. . iocb- 

inches de 
nine . cial 

tube avor, Ruhl & Co.'s 
artist oil oolo l bottle 
pale drying o l 

etifl. turpentine nd 

'.rushes. Each. $ 

1 size tubes in 
this outfit are Dot sold sep- 
arate- 



....••••• 






She "Conffart" ©il fiolor©utht 



I :^«r 



FAVOR "WML » CO 





The Favorite Outfit 

Handsome Japanned Tin Box ontains 12 tubes 

' • K. & Co.s oil colors, mahogany palette, palette 

knife, spirits turpentine drying oil. tracing 

ar ' ] Ua r - < «able and bristle brushes, 

lemy board, colo studies. Com- 

each, 



ARTISTS' MATERIALS 



jo 



FAVOR, RUHL & CO.'S AMATEUR'S ART STENCIL OUTFIT 




CONTAINS 

Six tabes Favor. Ruhl & Co.'s Oil Colors, one bottle Permanent Mixture, two Art 
Stencils, two Stencil Brashes, Thumb Taclsi 

Packed in a leatherette box each 



i < 



MIXING TINTS" 



To produce Orange, mix Red and Yellow. To make Green, mix Yellow and Blue 
For a Purple, mix Red and Blue. For a Brown, mix Red. Yellow and Blue. To 
produce Flesh tint, mix a very light tint from Red and Yellow. 

Different color effects can be produced by varying the amount of colors mixed 
Blue makes what is called a cool color, and Red or lellow a warm color. Always 
wash out your brushes in turpentine and put them away clean after using. 

See "Art of Mixing Tints" for further directions. 



FAVOR, RUHL & CO.'S 'FAVORITE'' STENCIL OUTFIT 




Contains one bottle Barclay Varnish, one bottle Permanent Mixture, one small 
jlze Stencil Brush, one large size Stencil Brush, one stencil Knife, one dozen Thumh 
Tacks, one Improved Japanned Tin Palette, one double size Oil Tube each. Blu 
Yellow, Red. Brown, one White Wood Board for cutting stencils, one piece material 
for practice, two Cut Stencils, three sheets Stencil Board, and Book of Instructions. 
Packed in a fine leatherette box each 

FAVOR, RUHL & CO.'S STENCILING PAPER 

tS inches wide. 10 yard rolls pej roll, 

FAVOR, RUHL & CO.'S STENCILING* BOARD 

Size 20x24 inches per sheet, 






ARTISTS' MATERIALS 



OUTFITS OF FAVOR, RUHL & CO. S OIL COLORS— Continued 




The Beginners Outfit 



od Box. II inch 
long ... s ■* 2 inch 

Cor igle tub-. 

F. * Co.s oil colors, pale 

:g oil arid turpentine, palet 
cup. n^ahogany palette, badger 

pa: l sat 
a: . - brushes. 
CompJeu Eacn 



The St.-dc Outfit 

I Box, 11 
inch vide. 

12 * 

Co.'s o.l < palet 

and 
turpec cu 

mahog tra 

den- acad be 

and I Com- 

plet Eac 





The Advanced 
Outfit 

Pol e d Wood 

, inches 1 - 
- wMc 

deep. Con 
double (or 
large siz ubes F. 
R. i i oil cclo 
pale drying oil and 

[alette 

kr. paktte and 

palette cup. badger 

-^nder. 1 sable and 

le brushes. 

board, trac- 

and transfer pa- 

*«»ts and studies. 

Complete. 

Each, 






ARTISTS' MATERIALS 



oo 



TIN PALETTE CUPS 







No.l 



No. 2 



N«>. 3 



No. 4 







No. 5 No. 6 

Each 
No. 1. Single, without cover. .. 

No. 2. Single, with cover 

No. 3. Double, without cover.. 
No. 4. Dounle, with cover..... 

IMPROVED PALETTE CUP 



No. 9 



No. 10 



Each 



No. 


5. 


No. 


6. 


No. 


:». 


No. 


10. 




Single, without cover 

Double, without cover.... 
Single, with screw cover.. 
Double, with screw cover. 



TIN BOTTLES WITH METAL 
SCREW TOPS 



FOR OILS AND 
VARMSH-bS 




■ 




Patented Sept. 8th, 1885 2 Ounce Square. 2 Ounce Obion r. 

Each 

Each Two Ounce Square 

Two Ounce Oblong 

Four Ounce Oh 

JAPANNED TIN BRUSH WASHERS JAPANNED TIN BRUSH CASES 





Each 



No. 1. Round . . 
No. 2. Round 
No. 3. Round .. 
improved Square- 



Each 

Round, 8% inches long. . . . 

Oval, 10 inches long 

Oval. 11' inches lone: 

Oval, 14 inches lone 

•Pitted with slide and elastic bands for 

holding brushes. 



No. 1. 
'No. 2. 
•No. 3. 
•No. 4. 



M 



ARTISTS' MATERIALS 




REST, OR MAHL STICKS 




i:.ich 



Plain, Whi 10 Inch l< n . . . . 

Plain Walnut, SO to 10 inches long 

Ro ton 

Polished I. wood, imil . two joii : 
iliehed Ro i Ion, three joii 
Whitewood, two jo 

Whi od, three joints 



ARTISTS' STEEL PALETTE KNIVES 




mhogau 

Hahogui 
Hibog&ij 

Maboeanj 
tochi 

Mabogauj 

] - 
Mahosan] 

lODg 

Maho. 

looc 
Mataogan; 

Ion? . . 

Maho?an: 
lor 

Mibogu 

Ion. 
Mahogaa 

STl 



icb 



.-inch blade, Ebony Handles 

3 -inch blade, Ebony H , ^ 

.-inch if, Ebony Handles 

4 -inch blade, Ebony Handles 

I 1 -inch blade. Ebony Hai 

5 -inch blade. Ebony Handles 

6 -inch blade, Ebony Handles 

Trowel sh: 3 -Inch blade, Ebony Handles 
Trowel Bhape, 3^ -inch blade. Ebony Hand! 
Trowel snap 1 inch blade. Ebony Hand] 
Trow.-l shape, 5 -in lade. Ebony Handl 






Id 

.lTi 



ARTISTS' MATERIALS 



*. 



SUPERIOR WOODEN PALETTES 



o 



- -L. 




SQUARE. Each 

Oiled Polls'd 
Mahogany or Maple 8x10 ins. 
Mahogany or Maple, 9x13 ins, 

Mahogany or Maple, 9 1 -_. x 1 : : ' ^ 

inches 

Mahogany or Maple, 10x14 

Inches 

OVAL. 
Mahogany or Maple, 9 inches 
long 

Mahogany or Maple, LO inches 
long 

Mahogany or Maple, 11 inches 

long 

Mahogany or Maple, 12 inches 

Jong 

Mahogany or Maple. 13 inches 



long 



Mahogany or Maple, 14 inches 
long 

Mahogany or Maple, 15 inches 
loug 



STUDIO ARM PALETTES 




MAHOGANY OR BLACK "WAT NTT. 

Balanced, hack cross veneered at thumb 

hole. 

Each 
15x20 inches, oiled or shellac finish 

16x24 Inches, oiled or shellac finish 

( 17x27 inches, oiled or shellac finish 



FOLDING PALETTES 

MADE IN MAHOGANY, MAPLE, BLACK 
WALNUT AND SYCAMORE 




9x13 inches 
10x14 inches 



Each 
Oikrj I'olis d 



SKETCHING UMBRELLAS 




JOl N'TED STICK. 

American, huff linen, steel frame.. 

American, white cover, black inside. 

steel frame 

WITHOUT JOINTED STICK. 

American, buff linen, steel frame.. 
American, white cover. blacK inside, 
steel frame 



Eacl 






ARTISTS' MATERIALS 






ARTISTS' WORKING EASELS 




l. 

- Xo ' i Pi nd 

; , Each 




No 3 Pme Wood, six feet 

1 




w 



No. 11. 



Xo. 11 







4 * 



Vandyke" Easel 



'■"'<' ademfc Work 

in. hes big] 

',' ol meeting 

of stud. work- 

,ng ' ' "' where it is 

and 

good t,r, y 







Sketching Basel. Ufa w..nd tk«. , 



No. 12. 



eh 



ge aud tray 



slidia 
high. 

niddl 
OtE: 

fanva 
netioi 

Hen 



•Pat 




ARTISTS' MATERIALS 



.-n 



EASELS— Continued 




No. 13. 



No. i;. 




No. 1G. 



No. 16. Improved Cherry Wood, 
sliding legs, with double brass 
screws (patented*), 4 feel 6 inches 
high. Tray for holdin- canvas Is 
adjustable and secured firmly to 
middle bar with brass thumb w. 
Oir new attachment for Inclining 
canvas at any desired angle is &u 
perior to all others. Easel when 
folded measures 32 inches and 
weighs 2% lbs. Including attach- 
ment. Each 

•Patent No 455.844. 



No. 13. Folding Sketching, Cherry, 

SS to turn, 4 feet 4 inches hi£h. 

folds to 2 feet 5 inches Each, 

No. 15. Sliding Sketching Easel. 
Cherry, -1 feet i inches high, tray au- 
justable to middle bar and also to 
the side legs by two steel pins, the 
sliding legs having double brass 
screws* known as the best and most 
reliable fastener on sliding easels. 

Each. 

Studio Screw Winding Easel 




With attachment to lay Itae Basel Iwknrforwapi 

Height, Minchcw. Widtb, 314 incht-. 

Depih. 29inch< Oe trr liar, 58 inches 

Each 

v h 

Black Walnut 

Maboganj 



60 



ARTISTS' MATERIALS 




The "Ruhl" Sketching Easel 

The •Kuhl" Sketching Easel is without 
doubt the fa sketching easel on the mar- 
ket, mad< basswood finished in natural 
color, with brass fittings, light in weight, 
will hold a canvas 80 inches high, to ex- 
treme small size. Tilting arrangements, a 
brass rod 20 inches long, permitting canvas 

be placed at desired angle. 

Very compact when folded and easy to 
carry. One big feature of this easel is that 
screws and fittings cannot come off and be 
lost. Height of easel. 66 inches when open, 
'ien folded 36 inches, weight. 3 pounds. 
Can be adj; r use either sitting or 

-tan ding. 

Each 
With reinforcements at the 

head 

With extra 1 reinforce- 

ments at the bead. . 



No. 1. 



No. 2. 



The "Chicago" Studio Easel 

The Chicago" Studio Easel is strongly 
construe of fii Bed pilu . with 

dull walnut finish. Has sliding shelf for 
canvas, held by a metal catch and ratchet 
at an> 1 sired height, al liding block to 
I top of can M ay llt . ti , u . d to any 

ired angle either backward or forward. 
10 be knocked down and crated, very com- 
pact for shipping. 

iplete, with casters cacn 



Tk 



"R«kl 



1 



The '] 
Easel-H 
oak in dt 
ward or 

'=, i 
n onevt 

toy 36 it 
ing and 1 
roches. } 

Height, i 
Each... 











ARTISTS' MATERIALS 



61 



he "Ruhr Extra Large Studio Easel 




The 'Ruhr Extra Large Stud 
Easel — Heavy construction; seasoned 
oak in dull finish. Arranged for for- 
ward or backward tilting, base on 
casters, with attachment for leveling 
on uneven floor. Brush and color 
tray 36 inches wide. Ratchet for rais- 
ing and lowering. Width of easel 30 
inches. Height when folded 54 inches. 
Height, full extension, 96 inch 

Each 




The "Ruhl" Artist's Cabinet 




This is a practical and n ry 

piece of furnitui r the studio. 

Hand made of thoroughly med 

White Pine stained a rich Walnut. 
Has sliding shelf and two dr 
one four inches, one five inches deep, 
placed at bottom tor paper >-. Top 

has a ledge to hold materials from 
falling off. Height 26 inches. Top, 
18 x 18 inches. 
Complete Each 



The Neff Folding Stool 
(Patented - 

I the pocket when folded, constructed of spring 

el 3/16 in. diameter, black enameled, with perforated 
Flexible Steel Scat. 

Open: Height. 16 inches; seat, 6 x 15' .-J incl 
11 'a inches 1< tapering from 6to4 , _- inches wide and 
inch thick, weight. 28 oz Each 



62 



ARTISTS' MATERIALS 



EASELS — Continued 
Extra Large Studio Easels Studio Sliding- Easels 

SCREW WINDING. 




-t view 
With Spring Attachm for Inclining 

H< t. 61 inch Wi hes; 

Depth. 34 ii . n t e r Bar, 72 inche 

h . . 
Black X. it.'.'.'.'.'. 
Mahogany 







1. Joir 





No. 1. C 

- 
No. ! 



nfitri as Winding Easel, with 

sliding instead of wind movement. 

Each 



......... 

With extra mov< ment for tilting the Easel 

forward $3.00 additional. 



Studio Rack Easels 



No. 7 



V "- 7 - SU " ' "' k ] • with a „ e and tray 

Whitewood 

No - s 7, el 

N< 9 i-.iaok Walnut. - as No. 7 

No. lu. Mahogany, same as No 7. 



Each 



°P^n U 

Will 8 , 




AftTISTS' MATERIALS 



G? 



UMBRELLA STAFFS 
FOR USE IN OUTDOOR SKETCHING 




No. 1. Jointed, slip joint, japanned trimmings, iron shoo. 40 indies long.Earh. 




ARTISTS' SKETCHING 
STOOLS 





Half Cane Form 



No U. 



No. 1. 



Camp Chairs 



Each. 



No. 1. 
No. 2. 
No. 3. 



Canvas seat, with back 

Canvas seat, without back 

Canvas seat, without hack, extra quality 




Half c a n e . 
b seat. Bach. 



Collapsible Metal Stools 





Open 



Folded 



Frame made of wrought steel, japanned, with canvas seat. Stool when 
open is 17 inches high, and seat is 14V 2 x7 inches. When folded, stool is 11% 
inches long. 8M> inches wide, and 1% inches thick. Weight only 38 ounces 
Will sustain 25*0 pounds Bach, 



A 



ARTISTS' MATERIALS 



ARTISTS" OILS, VARNISHES AND MEDIUMS 





K,yi « 2 -° U - NCE «Wt» "BODND". BOTTLES 

Winsor 
& Xew ton's 
l-o 2-oz. 

Pale Drying Oil... Pa ,u T5 ' Bottles Bottles 

ng Oil . p^: 

Linseed Oil, purified , ' 

Nul Oil, French "" 

P< il, I 

Spirits Turpentine, i Earh ' 

ctur. Varnish j^.,, 

D r Varnish, extra . . . ,.-' , i 

ctun i 1 Varnish p.,,., ' 

White S .;■' 

! Varnish . . ' 

Pixatif (superior qualify ... '" h ' 

Ltif (School of ,' 

hoi 

Gold Paint i ........ '."i Paoh" 

Japan Gold 

Sii ,,/. 

Adhesive Prepa t photograph pai 

Pr. . : .tive Liquid. I holograph painting on glass. ' 

Tra * Medium, for photograph painting on glas?* 

Each. 

OPAQUE MIXER 

Por t " n,Mn6 S WW—" — 

Each, 



:h 



fccatif Cou 
shn( 
•hneYs R 

flbcrt's Re| 
itti 

It'l 



PR 

1 Chrome 
! Golden ' 

3 Cadmiu 

4 Italian } 

5 Burnt S 
I Burnt I 

9 Red Br 

10 VandyV 

1 Saturn 
|12 Verrail 

H Cobalt 

IS t'ltran 
19 Pr 

21 Vega, 
^Grasg 

|}» Colo 
^Pestri 



* 



ARTISTS' MATERIALS 



19 



FRENCH VARNISHES AND MEDIUMS 



i mmt 






Each 



liccatif de Harlem 

-iccatif Courtiay, square bottles 

oehnee's Retouching Varnish No. l. for Watci C 
oehnees Retouching Varnish No. 3, for Oil Col rs... 

ibert's Retouching Varnish 

'ibert's Picture ( a tableau) Varnish 

'ibert's Repainting (a peindre) Varnish 

'erraguttl Fixatif — 2-ounce bottles 

'ibert's Essence de Fetrole 



FRENCH LIQUID TAPESTRY COLORS 

PREPARED ESPECIALLY FOR CANVAS AND OTHER TEXTILES 



1 Chrome Yellow, L. 

2 Golden Yellow. 

3 Cadmium Yellow. 

4 Italian Earth. 

5 Raw Sienna. 

6 Burnt Sienna. 

7 Burnt Umber. 

8 Cassel Earth. 

9 Red Brown. 

Vandyke Brown. 

1 Saturn Red. 

2 Vermilion. 

.3 .Madder Rose. 

4 Blue Violet. . 
Purple Lake. 
,6 Turquoise Blue. 

7 Cobalt Blue. 
18 Ultramarine Blue. 

9 Prussian Blue. 
:0 Indigo. 

21 Vegetable Green. 

22 Emeraude Green. 

23 Grass Green. 

Ml Colors (except Carmine). 

JO Carmine 

rapestry Outfits containing 6 
rapestry Outfits containing 12 
rapestry Medium, per, pint . . 




24 Olive Gre.n. 

25 Prussian Green 
■ i 'annine Lake. 

27 Sepia. 

28 Payne's ( Iray. 

1 Ivory Black. 
::i JTello* Ochre. 

32 Dark Green. 

33 Chinese Rose. 

34 Brown .Madder. 
5 Bistre. 

36 Raw Umber. 
1 Orient Red. 

38 Indian Yellow. 

39 Green Lake. 

40 Bengal Rose. 

41 Scarlet Lake. 

42 Crimson Lake. 

43 Sepia. 

44 Neutral Tint. 

45 Mauve. 

46 Purple Lake. 

47 Flesh Tint. 



2 ounce Bottles. 



per bottle, 

per bottle, 

Bottles Tapestry Colors and Brushes Each, 

bottles Tapestry Colors and Brushes Each. 

Each, 



«iO 



ARTISTS* MATERIALS 



THE AIR PENCIL 

FOR MAKING RAISED LETTERS AND RELIEF WORK. 




To be applied to Plaques. V, Fancy Boxes. Dance Cards. Menus, and Orns 

ments of all kinds. By the use of the Air Pencil th autiful effects in Raises 

Lettering can be produced. 



For: 



iBA' 

Id Ml 
Id o-ll 
in 10-11 



Outfit complete, in neat box. comprising Air i ,1. Dry Medium an.) Liquid.... 

Medium No. 1 (Liquid), bottle? 

Medium No. 2 (Drj Powder) box 



Ea< 1; 



CELLULOID 

In Shei 50 Inches. In the following colors: 

No. 668. Green Blue No. 403. Lavender 

No. 657. Blue Gr- .\ (( ,.►,. p urp ] e 

gj «?• ! '' *®" ow No. 27} Tortoise 

No. 431. Deep \ellow. No. Pale Ivory 

Nn Hi' n aleP ii nR , No " l»«! 

v !5a 2 e , eP rT ink N <>- " White 

No 4~'> n± p?! No : "' W»«taM. transparent 

\o 56 Btack 5* ^ Blass -'"'transparent 

No. 156. Black. No 124 Brjghl Red tran8parent 

White. Black and colors 

Transparent and Semi-transparent .' J?I S S. 

Transparent thin per s J eet 

per sheet, 



CONVEX GLASS 

FOR CHROMO-PHOTOGRAPHY 

vr.l'.Y BEST QUA! ITT. 

Card Size, Oval, 2%xZ% inches Per Dozen 

Card Size. Square, 2%x3% inches 

Half Cabinet Size. Oval. 4\ Inches 

Half Cabinet Square. 4x5% Ini 

Imperial Size. Oval. 1x6 inches 

Imperial Size. Square, 4x6 inches- 



'ueei 
orcula 

booklet 

board, 
tun. 



the au 

»ro«rn 

Mb. ( 
UMb. , 



ARTISTS' MATERIALS 



67 




TC.TOOTC %tt*SXYT\nt *W *ft\tt.V\>tti *\_M %\\> 



C\_^.r\.f* 



THE M SUP£RI0« BRAND" PLASTEUNC 
ftxj* up t n rr.li , p»cn«9« ,, of « MEDIUM CONSISTENCY Jhd I* rt.* SAME QUALITV M ~mmd r^ 
PROMINENT SCULPTORS, INSTITUTIONS. SCHOOLS ANO n^DER GAP TENS. ^ 

COLORS: 

C>-*y Or.m, ftr-oni.* Orc.n T»rr» Cotr» ll«ht Brown D«rk Brown .C l» v Color Crrtn Iiim m/k.r. 







SUPERIOR BRAND MODELING CLAY 

THE PERFECT MODELING MATERIAL 
For Sculptors, Artists, Architects, Schools, Kindergartens, and Home Amusements 

in the following colors: 

GRAY GREEN, BRONZE GREEN, TERRA COTTA, LIGHT BROWN DARK 

BROWN, CLAY COLOR, CREAM, BLUE, WHITE 

it. lib. packages ,„.,. ( , 

n o-b. packages per |)((Um| 

In 10-Ib. packages }IVV lH(U11(] 

MODELING OUTFITS 




TEUNE 



SUPERIOR BRAND' 



MODELLING MADE 
CLEAN ano EAST 



Win. no' OTCN to me nu.03 



d 



cd 



f-^ 8 ^ 



THE BEGINNERS MODELLING BOX 



Queen Modeling Box, contains Plastellne, four colors, modeling tool board and 
circular giving full directions. Just the pr..p.T size for the kindergarten. Each, 

Beginner's Modeling Box contains Plasteline, five colors, tools, board, illustrated 
booklet aud circular with full directions. Proper size for home amusement. Each, 

Complete Modeling Box, a large outfit containing Plasteline five colors toots 
board, illustrated booklet and circular with full directions. Proper size for the 

modeler .,' , ,uc 

Each, 

MOLDOLITH 

MATERIAL FOR PERMANENT MODELING 

Becomes as hard as stone after modeling. Remains moist when kept uwav from 
the air. Supplied in air-tight tins. Gray, Antique Green, Terra Cotta, Blue, Bronze 
Brown, Cream, fellow. 

££• cans per pound, 

*-*■ caBS per pound 

1(Mb - cans per pound, 



ON 



ARTISTS* MATERIALS 



COMPOSITE MODELING CLAY (PLASTELINE) 

THE IDEAL MODELING MATERIAL 

It remains soft and plastii forever, no duf QO dirt, no water. Used by all 

prominent sculptors, all over the world. Tut up in 1-pound boxes and 10-pound 

packages in the following colors: t n, b . tight brotcn. dark 
brown, terra cotta, flay, and rtor. 

1-pound boxes per pound. 

10-pound packages per pound 



MODELING CLAY, MOIST AND DRY (CLAY DUST) 

In 5 or 10-pound cans per pound. 

In kegs per pound. 



STUDENTS' MODELING OUTFITS 




The above outfit contains an assortment of composite modeling clay, tools 
and instruction pamphlet .each 




WHITEWOOD MANIKINS OR LAY FIGURES 

WITH XDS 

6 ' high each. 

9 inches high. each. 

12 ii a high. eacn 

15 i each. 

18 inches high. each 

Incl high. . eacn 

in< each 

30 inchrs high each 

36 inches high eacn> 



a- 





^ 



Nom 



ti 



ARTISTS' MATERIALS 



BOXWOOD MODELING TOOLS 
FOR WAX OR CLAY 






XO - 

















S - ~ 






<jl 



1 1 








Ji.^^5. 







*« 'A\. 



i 





if 



Nos. 1 to 30. 6-inch tools. Each.. Nos. 1 to 36. 8-inch tools. Each.. 

(When ordering above tools, specify number of tool and length.) 



70 



ARTISTS' MATERIALS 



WIRE MODELING TOOLS 



FOR CLAY OR PLASTER 






FAVOR, 





Or wire tool:-, Xos. 1 to 6, S i 

On i ided ordinary wire tools. Nos. 1 I si 



Each 






* — Tfl 



cz 






ich 
Double ended brass wire tools. Nos. 1 to ' inch'- 1. 

Double I 1 ordil Xos. 1 g '.'.'.'.. 

In ordering I w j rp or n: -,jj T , a ,- v w 

o! whether one ended or doul want* 



MASSC1 



FRENCH TRANSPARENT GUMMED PAPER 



FOR AL1 
AND I 




Reels containing 6 yards 



Box« coi 
tor u 

Bru 



Golc 



each, 




ARTISTS' MATERIALS 



71 



V | 



ach 




FAVOR, RUHL & CO.'S 

EXTRA BRILLIANT INDIA 

GOLD PAINT 

READY MIXED 

For all kinds of Artistic and Decorative Gilding and 
Fainting. Frescoing and Ceiling Decoration, Household 
Ornaments, Church Fixtures, Picture Frames, Fancy Bas- 
kets and every variety of Wood Work, Ornamental Candles 
and Millinery Articles, Albums, Stationery and Paper 
Work. Gilded Dancing Shoes and Leather Work, Theatrical 
Properties, and for every possible kind of Gilding Work. 

This Gold Paint is prepared in a Liquid Form, and avail- 
able for immediate use. It is put up in a highly polish, d 
and attractive wooden box as shown in cut. 

It is applied with the greatest facility, and when dry 
will be found to show the Real Gold Color, which is want- 
ing in other ready-mixed paints. 

The quality will not deteriorate; the color, in fact, gain- 
ing more richness and brilliancy in course of time. 

For the above reasons, and for its cheapness, our In- 
Gold Paint commends itself, and in all respects will be 
found to be the superior of any article now in the market. 

Per Box, 



n h 



MARSCHINGS FRENCH GOLD 

PAINT 



FOR ALL ORNAMENTAL GILDING 
AND DECORATIVE PURPOSES 



Boxes contain one bottle of Gold Pow 

der and a bottle of Liquid, with 

Brush and Mixing Saucer. 



Gold. SiJ«»r or Copper. Per Box, 







ARTISTS MATERIALS 



Brushes for Oil Painting 



"ARTISTS' " RED SABLE 



For Oil Painting 



ROUND AND FLAT 



POLISHED HANDLES 



NICKEL PLATED FERRULES 



1 



NO. 


1 


No. 




No. 


3 


No. 


1 


N*o. 




No. 


6 


No. 




No 


14 


No. 


15 







3 







Per Doz. Each 



No. : 
No, 

No. 11 

No. ^■l 






EXTRA SIZ 

E ich 

No. 16 

N 

No. : 



1U 



11 13 



Per Doz. Earh 



No. 1 
K( 

No. 3 

No. 4 
Kc 

No. $ 



Each 



■ --•••• 



• ■ • # 



lS o H. 






ARTISTS' MATERIALS 



«fi » J 



RED SABLE BRUSHES— "BRIGHT 'S 



Flat 



For Oil Painting 



POLISHED HANDLES 



NICKEL PLATED FERRULES 



»rh 



No. 1 
No. 2 
No. 3 
No. 4 
No. 5 
No. 6 




Per Doz. Each 



No. 7 

No. 8 

No. 9 

No. 10 

No. n 

No. L2 



Per Doz. Each 



ich 



No 14. 
No. 16. 



> : Inch 
% Inch 



EXTRA LARttE SIZES 
Each 



No. 18. :| , inch 
No. 20. T s Inch 



Bach 



ARTISTS' MATERIALS 



RED SABLE BRUSHES— 'RIGGERS" 
Extra Long For Oil Painting Fine Lines 

ROl.'ND POLISHED HANDLES NICKEL PLATED FERRULE 



\ 





10 




Each 



No. 1 
No. 2 
No 
No. 

No. B 
No. 6 



Eacb 



No. 7 
No. S 
No. 9 
No. 

No. 11 
No. 12 



FAVOR, RUHL & CO.'S POONAH BRUSHES 
TIN FLiucrLEs ROUND FOB STEXCILIWi 




•h Per L>ozen 



1 

_ 

No." 
No. \ 
No. 
No. 6.. 






ARTISTS' MATERIALS 



WINSOR & NEWTON'S •ARTISTS" BRUSHES 



For Painting in Oil Colors 



FINEST RED SABLES IX NICKEL 1'ERRTLES 



WITH 12-INCH RED POLISHED CEDAR HANDLES 



FLAT AND ROUND 



IMPED IV GOLD, \\ LISSOB a m Vi TON, ) ll». 



<• 






n 



1 






'* 



1 

m 



i r 












i 

I ■ 



f 






r 

I 








AMERICAN SIZES 






Each 



No. 1 
No. 2 
No. :: 
No. l 
\*o. 5 
No. 6 



.. : 

No. S 

No. 
No. 

No. 11 

No. 12 



Tf* 



ARTISTS' MATERIALS 



"ARTISTS'" RUSSIA SABLE BRUSHES 

For Oil Painting 

ROUND AND FLAT POLISHED HANDLES NICKEL PLATED FERRULES 




I 



















';» 



I 



Li L J| 







i 



11 



• 



i-> 



No. 1 

No 

No. 

Xo. 4 
No. 

No. 6 



PerDoz. Each 



Xo. T 

Xo. 8 

Xo. 9 

Xo. 

0. 11 

Xo. 



Per Doz. Eact 



No. n 

No. l l 

No. 1 5 



RA LARGE SIZ] 

Each 

No. 16 

No. 18 
No. BO . . 



Each 



ARTISTS' MATERIALS 



if* » » 



RUSSIA SABLE BRUSHES— "BRIGHT 'S 



Flat 



POLISHED HANDLES 



For Oil Painting 

NICKEL PLATED FERRULES 




Per Doz. Each 



Per Doz- Each 



No. 1 
No. 2 
No. 3 
No. 4 
No. 5 
No. G 



No. 7 
No. 8 
No. 9 
No. 10 
No. 11 
No. 12 



No. 14, 
No- 16 



% inch 
% inch 



EXTRA LARGE SIZES 
Each 



Each 



No. 18. % inch 
No. 20. % inch 



78 



ARTISTS* MATERIALS 



** 



Flat 



VANDYKE" BRISTLE BRUSHES ON CARDS 
Finest Bristle Artists Brushes 



Brights 



SEAMED NICKEL FERRULES NATURAL GUM WOOD HANDLE 







■ t 



: 
No. 3. 

). 4. 



cacli 






PRI« , 



>. 6. 

8. 

No. 10. 

•• 12. 



each 






ARTISTS' MATERIALS 



7f> 



2 



"LYONS" BRISTLE BRUSHES 



For Oil Painting 



YELLOW POLISHED HANDLES 



NICKEL FERRULE 




ROUND, FLAT AND BRIGHT'S 




Doz. Each 



No. 


1 


No. 




No. 


3 


No. 


4 


No. 


5 


No. 


6 


No. 


7 


No. 


8 


No. 


9 


No. 


10 


No. 


11 


No. 


12 












80 



ARTISTS' MATERIALS 




BRIGHT'S" (Thick) ARTISTS' BRISTLE BRUSHES 

For Oil Painting 

BLACK POLISHED HANDLES TIN FERKULfifi 



No. 1 

:; 

4 

5 

No. 6 



Per Doz. Each 



7. 



EXTRA WIDE ARTISTS' BRISTLE BRUSHES 
BLACK POLISHED HANDLES 

•h 



TIN FERRULES 



J w \ 1ft 1L , . . ., Each 

■» men sj, jj°- I0 - V$ mob wide... 

l inch wid V N " u - 

No. 12. 



ide 

1V5 inch wid 



LANDSEERS ARTISTS' BRISTLE BRUSHES 



For Oil Painting 



AT POLISHED HANDLES 



TIN FERRULES 



No. ' 



Bach 



No. 4 
No. 5 

No. 6 



Each 



Wid 



ARTISTS' BRISTLE BRUSHES 
Chiseled Efige 

POLISHED HANDLES 



For Oil 
» PERRUL1 



Painting 






1 



in 

inch 
inch 
inch 

inch 

inch 
inch 



wide 

Wll 

wide 
wide 
wide, 
wii 

wide. 



ch 






i i 



Xo.l. 
No. . 
No. 3 . 

4. 
No. 

No. « . 



No. lb 
No. u 

15 
No. is 

17 
*0. 18 



MATERIALS 



*1 



GENUINE "FRENCH" BRISTLE BRUSHES 



For Oil Painting 



PLAIN WHITETVOOD HANDLES TIN FERRULES 

ROUND, FLAT OR BRIGHT'S 






L 







[ 



b 



10 



11 



12 






No. 1 
No. 2 
No. 3 
No. 4 
No. 
No. 6 



No. 13 
No. 14 
No. 15 
No. 16 
Nn. 17 
>o. 18 



EXTRA LARGE SIZES 



Eft'-M 



Each 

NO. 7 

Xo. 8 

Xo. 9 

Xo. 10 

Xo. 11 

Xo. 12 

FLAT OR BRIGHT'S 

Each 
Xo. 19 

Xo. 20 

No. 21 

Xo. 22 

Xo. 23 

No 24 






ARTISTS' MATERIALS 






#INS0B 



FLAT 



ARTISTS' BRISTLE BRUSHES 
For Tapestry Painting 



POLISHED HANDLES 
CHISELED EDGE 



FLAT POLISHED HANDLES 

SLANTING CHISELED EDGE 



lb I 








to « 

No. ! 

LNO, J • • 






> ' 



So, 

No. 

No. - 

No. ' 

So. 6 



11 



9 



6 



8 



10 



12 



Each 



Each 



No. 1 
No. 2 
No. 
No 

No. 5 
No. 6 



No. 

No. 

No. 9 
No. 10 

No. 11 

No. 



\ 




ARTISTS MATERIALS 



ST 



MADE 



For Painting in Oil Colors 

EXTRA FINE HOG HAIR IN NICKEL FERRULES 

Made of the Softest Lyons Hair. With 12-Inch Polished Handles. 

ENGLISH SIZES 
A" SERIES FLAT OR ROUND YELLOW HANDLES 



Each 



\*os. 1 to 6, any size 

so. 7 

so. 8 

so. 9 



No. 10 
No. 11 
No. 12 



Eai-li 



WINSO'R & NEWTON'S BRISTLE BRUSHES 



* .T> ' ' 



B" Series 



For Oil Painting 



Red Handles 



ROUND OR FLAT 



No 1 

No. l 1 

No. 3 

No. 4 

No. 5 

No. 6 



Amer. size. Ens. Size 
Bach Each 



No. 7 

No. 8 

No. 9 

No. 1" 

No. 11 

No. 12 



Amer. size Eng. size 
Each Bach 



SUPERIOR ROUND 'BADGER BLENDERS" 

POLISHED HANDLES WIRE BOUND QUILLS 




Each 



No. 1 
No 2 
No. 3, 

No. 4 
No. 5 
No. 



Each 



•NO. I t • i 

No - 

No B 

No. l«» 

No. 11 

No. 12 



*i 



ARTISTS MATERIALS 



Materials for Water Color Painting 

WINSOR & NEWTON'S MOIST WATER COLORS 

IN WHOLE AND HALF PANS AND WHOLE AND HALF TUBES 






WINSOR & NEWTON 

Rathnonr- Race. LTD. 

10ND0N. ENGLAND 

MOLST_ COLOUR, 
COBAXT BliU"E. 

i DLET DE CO BAT. 
-KOliALX OL \ 



Size of Whole Tubes. &e of Half Pans. 

Antwerp Blue Chrome Orange Ivory Blark Prussian Green 

Bistre Cologne Earth King's Yellow Raw Sienna 

Blue Black f Davys Grev Lamp Black tRaw Sienna. Pale 

Brown Ochre Dragon's Blood Light Red Raw Umber 

Brown Pink Emerald Green Mau Roman Ochre 

Burnt Sienna Flake White Maples Yellow Sap Green 

Burnt I'mber Gamboge Neutral Tint Terre Verte 

Charcoal Grey Hooker's Green, 1 New Rlue Vandyke Brown 

•Chinese White Hooker's Green, 2 Olive G; " Venetian Red 

Chrome Lemon Indian Red Payne's Grey Vermilion 

Chrome Yellow Indigo Permanent Blue Yellow Lake 

Chrome Deep Italian Pink Prussian Blue Yellow Ochre 

Whole Pans or Tubes Each, Half Pans or Half Tubes Each, 

Alizarin Crimson Crimson Lake Rose Madder, Alizarin 

Alizarin Carmine Indian Yellow Rubens Madder 

♦Alizarin Green Leitch's Blue Ruby Madder. Alizarin 

•Alizarin Orange Mars Yellow Scarlet Lake 

Alizarin Scarlet Neutral Orange Scarlet Madder. Alizarin 

Alizarin Yellow Orange Vermilion Scarlet Vermilion 

Brown Madder Permanent Brown Sepia 

Carmine Lake Purple Lake Warm Sepia 

Cerulean Blue Roman Sepia 

Whole Pans or Tubes Each. Half Pans or Half Tubes Each. 

Cadmium Yellow. Ex. Pale Emerald Oxide Chromium Oxide of Chromium 

idmium Yellow, Pale French Blue Ox. of Chromium ( Trans ) 

Cadmium Yellow. Middle Indian Purple ermanent Mauve 

Cadmium Yellow 'Intense Blue Permanent Violet 

Cadmium Orange Lemon Yellow *PureScarl 

Cobalt Blue Mars ( ge Ultramarine Ash (Grev) 

Cobalt Green Mineral Violet Violet Carmine 

Cobalt Violet Orient Yellow Viridian 

Whole Pans or Tubes Each. Half Pans or Half Tubes Each, 

Aureolin Gallstone Purple Madder 

Aurora Yellow Madder Carmine R r>ore 

Burnt Carmine Madder Lake R, Madder 

Carmine New Olive Green Scarier Madder 

£^- n \r m Pink Madder Yellow Carmine 

Field s Orange \ ermilion Primrose Aureolin 

Whole Pans or Tubes Each. Half Pans or Half Tubes Each. 

Smalt Ultramarine Ash Blue 
Whole Pans or Tubes Each. Half Pans or Half Tubes Each. 

•Chinese White Small Tubes, each^ Chinese White Ex Large Tubes 

Chinese White Large Tubes, each. each . 

• Not made in whole tube or half tubes 

t Not made in whole pans or half tubes. 



The* 
Spercen 

- 
B'.ue Bla< 

BrovraO 
Brown P 
•Burnt Si 
•Burnt I'i 

Chrome ! 
•Chrome 
■Chrome 
' "vine 



arin 

zarin 

•Brown! 

Carmim 



•Oadmio 

Pale 

Cadmiu 

MLdd 
•Cadmii] 

or Df 

"Cadmii 






Aoreol 
Burnt 

•On*, 



13 



ARTISTS' MATERIALS 



86 



WINSOR & NEWTON'S MOIST WATER COLORS 

IN STUDIO SIZE TFBES 




These tubes contain four times as much as the ordinary size at a reduction of 
25 per cent, in price. 

BACH 



•Antwerp Blue 
Bistre 
Blue Black 
Brown Ochre 
Brown Pink 
•Burnt Sienna 
•Burnt Tinner 
•< 'harcoal Grey 
Chrome Lemon 
•Chrome Yellow 
•Chroine Deep 
•Chrome Orange 



•Alizarin Crimson 
Alizarin Scarlet 
Alizarin Yellow 

•Brown Madder 
Carmine Lake 



Cologne Earth 

Davy's Grey 

Dragon's Blood 
•Emerald Green 

Flake White 
'Gamboge 
•Hooker's Green. 1 
•Hooker's Green, '2 
•Indian Red 
•Indigo 

Italian Pink 



Cerulean Blue 
Crimson Lake 
Indian Yellow 
Leitch'sBlue 

(Cyanine Bin*- ) 



♦Ivory Black 
•Lamp Black 

•Light Red 

Mauve 

•Naples Yellow 
Neutral Tint 

•Now Blue 
•Olive <irr»>n 

•Paj no's Grey 

Permanent Blue 
•Prussian Blue 



EACH 

Mars Yellow 
Neutral Orange 
Orange Vermilion 
Purple Lake 
Roman Sepia 



Prussian Green 
•Raw sienna 
•Ravi l mber 

Roman Ochre 
•Sap i ;>reen 

Terro Yerte 
•Vandyke Brown 

Venetian Red 
•Vermilion 

V el low Lake 
•Yellow Ochre 



R u I >ens Madder 
*Se;irlet Lake 
Scarlet Vermilion 

♦Sepia 
Warm Sepia 



•Cadmium Yellow. 

Pale 
Cadmium Yellow, 

Middle 
•Cadmium Yellow. 

or Deep 
•Cadmium Orange 



Aureolin 
Aurora Yellow 
Burnt Carmine 
•Carmine 



obalt Rlue 
Cobalt Green 
Emerald Oxide of 
Chromium 
•French Blue 
(French 

Fit ra marine) 



EACH 

Indian Purple 
•Lemon Yellow 

Mars Orange 
•Oxide ofCbromium 
•Oxide ofCbromium 
(Transparent) 



Field's Orange 
Vermilion 
Gallstone 
Madder Carmine 



EACH 



Madder Lake 
Pink Madder 
Primrose Aureolin 
Purple Madder 



Permanent Yellow 
T itramarine Ash — 

Grey 
'Viridian 
(Veronese Green) 



Rose Dor£ 
•Rose Madder 
Scarlet Madder 
Violet Carmine 
Yellow Carmine 



•These tubes carried In stock. 






ARTISTS' MATERIALS 



FAVOR 



WINSOR & NEWTON'S LIQUID WATER COLORS AND MEDIUMS 




Albanii 

Asphaltura 
irmine 
old Ink 
Indelible Brown 

Ink 
Indian Ink- 
Lam |) BI 

Ox 

i liquid ) 

s Bla 

'S Brown 
Pi [an Blue 

i 
Silver Ink 

V< 

Gum \\ 



tl 







Size of Lar^e Bottle 



Size of Sma.l Bot 



Winsor & Newton *s Blanc d Argent 



IX Tl BBS 

I >o 'ins.'- I • d'Arge i i P 

White) 

imp I: act 

Wl] S.'l.kl . 







S 



Winsor & Newton's Blanc d 'Argent 

IN BOTTLl 



No. 1. Blanc d'Argent, prepared expressly for 
use in drawings Intended for Pro* 

tl ' 

So 2. Blanc d'Ai 
Air Brush Work 



Eac 



#*C D'ARGtft. 

^if^ACE. LONDON. 



S£ 



E^ 



Winsor & Newton's Permanent Chinese 

White 



Small Bottles 

Large Bot tit- 
Extra Large Butt h 



Ea 




irin Cr 
Burnt Sieni 

Burnt Umb 
mine 

Chrom- 
Cobalt Blu< 
Crimson L 
Charcoal G 
Emera. 
Gamboge 

Tubes ... 



r 



■ 

Sabl 
Art 

Sabl 



fcepG 




ARTISTS' MATERIALS 



or 



FAVOR, RUHL & CO/S "ART STUDENTS' " MOIST WATER COLORS 

IX HALF fANS AND 3-INCH TUBES 





Alizarin Crimson 
Burnt Sienna 
Burnt Umber 
Carmine 
Chinese White 
Chrome Yellow 
Cobalt Blue 
Crimson Lake 
Charcoal Grey 
Emerald Green 
Gamboge 



Hooker's Green, Xo. 1 

Hooke: en. Xo. 1* 

Indian Red 

Indigo 

Indian Yellow 

Ivory Black 

Lamp Black 

Light Red 

Mauve 

Neutral Tint 

New Blue 

Olive Green 



Payne's Grej 

Prussian Blue 
Raw Sienna 
Raw Umber 
Rose Madder 
Sap Green 
Sepia 

Ultramarine 
Vandyke Brown 
Vermilion 
Yellow Ochre 



Half Pans 
Tubes ... 



eac h. 
each. 



per dozen, 
per dozen. 



"ART STUDENTS 1 " WATER COLOR OUTFITS 





Art Students* Japanned Tin l t fitted complete, with 12 assorted Half Pai 
Sable and Camel Hair Brushes each. 

Art Students' Japanned Tin Box, containing 12 assorted Tubes, Moist Colors, 
Sable and Camel Hair Brushes * ach. 



METALLIC WATER COLORS 

IN ROUND PORCELAIN SAUCERS 




Peep Gold, Pale Gold, Silver and Assorted Colors. 10 saucers in a box. 

per box, 



each, 






ARTISTS* 



ALS 



GUNTHER WAGNER "GEE WEE" STUDENTS' 

TEMPERA COLORS 

"Gee Wee" Temi Colors combine the pleasant features of Water Colors with 
the advantages of Oil Colors. Dry with a doll surface and more rapidly than Oil 
•lore, yet sufficiently slow to permit painting in the \\«>t. 

SERIES 160 per tube. 





0704 

0713 

0714 

0719 

('720 

0732 

0745 

0747 

0751 

0768 

< »793 



Color 

1'. nuancnr W'hire 

Chrome Yellow, Deep 
Chrome Yellow, Pale 

Indian Telh.w 
Ia^'ht Ochre 
Haw Sienna 

< 'armine 

English Red. Pale 

Crimson Madder, Deep 

Vermilion 
Burnt Sienna 



N 


Color 


07 


Raw Umber 


07 


Vandyki -wn 


OSOG 


Coball 1 


0811 


Prussian Blue 


0812 




I'v-JJ 


Viridian 




Perma 1 Ireen, Pale 




i. Deep 


;m 


Cinnabar i ; . Pale 


0852 


"ry Blai k 


54 


Neutral Tint 



1G0/K 5. 



44 



'GEE WEE" TEMPERA OUTFITS 



1IJO, K 12 



Ja,,a '""" 1 Ti " B »""»* *> Uowtag s ,„,ient Tem- 

* a » Co,OTS ; «• e v,„„ w ,,,,.. v, n „m,,, toe.Cn.toe 

Permanenr White <- armine. 

U. 

Japaune,, Ti„ r...x ,,„ 1 „i„i„, , 1U1 ,„„„„, „ , . g ... 

P-r, h«: a,,,.,,,, Vl . llw ,. ulei Vmui| . , !|i(m " 

M. Blue. Po™„»*, Wh, 

B„r„, s.enna. Ctaatar Dree. .>• ,,, fadta. y,, lw , lvuryBln( . k £J 






^ 



ARTISTS' MATERIALS 



89 



«■■■■*■■ ■ ■ ■ 



MAQTINI 



COL°DS 



.\w. ■■■■■-% w^V" 

■v-v^.vvvvvKv. 



Sole United States Distributors 





/mm' 






Size I 
TUBE SIZES 

No. I— 9 16 x 4 In.; No. II— % x 4 In.; No. Ill — t x 6 in. 

COLORS 



AP— Absolutely Pure. 
P — Fairly Permanent. 

F — Fugitive. 

t Use with care. 

t+ Poison. 




Price Per Tube 

Size Size Size 

I II III 

WHITE 

P Chemnitz Whltet 

AP Zinc White 

YELLOW 

AP Cadmium Yellow. Pale 

AP Cadmium Yellow.. 

AP Cadmium Yellow. Ora'ge 

P Chrome Yellow, Oranget 

P Chrome Yellow, Palet... 

P Chrome Yellowf 

AP Ochre, Light 

AP Ochre. Golden 

A Sienna, Raw 

RED 

AP Alizarine Madder 

F Geranoum Lake* 

AP Sienna* Burnt 

AP Pure Vermilion 

AP Indian Red 

P Poster Vermilion 

BROWN 

AP Umber. Raw 

AP Umber, Burnt 

P Vandyke Brown 

BLUE 

AP Cobalt 

AP Prussian 

AP Ultramarine, Ex. Light.. 

AP Ultramarine. Dark 

P Pogany Blue 

F Hutaf Lavender 

GREEN 

AP Oxide of Chromiumt 

P Paris Green Bright'? 

AP Permanent Green, Lt.t 

AP Permanent Green, Deep 

AP Terre Verte, Special 

P Zinc Green, Very Lightr 

P Zinc Green. Mediumt 

P Sesser Green 

BLACK 

AP Lamp Black 

AP Ivory Black 

MEDIUM AND VARNISHES 

4 oz. Bot. 
Egg Tempera Medium 

Alcohol Varnish 

Turpentine Varnish 

Special Mat Varnish 



MARTINI 



Zinc 

White 



TEMPERA 

■ ■ 



IIUUlll 



• « 



Size II 



Size III 



:m 



ARTISTS' MATERIALS 




: etof ore experienced in 
lights is entirely obviated. 



FAVOR, RUHL & CO.'S 
DESIGNERS' WHITE 

This White tan be used for 

wash or body color; it is fp 
from grit and works smoothly. 
It does not blister, flake o 
after it is dry. 

By the use of "Desigi 
White for drawings intended 
for Reproductions tb difficult 
preserving the true value of the 




Jars with Metal Screw Tops 

Jars Extra Large 

Semples White Jars 



Each 



Semples V i 

Bonney Whit J 

Bonney Whit 



Each 



. 



Thomson's White. Double Tubes. White Lai 
Thomson's White, Double Tubes, Blue Lab> 



GUNTHER WAGNER'S ALBUMEN SPOTTING OR RETOUCH COLORS 

DRYING WITH GLOSS 
These colors are made to dry with a gloss to suit the high surface of the photo- 
graph. 

Made in three shades White and three dark shad 

The Whites ar ed to produt whil i the photo as required: a stroke 

with the brush across the photo with No. Ill White will white on dark 

parts. No. II on medium shades. White No. 1 shows more blul both like 

wat. milk. Tli i an optical illusion 

and the right v. r, to 

the d i (l white enV< i on the photo. 




1 



ia 



Al r 

Albumen White II 
Albumen White, m 

Rr Red, I 

Retoui b i' 1 1 v. n. II 

Retouch Bl in 

No. 52E. Moist Opaque for backing neg s. . . ner tubp 

> Opaq> d to cover on the back of t negative parts not to be colored 









RETOUCHING SET 

Handsome imitation Russian leather box 
th gold letterin 

ining ti tubes Albumen Bpotting colt 
with gloss, for i iching the | ives. 1 
tube Opaque color, _' rakes V iolors 

armine and Lamp Bla- l bottle 
bin for retouching the negativi <>tog- 

rapher Sable Brushes, 3 retouching pencils 

' 1 China Palette for mixing the colors. 

Price complete 




ARTISTS' MATERIALS 



91 




Small Jar 



Double Tube 



} 2 H>. Jar 



INTENSE WHITE 

The most perfect White on the market for photo-retouching. It has been acknowl- 
edged and endorsed as such by the leading photo-engravers of the United States and 
Canada. 

Intense White is positively whiter than any other white suitable for photo- 
retouching. 

Small jars per jar, 

Large jars r J ar - 

Double tubes •■•- P cr tube, 

INTENSE BLACK 

A fine airbrush black. Its advantages will be appreciated by all retouchers. 
Double tubes •• P er tube, 





-5TR»T0HS DESlOHtR WO ttljLi 



SUPERIOR WHITE 

Mixes well with Colors. 

For Illustrators, Designers, Letterers Fashion Art- 
ists, Architects, Commercial Artists, Lithographers, and 
Air Brush Work. 



Small Jars only 



Per Jar 



.11- 



ARTISTS' MATERIALS 



BOURGEOIS' FRENCH WATER COLORS 

PUT UP IX WHOLE TUBES AND HEXAGONAL POTS 





Size of Tube. 



Size of Pot, 



Class One 



TUBES 



Antwerp Blue 

Bistre 

Blue Black 

Brown Ochre 

Brown Pink 

Burnt Sienna 

Burnt Umber 

Chinese White 

Chrome Green, light 
Chrome Green, medium 
Chrome Green, deep 
Chrome Orange 
Chrome Yellow, Lemon 

rome Yellow, light 
Chrome Yellow, medium 
Chrome Yellow, deep 
Dragon's Blood 



, .Earn. POTS 

Emerald Green 
Flake White 
Gamboge 
Green Lake 
Hooker's Green 
Indian Red 
Indigo 
Ivory Black 
Italian Pink 
Lamp Black 
Lemon Yellow 
Light Red 
Magenta 

Moss Green 

-Naples Yellow 

Naples Yellow Greenish 

Neutral Tint 

Olive ft eel* 



Each. 



Paynes Grey 
Prussian Blue 
Prussian Green 
Raw Sienna 

Raw Umber 

Roman Ochre 

Sap Green 

Sepia 

Sky Blue 

Strontian Yellow 

Terre Verte 

Vandyke Brown 

Venetian Red 

Veronese Green 

Warm Sepia 

Yellow Lake 

Yellow Ocnrt 



ARTISTS' MATERIALS 



-3 



BOURGEOIS' FRENCH WATER COLORS— Continued 



Class Two 



TUBES Each. 



POTS Each. 



Brilliant Yellow 
Crimson Lake, light 
inison Lake, deep 
New Blue 
Purple, light 



Purple, deep 
Scarlet Vermilion 
Transparent Green, Blue 
Transparent Green, deep 
Transparent Green, light 
Ultramarine Blue, light 



Ultramarine Blue, deep 
Vermilion, light 
Vermilion, deep 
Violet, light 
Violet, deep 



Class Three 



TUBES Each. 



POTS Each, 



Brown Madder 
Carmine No. 2 
Cerulean Blue 
Cypress Green No. 1 



Cypress Green No. 2 
Emeraude Green 
Geranium Rose 
Madder Lake, deep 
Madder Lake, light 



Rose Carthame 
Rose Madder 
Scarlet Lake 
Turquoise Blue 



Class Pour 



TUBES Each, 



POTS Each, 



Cadmium Yellow, Lemon 
Cadmium Yellow, light 



Cadmium Vellow, medium 
Cadmium Yellow, deep 
Cadmium Yellow, Orange 



Cobalt Blue 
Indian Yellow 



Class Five 



TUBES 



Each, 

Carmine, finest. 



POTS 

Burnt Carmine. 



Each, 



TUBES 



. .Each, 
Aureolin. 



Class Six 

POTS 

Madder Carmine 



Each. 



DOUBLE SIZES TUBES, Each, $0 35 

Chinese White 
Flake White 



BOURGEOIS' FRENCH WATER COLORS IN BOTTLES 

WITH WOODEN CORKS 

Flake White Each, 

Lamp Black Each, 



f- 



U.1 



ARTISTS' MATERIALS 



BISSELL'S SATIN FINISH SHOW CARD COLORS 

FOR TIIE BRUSH— HEADY FOR USE 




Illustration of L'-oun e reduced 

Time and experience bas proveD that water rs are the most practical and 

satisfactory for snow card writing. 

Blssell's Colors h. all the requirements to produce the most beautiful effects 
in show cards, contain! ill the adfa for bind* and ready for Instant 

^ ^%Tl a ;- Sli / lth a smootlmess that »» ( ~* «** -* 

The | annoyance of the brush splitting or divid on the end baa been 

overcome. Bissell's Colors keej, .1 r the brush in , ect condition, wWchta 

verv , ial in making neat, graceful, and uniform letters 

JLe Bed sable brush is the most satisfactorj Coi water color work 

Blssell s Colors are ground to the utmost fineness In our modern factory with 

special signed maehlnerj this pui and prepared in rv detail by the 

mos caps d in the counbrj who are practical and appreciate all I the r£u rements 

in show eard colors to produce the 1 suits. requirement, 

' ls r " are put UD ln Stot i receptacles— which in 

Brand is unqu. nably the q ,f this kind on the market 

^ctcf'in 1 Fibrf I , r ;raCtlVe «*" * *■ i '-"- t «M* 

SATIN FINISH 

BU lSoS E m™^r^ Pi** ^ UGHT GREEX " ^RK GREEN. 
TURQUOISE BLIL. I LTRAMAKINE HUE. IELLOW, ORANGE BROWN 

I.A VENDER 

2 Ounce B .... 1Vr ,1,)Z - Each 

J .. Pint ... 

Pint " 

Quart " ' 

GLOSS BLACK-EXTRA QUALITY 

2 Ounce Bottles... Per &©*• 

Mt Pint 

at •• 

Quart " 

Jend for Our Hand Painted Color Card Showing Actual Colors. 



ARTISTS' MATERIALS 



or. 



BISSELL'S SPECIAL SHOW CARD WRITER'S OUTFIT 

This Is a practical and handy outfit for the beginner as well as the professional 
show card writer. It contains all of the material that is required for ordinary show 
card work. The goods are backed up \»ith a guarantee to be perfect in every reepect, 
and are of the same Btesell Quality which lias become s<> popular throughout the 
country anions: the professional card writers. 

This outtit should be in the possession of everyone who is interested in this 
fascinating art. Everything is ready for US 







The Outfit Consists of 



One Pint Can Bi«cll (Black) Show Card Color. 
One 2-ox. Can Biasell a (White) Show Card Color. 
One 2-oi Can Bisaell s (Lt. Red) Show Card Color. 
One 2-oz Can Bissell s (Lt Green) Show Card Color. 
One 2-oz Can Biasell (Ult Blue) Show Card Color. 
One 2-oi Can Eissell * (Yellow) Show Card Color. 
One 2-oz. Can Bissell (Brown) Show Card Color. 



One genuine Red Sahlc Show Card Brush Small 

One genuine Red Sable Show Card Brush. Medium 

One denuine Red SabL Show Card Brush. Large 

One double end Penholder with patented Ink Retainers. 

Two Soennecken Pen* 

One hand painted Color Card* 

Specimen of Alphabets with Instructions 



Packed in a handsome polished wood-hinged covered box. Price, complete 



INSTRUCTIONS ON MODERN SHOW CARD WRITINO-By J. G. Bissell 




Covering all the practical methods for the use of brush and pen. With illustrations 
of Modern Show Card Alphabets, rateable ggestions on the care of brushes and many 
hints for preliminary work. Size 8%xl2. 66 pages. 
Paper bound, per copy- Postpaid, Cloth bound. per copy. Postpaid, 



m 



ARTISTS' MATERIALS 



BISSELL'S PERMANENT AIR BRUSH COLORS 

IX STRENGTH, NON-ANILINE, IX GLASS TABS, PASTE FORM 



Lamp Black 
Chinese White 
Vermilion 
Crimson Lake 
Ultramarine Bine 
Sky Blue 

Hooker's (Jreen, Light 
Hooker's Green, I»ark 




Chrome Lemon 
i 'hrome « Grange 

Raw Sienna 
Raw Umber 
Rurnt Sienna 
Venetian Red 
Mair. Blniah) 
Manv. 'Reddish) 



Trial Size 

4-oz, size. 

8-oz. Size. 

16-oz. Size. 



Each 



LINE - O - GRAPH 

THE DRAWING ATTRACTION THE WORLD 



FOUR BIZ I 



Vhe 




v Drawing Attraction 
°fthe Drawing World 







/ You should have it 
- ~^ u £Need Indispensable 

forbpeed afferusing>it * 



Fits in pock « I 



Draft 

Long edge 




No. 1. Four- lii- 
hand 

No. 2. Junior 
size, S-indh.. 

No. 3. Draft 

man size, 11- 

inch 

No 4. S e D ior 
ze, 15-incb. 



Each 



ARTISTS MATERIALS 



dt 



GOLD AND SILVER CUPS AND SHELLS 




ure Oold in Cups, 9 lines, % inch diameter.. 
>ure Gold in Cups. 12 lines, 1 inch diameter. . 
'ure Gold in Cups. 15 lines. 1% inch diameter., 
•ure Gold in Cups, 18 lines, 1% inch diameter.. 
•ure Gold in Cups, 21 lines. 1% inch diameter 
D ure Gold in Cups, 24 lines, 2 inch diameter 

•ire Gold Tablets in Cuns 

3 ure Silver in Cuns. 12 lines. 1 inch diamei 
'ure Silver in Cuns. 15 lines. IV A inch diameter 

J ure Silver Tablets, in Cuns 

3 ure Gold, in Mussel Shells 

'ure Silver, in Mussel Shells 



Each 



"Jo. 00. ly, x 1j>.. 
I. lft x 2ft.. 



-- 1 



- i .; 



8, 2% x2%.. 
4 2^ x 4 .. 

5. a&xsj 



BEST SHEET IVORY 

PREPARED FOR MINIATURE PAINTING 



SMI. , 

each, 



pkkfi . ! 



No. 



• • • • 



*• 
it 



« i 

II 

•4 



I 3iV»3}|.. 

8. ȣ x4' 4 -. 
8 8g x4* ? .. 
10. 4 i G .. 

11 I ': 8 

12. iv x •;,',.. 



• • 



each. 



i 

« - 



Prepared Ivories are suhj i t to advance in price 



INDIA INK, IN STICKS 




No. 2 



^*o. 1 . Super. Lion Head, plain Large, 

n'o. 2. Super. Lion Head, gijt Small. 

Each 

NO. 3. Supei Super small India Ink. Red or Blue, large 

vo. 4. Super Super. large India Ink, Red or Blue, small 

^o. 5. Ordinary, small 



Each 



Each 



iw 



ARTISTE MATERIALS 



I0BGEO] 



HIGGINS ' AMERICAN DRAWING INKS 




LABEA 

F< : 




SECC0T1 



BLACK AXD COLORS. WATERPROOF 



Carmine, Scarlet. Vermilion. Brick Red. Blue, fellow teen. Orange, Bro 
indigo, Violet. 



WATERPROOF BLACK AXD BLACK GENERAL 



Small Bottles. Blacks and Colors 

8-oz. Bottles. Blacks and Col 

16-oz. Bottles, Blacks and Colors 

32-oz. Bottles, Blacks and Colors.. 
Higgins' Engrossing Ink. 2-oz. bottles 
Higgins " Eternal Ink. 2-oz. bottle 

Higgins" Photo Mounter, or Drawing Board Mu< ilage. .3-oz. jars. 
Higgins' PhoTo Mounter, or Drawing Board Mucilage. .G-oz. jars' 
Higgins' Photo Mounter, or Drawing Board Mucilage. 14-oz. jar 
Higgins' Photo Mounter, or Drawing Board Mucilage, .'..-gallon 
Higgins' Photo Mounter, or Drawing Board Mucilage. . 1 -gallon. 

Higgins' Taurine Mucilage. 2-oz. bottles 

Higgins" Taurine Mucilage, quart bottles. 




Ear- 



Intensely 

: Brok 
Wood, 

B' 

fee 

dimnsia 
fl Size* 



[* Bru^ 
"•Bnjrt 



ARTISTS' MATERIALS 



r»r> 



OURGEOIS' FRENCH DRAWING 

INKS Each 

o. 302 Large 

3<)2 bis. Medium . . . : 

o. 3U3 Small 

"LARRABEE'S" WHITE INK 

For Writing on Dark Paper 

Each 

OK. bottles 

oz. bottles 



FAVOR, RUHL & CO.'S LIQUID 

GOLD INK 

For Card Writing, Illuminating, Shading, 

Correspondence, Etc. 

Ea 

l-oz. Im-i i les h. 

'..-oz. bottles 







DUNNE'S TRANSPAR- 
ENT PASTEL COLOR 
OUTFIT 

The outfit contains twelve 
tubes Dunne's Transparent 
Water Colors of the neces- 
sary lea lor general work, 

with complete Instructions for 
coloring both pictures and 
lantern slides. Each, 

Dunne's Mediums, 
Old or New. .Per bottle 



SECCOTINE" NEVER LETS GO 




"SECCOTINE" 

FOR STICKING EVERYTHING. 







a Intensely Strong Cement, which will 

Stick Broken Articles of China. Glass, 

Wood, Marble, Leather, Paper, 

Bone. Ivory, and even Iron. 

Each 

.arge Size Tubes 

Iedium Size Tubes 

mall Size Tubes 




Cl< I nl; Stand Each 



WEIS BRUSH TUBE MUCILAGE 

A PERFECT PHOTO PASTE THAT WILL XOT 

DISCOLOR 



Each 



Veis Brush Tube Mucilage, small 
Veis Brush Tube Mucilage, large 







ARTISTS' MATERIALS 



JAPANNED TIN BOXES 

FOR MOIST WATER COLORS 

l EMPTY) 




FOR WHOLE PAN£ 

6 Divisions 

8 Divisions 

isions , 

12 Divisions 

i J Divisions 

1 6 Di ons 

18 Divisions . . 



Each 



■ Divisions 

_ I Divisions 

FOR HALF PA 

6 Divisions 

8 Divisions ... 

]" Divisions 



Ea 



12 Dii ns 

14 Dii ns 

I divisions 

DlvisionB 

Dii Isions 

24 Ions 

Divisions 
36 Divisions 



Each 



JAPANNED TIN BOXES 

FOR MOIST WATER COLOR TUBES 

(empty • 

10 Divisions, containing folding palette Earh 

12 Divisions, containing folding palette 

Divisions, containing folding palette 

20 Di\ . ns. containing folding palett. 

24 Divisions, containing folding pal. 

30 Divisions, containing t pa ] 

32 Divisions, containing folding pal 

36 Division- containing folding palette 

No. 1. Spaces for 9 pans and 12 tubes 

No. 2. Spaces for 11 pans and 1 5 tub. '.'.'.'.'.[ 

JAPANNED WATER BOTTLES WITH CUPS 





No. 


1. 


Round. 


No. 




— • 


Round. 


No. 


3. 


Oval. 


No. 


4. 


Oval. 


No. 


5. 


Oval. 



3«_ inches long, with two cups 

4% inches long, with two cup 

inches long, with tw cups. 

inches long, with two cui 

6 inches long, with tv ,,ps. . '. " ' ' " 



Each 



ARTISTS* MATERIALS 



101 



MOIST WATER COLORS 



IN JAPANNED TIN BOXES 







Large Murillo 



'.Murillo," large, us pans of superior moist colors, tubes of moist Chinese 

white, sepia, and camel hair bra sh< S 

"Murillo," small, 12 pans. 2 tubes and brushes 

No. 476. Japanned Tin Box. enameled white Inside, containing movable tray, 

with mixing spaces, holding 8 pans of best quality moist v. tl 
colors, brushes, etc 

No. 477. Japanned Tin Box, enameled white inside, with palette flap, con- 
taining movable tray, holding 15 pans of best quality moist water 
colors, tube of Chinese white, brushes, etc 



Each 



Ea !■ 



'Rembrandt," large, 
Rembrandt, - ' small, 



• • 



12 moist colors and I Tushes 
6 moist colors and brush) 




11 Vandyke' ' Water Color Box 

Japanned Tin Box, en led ?.hite inside, 
containing 12 pans of motel color, l* 
tofbee and brushes each, 



m 



ARTISTS' MATERIALS 



NEW ENGLISH MOIST WATER COLOR BOXES 

FOR ARTISTS, STUDENTS AND AMATEURS 

When the colors contained in these outfits are used they be replaced wit 

regular half pans. 



No. 30. Japanned tin thumb-hole 
box, containing 1G moist color- in 
half pans, brushes, japanned tin 
water cup and sketch block, made 
of fine cartridge paper Each, 

No. 31. Japanned tin box, con- 
Ining 2 oist colors in half pans, 

lai white, sepia 
and br Ea< t, 




No. 60 • 

No. GO. Japanned tin box, con- 
taining 8 moist i in h 
mixing saucers, brushes, etc.E 

No. 61. Japanned tin box, con- 
ining 14 moist colors in half 

pai: lit C . :•'.:• Wh! 

king japanned tin er 

cup, brushes, etc a 





\ 29 

No. 29. i tin box with 

onta noist colors in 

half pans ; lirn- Each, 




No. 61 

No. 61A. Japanned tin box. con- 

I moist colors in half 

pans, china mixing slab, japanned 

cup, es, etc. .Each, 



No. 62 



No. 62. Japanned tin box, con- 
colors in half 
pans, tube Chinese white, china 
mi slab, japanned tin water 
brush. etc .., Each. 



ARTISTS' MATERIALS 



103 



THREE COLOR OUTFITS 



IX TIX BOXES 




School Outfit 

Containing 2 cakes yellow, 1 rake carmine, 1 cake ultramarine and 2 bru 
Separate cakes for above box 






ILLUSTRATORS' OUTFIT 



FOR BLACK AND WHITE WORKERS 



Each 



Containing 2 cakes white. 1 cake black, 1 cake charcoal grey ai brushes 
Separate cakes for above box 



TIN "SCHOOL" WATER CUPS METAL "SCHOOL" PALETTE 



White Enameled Inside — Japanned Black 

Outside 



For Water Colo 





In nests of I dozen Each, 



7 Divisions Each, 



104 



ARTISTS* MATERIALS 



ARTISTS' CHINA WAKE 



China Palettes 




inch. 

6 inch. 

7 inch. 



Oval or Oblong 

long 

I ival or Oblong 



ch 



9 

inch, 




al o 
■■al or • 
al or ( 



Uach 



Divided Slants 





3 Divisions 

4 Divisions 

5 Divisions 

6 Divisions 



t: ; , 



Divi 

10 I 

I li\ 



Each 



6x4 inch 



Color Slab with Two Movable Wells 



Divided Tile, Eight Divisions 




79i x 6 inchps 






ARTISTS' MATERIALS 



.0."» 



ARTISTS' CHINAW ARE— Continued 
Color Slab with Cover 

FIFTEEN MOVABLE WELLS 




7x4'.. inches Each 



Five Box or Center Slant 



Well Slabs 




6*4 x 2% inclu s 



India Ink Slabs 



Ea< ii 




3 Divisions, 2'_. x4 inches 
5 Divisions, 4 x 7 1 ,. inches 



Each 



Divided Tile, Four Divisions 




No. 1. I'., x 2", inch, s 

No. 2. 1" • x 1 inches 

No. 3. 2% x i% inch 

No. 4. 3*4 x 5 Inches 






ich 




Each 



inches 




Cabinet Nests 



Each 



No. 1. i-'s inches diameter 
No. _ t inches diameter. 

No. i. I inches diameter. 






ARTISTS* MATERIALS 



ARTISTS* CHIN A WARE— Continued 




Slate Ink Slab 




3% inches square, air-tight plat, glass cover; best cup for rubbing up or grind- 

ing India ink 

Each 



Plain Color Cups 





1 Inch diameter 
l'o inch diameter 

2 inch diam i 



Each 




i inches d p F Eacb 

3 in< hi - diameter ' ' 

a inches diamet* 



Tinting- Saucers 







1 Inch diameter 
■■_• Inch diam 
inch diam* 



! 



1 diameter 

3 in 

^ inches diameter 



Each 



Water Glasses 

WITH TWO UPS 

i inches diameter Each 

3 inches diameter 

Inches diameter 

4 inches diameter. 



Ko. 0.. 


No. | 


h 13 . 

V u 
16. 



" 



ARTISTS' MATERIALS 






in: 



RED SABLE 

ROUND AND FLAT 



BRUSHES FOR WATER COLOR PAINTING 

POLISHED HANDLES NICKEL FERRULES 



No. 
No. 1 
No. 2 
No. 3 
No. t 
No. 5 
No. 6 
No. 7 



No. 13 

No. 14 

No. 15 

No. 16 




ENGLISB SIZ1 



French Size English Size 
Each Each 



Fr- b Size 



No. 8 
j. 9 
No 

No. 11 
No. 



EXTRA LARGE SERIES. ENGLISH SIZE ONLY 

Each 



En 



No. 17 
No. 

>. L9 

No. 20 



^ 



108 



ARTISTS' MATERIALS 




"RUBEN'S" RED SABLE WATER COLOR 

BRUSHES 



x inch polished kel ferrules. 

six Bru on a card 






Size 
00 . 



Each? 





1 
2 
3 
4 

6 

7 
8 






• 



Favor, Ruhl & Co.'s "Dragon" | 

Red Sable Water Color Brushes 1 

Long, thin, tapered points. Six inch polished Walnut Handles. Specially constructed 

for Water Color work, photo retouching and spotting. I 



MOUNTED 

SIX BRUSHES ON A 

CARD 

Each 








I 







4 
5 
6 

8 



and ] 

- Flat 

Flat 

■ Fla. 

Flai 

% Fla 



• 1. Fla 

5°- 2. ft 

*• 3. Fla 





ARTISTS' MATKRIALS 



lin 



WINSOR & NEWTON'S BRUSHES FOR PAINTING IN WATER 

COLORS 
FINEST BAB1 B HAIR 

-I I'l n I . 001 II V\ I . Hit . IV I Ih 



Albatas 



I. MO NY If A. MM I 



and British 



\ II A Mil. I 



I LI 8 H I / 

AlbaU Bi Itl h 

h h 

M,'l I I I. It "i I'' I 

I i;i i oi Round 
No. .: i i. if oi Round 






i 4, I I., i 01 

Klal oi l'' 

i or llouii'l 



No. I i lal or Ron 
No •• i ind 

I i lal oi Round 



M.,i 01 
J) i 

■ I I 

,l i, 



I II ' I" I. I ■ 



British fi 
h 



, i i lal oi Round 

i lal o ind 

I lal or Rou 



All,:. 1. 1 

fcai:h 



Itlifa Albal 

i 



4 



110 



ARTISTS' MATERIALS 



SIBERIAN WASH BRUSHES FOR WATER COLOR PAINTING 

SKIES AND LARGE WASHES 
POLISHED HANDLES NICKEL PLATED FERRULES 



No. 
No. 
No. 
No. 
No. 





1 
_' 
3 
4 





o 




1 




-• 


No. 


3 


No. 


4 



ROUND 




BOtWD 






FLAT 
SING ND" 



Ea« 






No. 
No. 

No. 



4 






DOT E END" 


fccta 








> 






No. 


1. . 










N 






Ni 


4. . 



FLAT 



Each 



i i 



Each 



No. 


1... 




- 




3... 




4... 


No. 




Xo. 


6... 












SUPERIOR RUSSIA SABLE BRUSHES FOR 
WATER COLOR PAINTING 

ROUND AXD FLAT POLISHED HANDLES 

NICKEL PLATED FERRULES 

Each 
No. o 

No. l 



No. 

No. : 

No. 

No. G ... '"" 

No. : 

No. 8 . 

No. 9 

No. io 

No. 11 

No. 12 .... 



ARTISTS' MATERIALS 



* 1 1 



CAMEL HAIR BRUSHES FOR WATER COLOR PAINTING 



i i 



Vandyke" Camel Hair Brushes 

Finest Quality Hair 
FOR WATER COLOR PAINTING 



ROUND 



POLISHED CEDAR HANDLES 
Each Per Dozen 



ALBATA FERRULES 

Each Per Dozen 



No. 
No. 
No. 
No. 
No. 
No. 



1.... 

'1 

3.... 
4 

6 



Xo. 


7 


No. 


8 


No. 


9 


No. 


I'- 


No. 


ll 


No. 


12 



i ( 



Rembrandt" and "Murillo" Camel Hair Brushes 



FOR WATER COLOR PAINTING 
POLISHED HANDLES 



ROUND 

TVTr* 1 


Each 


Per Dozf n 


No. 
No. 
No. 
No. 
No. 
No. 


— 


1 1*> 


Mr* 9 








Va .1 




g , 








XTra P. 




n 













TIN FERRULES 

Each Per Dozon 



CAMEL HAIR LACQUERING BRUSHES 

FOR WATER COLOR PAINTING LARGE WASHES. VARNISH, El 

POLISHED CEDAR HANDLES TIN FERRULES 





Each 



Each 



No. 1 Round 

No. 2 Round 

No. 3 Round 

No. 4 Round 

No. 5 Round i 

No. 6 Round 



in. wide. Flat 
., in. wide, Flat 
in. wide. Flat 
in. wide. Flat 
in. wide, Fl 
1 in. wide, Flat 



11 J 



ARTISTS' MATERIALS 



"SCHOOL" WATER COLOR BRUSHES 

CAMEL HAIR BLACK POLISHED HANDLES 

v- c Each 

No. 6 

No. 7 

No. 8 '.'.'.'.'..'.'.'. 

Plain Cedar Handles. No 

Red Polished Handles. Special No. 3 (large size) . ".'. ... 

Quill Brushes for Water Color, each. Per d< i 



JAPANESE WATER COLOR BRUSHES 




Regular quality Each, 






Each, 



LIBRARY PASTE BRUSHES 
A Practical Brush fo; Mounting Prln 



WHITE BRISTI ES 



:DAR HAND 



NICKEL FERUCLES 




No. 1. % inch wide 



•h. 



No. 2. iv; \ U ( «i,jr. Each, 



WINSOR & NEWTON S FINEST RED SABLE HAIR IN QUILLS 

TIED WITH COLORED SILK AND <;. W i RE 

Crow, color of silk tie, Blue Eacu 

Duck, color of silk tie. Magenta 

Goose, color of silk t ie. Pink 

Small Goose, color of silk tie. Or. n "" 
Extra Goose, color of silk tie, Amber 



ARTISTS' MATERIALS 



I* 



RED SABLE DESIGNERS 

These Brushes are made of the finest 
Red Sable Hair, tied with colored silk 
and gold wire. The hair is selected and 
longer than in ordinary quill brushes, 
which enables the artists to work to bet> 
ter advantage. They wear evenly and 
keep their point much longer than any 
other brush on the market. 



Each 



No. 0. 

No. 1. 

No. 2. 

No. 3. 

No. 4. 

No. 5 . 

No. 6. 

No. 7. 



I 



I 



No. 
No. 
No. 
No. 



1 
Z 

3 

i 



FRENCH RED SABLE PENCILS 

MINIATURE IN QUILLS FOR WATER COLOR PAINTING 

Each 



No. 
No. 
No 
No. 



Each 



D 

6 

I 

8 



Assorted, 1 to B per d 



ozen. 



FRENCH CAMEL HAIR SWAN QUILL PENCILS 



MINIATURE 



No. 00 
No. " 



No. 
No. 
No. 



1 
2 
3 



FOR WATER COLOR PAINTING 

Each 



No. 4 

No 

No. 6 

No. 7 



LARGE WASHERS. ETC. 

Each 



No. 
No. 
No. 
No. 



1 
2 
3 
4 



FRENCH CAMEL HAIR PENCILS 

MINIATURE. IN QUILLS FOR WATER COLOR PAINTING 

Each 



Each 



No, 
No. 
No. 



6 

: 



No. 8 



114 



ARTISTS' MATERIALS 



H •' 



BISSELL'S "FLAT STROKE" SHOW CARD BRUSHES 

FINEST RED SABLE HAIR, IN NICKELED SEAMLESS FERRULES WITH 

7-INCHEI POLISHED CEDAB HANDLES 

They require no •"Bivaliing In 



% in. 




•\ ill. 



16 in. . in. % in. 

Illustration exact size. 
me style of tin- hrus an improvemenl on nil stroke brushes on the market: 
w111 «l r " tii. <] writer who is partial to tin- flat brnsta. 

The elasticity of this brush Is ined and Dot weakened aa i< the case with the 
average brush with the flati.-ned ferru 

Elite brush is made with t [ r: I1U1(> l{iHi Sable and 0x HaIr 

GENUINE RED SABL] 



! & Inch 
3 16 • 

5/1:; • 



Ea. 



s inch 



Each 



*4 inch 
5/18 - 

% M 



"X HAIR 

1 



% inch 



Each 



ARTISTS* MATERIALS 



115 



BISSELL'S "SHOW CARD" LETTERING BRUSHES 

FINEST RED SABLE HAIR. IN NICKELED SEAMLESS FERRULES WITH 

7-IXCII POLISHED CEDAR HANDLES 



They require no "Breaking In." 









■T 



1 



'Urn" "' 




I 



1 



: 









•6 



4 5 6 7 S 9 10 11 12 

Illustration exact size of brash. 

These brn^hea are designed i ally for oac-sti ■'• ttn-in,, , and a 

nuuteof the Sii'st Red SaMe M bdl stock; are m perfect can- 

dftion. 



o. l - 

•« ■ • 

4.. 
5.. 






• • 



oh 



No. 7 

- 9 

" 10... 

" 11 

1 _ . 



• • 



1\0 



ARTISTS' MATERIALS 



BISSELL'S "SHOW CARD" LETTERING BRUSHES— Continued 

FINEST RED SABLE HAIR. IN NICKELED - MI. I FERRTJLE8 WITH 

7-1 XCH POLISHED CEDAR HANDLES 

Tiny require no "Breaking In 







14 



16 18 20 22 

Illustration exact size of bras 



24 



m-J^V" T scar ' - ;]| of R< ;lb,e hair «sed in the construction of 

these brush* . st .s more in proportion than the smaller sizes The cost should 

gwtetoS' Wh ° ValUes tbe time - savin - Hualittee of these high- 



rk r 

'■-■■-:■ 



i 



, 






16 

1^ 



ch 






No. 20 

22 

L'4 



Each 






• • 







tJ 



ARTIST'S MATERIALS 



11 



BISSELLS RED SABLE "SCRIPT" BRUSHES 

T BED SABLE HAIR, IN NICKELED SEAMLESS FERRULES, .-INCH 

BLACK HANDLES 

They require no "r.ivaking In" 



1 



W' 



8 



Illustration exact size. 







Those brushes are specially made for script letters, outlining, fine scrolls, or for 
any work requiring neat, graceful strokes. 



No. 1— " Script" 



4 5 

v 6 



eacb, 



ii 



.. 



.. 



.. 



118 



ARTISTS* MATERIALS 



Unbleached Arnold Hand Made 

Drawing Paper 



FOR 



Water Color, Pen and Ink, or Wash Work for Reproduction 



EXPLANATION OF 81 RFACES.—1H. "Not," or ordinary surface having a slight 

grain. II. P., "Hot Pressed," or perfectly smooth surface. EL, "Rough," or very coarse 
surface, "f large open grain. 



• , , ■ ■ 



Inches, N. and n. P. 

N. and II. P. .. . 

x. and n. P. 

N., II. I'. K. 

N., II. P., and li. 

x . ii. P., and R. 

N., II. P., and li. 

N. and R 

N., II. P., and li. 

X 

X. and i: . 



Quire Per Sh< 

Cts. 






«• 



• > 



• > 









« t 



.. 



■■ 



*■ 



• • 









- . 



» » 



• " 



• > 



in lb. ftp 13 xiT 

25 lb. Demj I5%x20 

i lb. Medium 17^x22 

I 11.. il 10 x24 

72 11.. In :il 22} 0% 

b. Imperial 22^x30% 

1 10 n.. In Lai 22^x30% 

L'so li,. Imperial 22^x30% 

130 Dble E ot 26%x40 

li.. Dble Elephant 26 M) 

5 lb. I>bi- Elephanl 26%x40 
Note. — The a' ind weights are standard and stock sizes. 

TESTIMONIALS. 

i find the Unbleached Arnold Water Color I'npcr excellent quality, free from spots 
id takes the medium splendidly. Clllen Yates. 

The Tone and T I ribh acKi d Arnold Paper iinpres-*^ me very favorably. 

It takes the c pleasantly and shows good resistan sponging and scrubbir 

process. ■ William J. Whittemoke. 

I hai \vn your I '» / LrnoZd Wa1<r Color Pnfur a thorough trial, and am 

convinced of tl. [lent qualities. W*. Ritschel. 

I find your Unola Arnold Wnt< r ■ . Paper works admirably. It bears very 

well n 1 washings, and its tine whitene dds brilliancy to the picture. 

EDWABD blKNEB, A. N. A. 

I have tried your Unbleached Arnold Wnfr, < Paper and like it Immensely 

C. Warde Traver, 

Wen! 67th St.. New York City. 
Messrs. Favor, Rum & Co.: 

I have tried tl ,.f r, ached Arnold Water Color Paper you 

kindly sent m< d find it a pleasant surface to work on, and stands reworking and 

gives a good quality to the painting. 

Very truly yours. 

T,ed l Rhoda Holmes Xicholls. 

February 5th, 1914. 

253 W. 42nd Si.. New York Citt. 
Messrs. I • avor. Rdhi & Co.: 

DBAS Sirs: I have been testing the sample of paper left here by your representa- 
tive, and I rind it very e ory, having a hard surface which will stand reat 
• work before it will way in using the water and the bristle brush combined. 
n takes th. well ate 

If the paper which is .ailed the Unbleached Arnold Is up to this sample, it should 
fill every requirement Yours very trulv 

(Signed) Henby b Snelu 

COMPLETE SAMPLE BOOK ON APPLICATION. 



ARTISTS' MATERIALS 



11\) 



Drawing' Papers 



WHATMAN'S DRAWING PAPER 

FOR WATER COLORS 

h. £2SZ3.>!T£S$r2£ Z<?^ »**• ft 6,,gM «—■ 

face, of large, open grain. Iace - K, « Rou ^ h . or very coarse ear- 
Cap. 13 xl7 inches, N. and H P Fer Sheet 

Demy, 15V s x20 inches, N. and H P " 

Medium, 17 »..x22 inches, N. and H P 

Royal. i9 %x24 incheSi N R p.'andR.' .'.'.';;; 

Super Royal, 19 X 2 7 inches. N. and H P 

ImpenaL 22 x30 Inches. N., H. P. and R.'.'.W 

Double Elephant. 27 x40 inches. N.. H. P and R 

Antiquarian, 31 x52 inches, N. and H. P !.*.'.'.'.".".'."!*.'.'! 

EXTRA HEAVY 

Imperial, N., H. P. and R.. 90 lbs. to ream 

Imperial, N., H. P. and R.. HO lbs. to ream. . 

Impena . N. 200 lbs. to ream. ...'.' 

n mP Kr a t, ^. N - 30 ° Ibs - to ream 

Double Elepftant. N. and R. 210 lbs. to ream. ... 

Double Elephant. N. and R. 235 lbs. to ream 



ILLUSTRATION PAPER 

For water color, pencil, charcoal and pastel drawing; aleo for black and white 
work for reproduction. 

Per Sheet 

Imperial, size 22x30 inches 

Double Elephant, size 30x40 inches 



JAPANESE WATER COLOR PAPER 

Size 11x15 inches Per 8heet 

Size 22x30 inches 

Size 10x12 inches 

Size 20x25 inches 



121 



ARTISTS' MATERIALS 



GERMAN WHITE DRAWING PAPE* 



IN SHEETS 



Per Sh- 



Car 11x17 inches. 

i >. my 16 x 21 Inches. 

.i. diiirii 18 x23 inches 

Royal 1!J x 24 inches. 



Per Sheet 
Mil er Royal ... Inrhes. . . 

Imperial , 22 x SO inches. . . 

Do Elephant, j<; \ »<» Inches. 



FRENCH CRAYON PAPERS 



WHITE AND ASSORTED TINT) 



Per Sheet 



Royal. 19x24 Inch 
[mperial, 22x28 inches 



"ELKO" DRAWING PAPER. 

IN SHEETS 

This paper is of good quality, with a fine grain. It is especially adapted for use 
in colleges, schools and universities, li takes ink pencil and color nicely, and stands 
a gr< tmouut of erasing. 

Per Sheet Per Sheet 

Cap 11 x 17 inches. . . Super Royal 19 x 27 inches. . . 

Demy 15x20 inches. . . Imperial 22 X 30 inches. . . 

Medium 17x22 inches... Douhh- Elephant. 26 X 12 Inches... 

Royal 19 x 24 inches. 



< « 



PERFECTION" EGGSHELL PAPER 



IN SHEETS 

Per Sheet 
Ro> al. 19x24 inches 

Imperial. 22x30 Inches 

Double Elephant 27x40 inches 



< < 



PREMIUM" DRAWING PAPER 



This paper is a very superior quality, with a smooth surface for drawing with ink 
or pencil. It stands erasing perfi ctly, and la eery strong. 

Per She* 
Imperial. 22x30 inch, s 

Double Elephant, 27x40 inches 






ARTISTS' ! 



12: 



"BUFFINE" DETAIL DRAWING PAPER 

IX SHEETS 

A Cream Buff Detail Paper, possessing remarkable working and erasing qualities. 

Royal. 10x24 inches .... Per Sheet 

Imperial, 22x30 inches 

Double Elephant, 27x40 inches ... 



HARDING S DRAWING PAPERS 



FOR WATER COLORS 



imperial, 22x30 inches, Thin. 
Imperial, 22x30 inches, Thick 



I v.- Sheet 



"Academy" White Drawing- Paper 

FOR PENCIL OR WATER COLOR 



fix !» 
9x12 
x 18 
I x 24 i 



nches 

in ties 
nches 
nches 



r Sheet 



22 x 30 inches 



"School" W. C. Paper 

In While, Buff or Grey. 

c n . . Per Sheet 

6x9 inches 

9 x 12 inch,:. 

12 x is Inches 

18x24 inches .... 



ENGLISH TINTED CRAYON PAPERS 

Imperial. 22x30 inches, White and Assorted, 20 tints I'^r Sh. 

FRENCH CHARCOAL PAPERS 

Royal. 10x2.") inches, in White and in Assorted Tints 

Royal. 19x25 inches Lalannc Thin. White 

Royal. 19x25 inches, Lalanne Thick. White 

Royal, 19x25 inches. Lalanne Michallet, White 

Royal, 19x25 inches, Lalanne, Allonge, White .........]. 

STRATHMORE CHARCOAL PAPERS 

Royal, 19x25 inches. White 

Double Elephant, 27x40 inches, White 



JO- 



ARTISTS* MATERIALS 



FRISKET OR AIR BRUSH TRACING PAPER 



VERY TRANSPARENT 



In sheets, 17x23 inches 



Per Doz. Per Sheet I No. 6 

No ; 
No. 1C 



TRACING PAPER IN SHEETS 



FREX< 



I.TABLE 



EXTRA EINE 



Telliere, 13x17 inches 
Ecu, 15 x 20 inches 



Per 

oet 



Raisin, 



inches 
22 x 28 in. | 



Per 
Phi 






GELATINE, FOR LITHOGRAPHERS 

IX TRAX SPAR EXT WHITE 



Thin. 17x21 inches 
Mr-dium, 17 x 21 inches 



Per 
Dozen 



Per 

Sheet 



Thick, 17 x 21 inches.. . 
Colored thin only. 17 x 21 



Per Per 

Dozen Sheet 



FRENCH PASTEL PAPER, SANDED SURFACE 

Per Sheet p er sheet 

Royal, 19 x 25 inches ' _w Colombier. 24 x 34 inches 

Super Royal, 22x28 inches Grand Aigb 26x40 inch 



FR3NCH PASTEL PAPER IN ROLLS 



Grey Tint, in rolls of 11 yards. 58 inrhos wit 



Per Yard Per Roll 



FERRAGUTTI ROUGH FIBER PASTEL PAPER 

^Pastel Drawings on this paper, treated with Eerragutti Eixatif. will not change 

Royal. 19x24 inches Per Sheet 

Double Elephant. 39x40 inches 



ARTISTS* MATERIALS 






FRENCH PASTEL BOARDS, SANDED SURFACE 



Per Sheet 



No. 6. 
No. 8. 

No. 10. 



12^ x 16 inches 
15 x 18 inches 
18 x 22 inches 



No. 12. 20 x 24 inches 
No. 15. 21 x 26 Inches 
No. 20 24 x 2'J inches 



Per Sheet 



SPECIAL PASTEL BOARD 
For Crayon and Pastel Painting, Sanded Surface 



22x28 inches (Barclay) 
22x28 " (Wabash) 



Per Sheet 



CARBON TRANSFER PAPER, EXTRA QUALITY 



! Sheet 



11x18 inches, Blue, Black. Green. Red. Yellow. Purple and Win 
18x22 inches. Blue, Black. Green. Red. Yellow. Purple and White 



GRAPHITE TRANSFER PAPER FOR CHINA PAINTERS 



A fine transfer 1 r, produces faint lin 



P r Sheet 



In sheets. 15x20 inches 



DRESDEN TRACING PAPER 



P< r DOS. Per Slu-.-t 



19x24. for China Painters 



PARCHMENT TRACING PAPER 

IN SHEETS (2o SHEETS TO A ROLL) 



Per Roll of 

Sheets Ver Sheet 



Belgian, Imperial, 20x30 inches 

Belgian. Double Elephant, 30x40 inches 




m 



ARTISTS* MATERIALS 



DRAWING PAPERS IN ROLLS 



Steinbach Paper 



FOR WATER COLOR PAINTING, CRAYON WORK AND SOLAR PRINTING 



Steinbach, medium, 54 inches wide, LO yards in roll 
Steinbach. thick. 54 inches wide. m yards in roll 



r Roll Per Yard 



Tew 

and w*t 
pits of 

ache 

QCht 



Genua .1 White Drawing Paper 



9C . . tJ ms Per R-ll Per Yard 

36 inches wide. 1 yards in roll 

42 in<»>es wide, l" yards in roll ............ 

54 inches wide, 10 yards in roll 



• ■ 



Elko" Drawing Paper 



M 

Thh 
lays flat 

In rolls 
Tl 

36 inche 

:nch< 
48 inche 
36 inche 
ache 
ache 
36 inch* 
12 inche 
48 inche 



An almost Pure White Paper, with slightly grain..! bui . and suitable for anv 
work, either Ink. Color Pencil or Crayon. Especiallj adapted for school and college 
work, and for all technical drawings. 

o* • w ,, , , . ,. Per Roll Per Yard 

36 inches w ld« 1 yards in roll 

42 inches wide, 10 yards in roll., 

56 inches wide, 10 yards in roll 



Ruff. i D 



l t 



Perfection ' ' Draughting Paper 



X 
XX. 

xxx . 



EGGSHELL SIR! \. |.; 
and n^ht^n l nSS*** paPfr - "f <-" ,iail > designed for Engineers. Architects 

ftiSSES ' 1,ai " r to ,u;h1, " lu " M and is tn « W • that 

36 inches -vide, in rolls of 10 yards PeF Ro11 Per Yard 

42 inches wide, in rolls of 10 yards 

58 Inches wide, in rolls of 10 yards 



AH 

The 
ind w»t 

topeni 
taptria 

Double 



ARTISTS' MATERIALS 



l-T> 



DRAWING PAPER IN ROLLS— Continued 
"Buffine" Detail Drawing Paper 

Tough, hard, uniform in grain and finish, stands erasing very well, and takes ink 
and water color perfectly. The buff or . ream color is *>al.le to the eve and per- 

mits of handling without soiling. 

M - . ,,. _ J . „ Per Roll Per Yard 

36 inches wide, 10 yards in roll 

42 inches wide. 10 yards in roll 

56 inches wide, 10 yards in roll . , 



Manila Detail Drawing Paper 

Made in smooth surface, BUFF COLOR, and ribbed surface, Ruff color 

This paper has a good grain drawing surface, erases perfectly, will not gel brittle; 
lays fiat on the drawing board without buckling. 

In rolls of 100 to 160 lbs.. 36. 42 and 48 inches, and in three thicknesses- 
Thin, Medium and Thick per lb. $•> 1 5 

10-yard Rolls Per Yard 

36 inches width. Thin 

42 inches width, Thin 

48 inches width, Thin 

36 inches width, Medium 

42 inches width. Medium 

48 inches width. Medium 

36 inches width. Thick 

42 inches width, Thick 

48 inches width, Thick 



1 ' Calendered ' ' Manila Detail or Pattern Paper 

Buff, in original rolls only, in four thicknesses— X. XX, XXX. XXXX 

48 inches wiae per lb. $0 15 

10-yard Rolls Per Yard 

X 

XX 

XXX 

XXXX 



AMERICAN-MADE "WHATMAN" WATER COLOR BOARDS 

These boards are made in two surfaces, medium and rough, for general drawing 

and water color work. 

Per Sheet 

Imperial, size 22x30 inches, 72 lbs 

Imperial, size 22x30 inches, 140 lbs 

Double Elephant, ilze -~\ »o inches 



\> 



ARTISTS' MATERIALS 



WINSOR & NEWTON'S 



LONDON-MADE WATER COLOR SKETCHING BOARDS 



Mounting Boards Covered on One Side with Whatman's Drawing Paper 

These boards are made in five surfaces, smooth, medium and rough, for general 
drawing and water color work, and two special surfaces for black and white work. 

Per Sheet 
Imperial, size 21^x29 inches 



ILLUSTRATION BOARDS 



Favor, Ruhl & Co.'s, or Winsor & Newton's 

This board can be used for water color work, pastel, pencil and charcoal drawing, 
as well as general black and white work for reproduction. 

Per Sheet 
Size 20x30 inches, thin or Monogram 

Size 22x30 inches, thick 

Size 80x40 inches, thin or Monogram 

Siss S0x40 inches, thick 



Favor, Ruhl & Co.'s Pen and Ink Board No. 116 

size 22x30 inches, especially i for caricature artists; can be used for wash 
color drawing p er s heet. 



Strathmore Illustration Boards 



Size 20x30 inches 
Size 30x40 inches 



Per Sheet 



Steinbach's Boards 



This board is mounted on one side with the genuine Steinbach Paper on smooth 
pulp, and is used for water color, crayon and black and white work for reproduction. 

Size 20x30 inches Per Sheet 

Size 3a>x40 inches 



ARTISTS' MATERIALS 



1 27 



KID FINISHED BOARD 

This board has a fine surface and is used for miniature painting in water colors. 
Size 22x28 inches Per Sheet 



COQUILLE BOARD 

or frle h tn d a char^ JS£ "**" ^^ *** " "^^ ^^ f ° r Wat8F C0, ° r 
Size 23x29 inches Per Sheet 



MOUNTING BOARD 



6-ply White, 22x28 inches PeP ShGGt 

8-ply White, 22x28 inches 

10-ply White, 22x28 inches 

10-ply Grey, 22x28 inches 

10-ply Scotch Grey, 22x28 inches 

10-ply Ivy Green. 22x28 Inches 

10-ply Carbon Black, 22x28 Inches ' 

10-ply Royal Brown, 22x2S inches 

5-ply White Ripple Board, 22x28 inches 



VIKING WATER COLOR BOARD 

This board has an eggahtU surface and is used for mats, mounts, book covers, 
and is very nice for water color work. It can be supplied in the following tints: 



Blue. 
Buff. 
Golden Rod. 



Dark Brown. 


Grey 


Dark Red. 


Green 


Wine. 


White 



Pink. 

Violet. 

Olive. 

Per Sheet 



In sheets. 22x34 inches 

Colonial Water Board can be supplied in the same tints and size al above price. 




J* 



ARTISTS* MATERIALS 



SCENIC MODEL BOARD 



This hoard is used by scenic artists for making models 



In sheets 22x28 Inches, White 
In sheets. 22x28 Inches, Tinted 



Per Sheet 




STRATHMORE WHITE DRAWING BOARD 

Per Sheet 

No. 7. Two sheet, medium surface, size 23 x29 

Two sheet, medium surface, size L4%x23 

Two sheet medium surface, size ll^.xll 1 .. 

No. 8. Two sheet, high surface, size 23 x29 

Two sheet, high surface, size 14%x23 

Two sheet, high surface, size ll'.xH 1 .- 

No. 10. Three sheet, medium surface, size 23 x29 

Three sheet, medium surface, size L4%x23 

Three sheet, medium surface, size 11 &xl4* ■_• 

No. 11. Three sheet, high surface, size 23 x29 

Three sheet, high surface, size 14%x23 

Three sheet, high surface, size ll 1 jxl4 l _. 

No. 12. Four sheet, medium surface, size 23 x29 

Four sheel medium surface, size I4'_>x23 

Four sheet, medium surface, size 11 V&xl4% 

No. 13. Four sheet, high surface, size 23 x29 

Four si high surface, size 14 &x23 

Four sheet, high surface, size llHxHVfc 

No. 14. Five sheet, high surface, size 23 x29 

Five sheet, high surface, size 14%x23 

Five sheet, high surface, size 11%x14V6 

No. 15. Five sheet, medium surface, size 23 x29 

Five sheet, medium surface, size 14 V 

Five sheet, medium surface, size 11 Vl»xl4 ' 




ARTISTS' MATERIALS 



120 



TRACING CLOTHS 







Koh-i-noor 

1,1 r ° lte ° f ** yarda One side glazed, tl tl,,r dull. 

30 inches wide Per Roll 

36 inches wide 

42 inches wide 

48 iuches wide 

54 inches wide ... . 



rvr Yard 



Mephisto 
In rolls of 24 yards. One side glazed, rhe other dull. 

30 inches wide IVr Roll 

36 inches wide 

41' inches wide 



r Yard 



VELLUM TRACING PAPER 



**£?£ ^? D CTe/S 6 ii\ d 4 Vr"-. r* Rolled ■•» ■ <-> 

with a cap. gK t,1MI pUced ,n a enbstanttal cardboard tube Qtl I 



36 inches wide. 20 yards to roll. . Per Ro11 

42 inches wide. 20 yards to roll ....[...['. 

Write for special descriptlVe circular and sample. 



Per fard 



TRACING PAPER IN ROLLS 




IVr Roll Per Yard 



went. B.. Thick. 40 Inches wide, 20 yards in rol 
BpS? ^ arc S n,e,lt - r - Tlli »- 40 Inches wide 20 Van u r ' 
} Belgian Parchment. "Congo" Thin. 4m Inches wide, 20 yar<£ in 

l^jtaHanr 40 inches' wide. '20 yards' in rolK! 

'\lono'Z\n ••' u ™' eudt " red ' » ^<*ea wide, 44 yards'in'roli:;:;;: 
' SUd \n (r roi'i Tnnisparent facing Paper, 86 i'frehes wideVeiyards 

'' 8 "M*W Transparent' Tracing ' PaV-er/.V. huMu- wi.i..Vr.«Vyard.s 
'Federal," Tracing Paper.' 42 inches wide.' ^yards' in 'roll '.'.'.'.'.'. 

POUNCE OR TRACING CLOTH POWDER 

' D wtface9° r removln * ^erfluous gloss on tracing cloth and other glazed 



each. 



ARTISTS" MATERIAL* 




nXSOR 8ATW PREPARED BLUE PRINT PAPER 

PKKPASED WITH ••REGULAR" OR RAP.D FR.NT.NO BOLUTION 

«U paper U *-* coaU* wae. «£* ^ £» -* ^ ■ ~~* ~ * 

a dark and dry place. It Ib strong and will stand n>ugn W1DTH _ __ 

^ 30 inches 36 inches 42 Inches 

Median Thick. 10-yard rolls |£J ™ ^ 

Thick. 10-yard rolls •• ,'„,,_" ner roll 

«... ror ™|£«£»2£££ ".£** t RegularPrepa^d Faper will »e aeot. 



AMERICAN-MADE 'UNBLEACHED ARNOLD" WATER COLOR 

BOARD 

These boards are wade in two surfaces. MEDIUM and BOUGH, from Unbleached 
Arnold W. C. paper, for general drawing and water color work. ^ ^ 



Imperial, size 22x30 inches. 7, pound Paper, C. P. or Rough 
Imperial, siz, 22x30 Inches. Impound Paper, C. P. or Rough. 
Double "Elephant" size 27x40 inches, C P. or Rough 



Congress Bristol Board 



Per Sheet 



8 Ply, 22x28 inches 



Scratch Boards 



Per Sheet 



-Monogram" Scratch Boards. 22x2S laches 
-Ross" Scratch Boards. 22x28 Inches 



Cap. 

Demr. 
Medium. 

Royal 

Imperial 



2 Ply. : 
3P 

• ■ 

3 PI 



White Ripple Board 



Per Sheet 






Size 22x28 Inches 



Reynol 
Reynol 
Strathi 
Strata 



3 ply. 

* Ply. 

« ply. 

Black 



School 



Wxu 
Hxif 

20 x B 
13] 




i!t t I - 



Cap, 

Demy. 

Medium, 

Royal. 

Imperial, 



ARTISTS' MATERIALS 



I.HI 



BRISTOL BOARDS 
Reynolds' White Bristol Boards 



12Vjx15% inches... 2 ,M - V 

14%xl8V 4 inches.. . 

16%x20$ Inches.. . 

18%x22 s fc inches. . . 

22 xl'8'. inches 



P^r Sheet 
3 Ply 



4 l'h 






Aviator Bristol Board 

High grade Pasted Bristol Board for [Vn and Ink Artists 

2 Ply, 22x83 inches. Plate Finished P« Sfa< 

3 Ply, 22x38 inches, Plate Finished. 

2 Ply. sjx:u inches. Rid Finished 

3 Ply, 22x38 inches. Kid Finished 



Patent Office Bristol Boards 

Reynolds', 10x15 inches. 2 ply. not ruled. Per Sheet 

Reynolds', 10x15 inches. 3 ply. not ml. ,1. 

btratnmore, 10x15 inches, not ruled 

Strathmore, 10x15 inches, ruled ... 



Columbia Bristol Board 

A good quality of Bristol Board, used for large pen and ink sketches 

jj p !- v Size 22x28 inches.. Per Sheet 

* py Size 22x28 inches . ' 

i» ly -- Size 22x28 inches 

Black Bristol Boards. Size 22x28 inches 



PORTFOLIOS 

8ehoo.. Ooth Back and Corner, Paper Pine ,.ea<„er Back s d Cor „ ers ' 

bides with Flaps 



10x14 inches 

11x16 inches 

17x22 inches 

20x26 inches 

23 x 31 inches 



Each 



Uxl6 inches . Bach 

17x22 inches . 

x 26 inches 

22x31 inches 



1?,2 



ARTISTS' MATERIALS 



SKETCH BLOCKS OR DRAWING PADS 

These blocks are made of sheets of paper, pressed firmly together 

may be separated by passing a knife under its edge. 



each sheet 



"Whatman's"' Water Color Sketch Blocks 

Id C. P-. H. P.. and R. Surf;. 
FOR WATER COLOR. PENCIL AND INK DRAWING 

Each 



Each 



7 inches 
7x10 inches 
«.i x 12 inches 



10 x 14 in* 

12 x 18 inches 

14x20 ii" 



;TRA HEAVY PAPER 
Each 



Each 



5x7 inches 

7 x 10 inches 
y x 12 inches 



10x14 in- 
I2xis lnch< 

14 x 20 inch- 



"Nonpareil" Sketch Blocks 

FOR WATER COLOR. PENCIL, PEN AND CRAYON WORK 

Each 



Each 



5x 7 inches 
1 x 10 in 



9x 12 inches 
10x14 inches 



"Coquille" Sketch Blocks 

FOR WATER COLOR PAINTING 
The paper of which these blocks are made has a fin.' stipple surface 

14V. x! inches 



Each 



Each 



7tf,xll% il! 
ll%x!4% inches 



"School of Art" Solid Sketch Blocks 

FOR WATER COLOR. CRAYON OR PENCIL WORK 



Each 



Each 



6x 7 Inches 
7x10 Inches 
9x12 Incl 



10 x 14 inches 

12x18 inch. 
14 x 2n inches 



"Sudbury" Sketch Blocks 

FOR WATER COLOR. CRAYON AND PENCIL WORK 



L.i.-: 



dx 9 inches (44 >ln block i 

9x12 inches (22 sheets to a block) 



ARTISTS' MATERIALS 



SKETCH BLOCKS OR DRAWING PADS^Continued 

German White Sketch Blocks 

FOR PENCIL AND CRAYON WORK 



5x7 inches 
7 x 10 inches 
M x 12 inches 



" x 10 inches 
0x12 inches 



Each 



"ix 14 inches 
12x18 Inches 

14x110 inches 



"Gibson's" Bristol Board Blocks 

Containing 12 sheets of 3-ply Wedding Bristol Board* 

Each 



K>x 14 inches 



1.3.'i 



Each 



Each 



Favor, Ruhl & Co.'s Special "Barclay" Sketch Blocks 

Made of Favor. Ruhl & Co.'s -Barclay- Water Color Paper, for Water Color Ben 
ana Pencil Sketches. ' 

Each 

10x14 Inches 



5x7 inches 
7 x 10 inches 
9 x 12 inches 



Each 



12 x IS inches 
14x20 inch. 



RAGGED EDGE CARDS 

For Water Color Painting 

IX BOXES CONTAINING 100 CARDS— ALL WHITE OR 100 CARDS OF 

ASSORTED SHADES 



PfT Dozen 



- ] i x4% 


Inches 


">'-2X4% 


Inches 


4 x 4 


incli 


4 x6 


Inches 


4',x6 


inches 



0x <5 Inches 

5 x 8 incli 
7 \ 9 inch 
3 \ 10 riches 
9 1 11 inches 



Per Dozen 



PASSEPARTOUT PAPER, GUMMED 

In continuous rolls of 36 feet, for binding pictures, linen frames, decorated mats 
and photographs of all kinds which require protection under gla 

Black, White. Green. Slate. Ruby. Wine. Light Brown, Chocolate.... 

Gold and Silver 



Brass Passepartout Rings., 

Brass Passepartout Haulers 



Per I >oz. 



Hall's Styk-um-Phast Gummed Cloth 

In rolls of 10 yards %-ineh wide. 
Light Green. Dark Green, White, Gray, Red, Blue, Black. Ecru. Roan. Maroon 



Pach 



t • 









ARTISTS' MATERIALS 







Universal Air Painting Tool-Model D-PATENTED 

■\ valuable feature embod- 
ied in this tool consists in the 
multiple fluid nozzles, otter- 
ing a wide range of work and 
matt-rial. It adapts itself well 
to the many processes ern- 
j artists involving 

the' appl 'on of materials 
such as varnish, lacquer, al- 
C lie ink and stains, water 

c - and Fixatif. 

D y with the old 

m< d of the mouth atom- 
izer, saving time and energy. 

Each 

Compl with Tump.. 

Extra Glass Jar- with 

cover 




r\ 










li 



French Metal Atomizer 

No. 25 Indestructible 
White Metal 



'» 






Superior Black Crayon 
Sauce (American Made) 



Exact imi- 
tation of the 
French 
Crayon 

Sauce, 
wrapped in 

til. 
h, 

Kensington" Ring Bound Loose Leaf Sketch BooksFittcd with 24 Sheet 
UNBLE\LH1 D \RNOLl IAND MADE PAP LD PRESSED SURFACE 

ONLY— For Pen. Pencil and Water Color Work 




■ 




SUPERIOR 

Crayon 
Sauce 

NEW YORK 





ize 

- 

x 

X 



41/2 X 

5 x 



of Covtr 
ini h 
inches 

in 



7 1 



x 









Id 






Closed 

Complete, Each 



if Sheet 
x inches 
x 
x 9 inch 

7 10 inches 

Extra Fillers, Punched, of 24 Sheets (In Package) 

6 inch, Pei Pa 6x 9 inch. Per Package 

7 inch* 7 x h 






$0.50 
.60 

.90 




No. 1- 34 
No. 2. 5 



4 1 

6 x 9 t 



xS 



leav- 
Size 9xi 




ARTISTS' MATERIALS 



130 



No. 
No. 



THE SKETCHERS" POCKET ILLUSTRATION BOOKS 

MADE OF "ILLUSTRATION" PAPER AND CONTAINING 40 LEAVES 

Each Eacb 



1. 3% x 5 inches . 

2. 5 x 7 inches . 



No. 3. 5% x 9 inches 
No. 4. 7 x in inches 



< < 



CANVAS-COVERED" SKETCH BOOKS 

HEAVY STIFF COVERS 




4 x 7 inches 
5 V4 x 8 inches 
6x9 inches 



WHITE PAPER 
Bach 



8x10 inc! 
9 x 11 irn lies 
10 x l i Inches 



< i 



FLEXIBLE" CANVAS-COVERED SKETCH BOOKS 

WHITE PAPER 



3%x5% inches. 28 leaves 
4%x 6V. inches. 28 leavi 
5% x 8 inches, 28 leav- 



Each 



Each 



Each 



6 x , Inches, 28 leaves 

7 \ in inches, 28 lea 

8%xl] ii. 28 lea- 



ART STUDENTS' WATER COLOR TABLET 

This Tablet is specially prepared for students and amateurs, and contains twenty 
leaves. Can be used for pencil, crayon or water COl< k. 



Size 9x12 inches 



Each 




PERFORATED CROSS SECTION TABLETS 

These Tablets are made in two sizes from a fine quali 
of white paper, i full} ruled 10 sqm to the inch, and 

bound with printed bindings. 

Each 

No. 95. 6x 9%, 100 leavi b 

No. 9S. SxlO"«s, 80 h l 



13G 



ARTISTS' MATERIALS 



FRENCH HARD PASTEL CRAYONS 



IN FANCY PAPER BOXES 




Superfine 

First Second 
Quality Quality 
Per Box Per Box 

Boxes of 6 assorted coin pfi 

Boxes of 12 assorted colors 

Boxes of IS assort* 6 <-olors 

Boxes of 24 assort . I colors 

Boxes of 30 assorted colors 

Boxes of 36 assorted colors 

Boxes of 48 assorted colors 



GIRAULT'S HALF HARD PASTEL CRAYONS 



IN FLAT WOOD BOX! 



Per Box 
12 Crayons, assorted shad< b 

25 Crayons, assorted sir 

50 Crayons, assor shades 

75 Crayons. -rted shades 



Per Box 

100 I ous, assorted shades 

150 Crayons, assorted shades 

200 Crayons, assorted shades 



AKTISTS' MATERIALS 



137 



GIRAULT'L EXTRA SOFT FRENCH PASTEL CRAYONS 



IN FLAT WOOD BOXES 



EACH CRAYON IN TISSUE PAPER 




No. 1 



No. 0000. 




No. 


000. 




No. 


00. 




No. 


0. 




No. 


1 


or 


No. 


2 


or 


No. 


2Vj 


or 


No. 


3 


or 


No. 


4 


or 


No. 


5 


or 


No. 


6 


or 


No. 


e 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 


No. 


6 


or 



Per box 

554 Crayons, assorted colors 

Treble size, 37S Crayons, assorted colors 

Double size, with tray, 300 Crayons, assorted colors 

Double size, with tray. 272 Crayons, assorted colors 

Double size, with tray, 164 Crayons, assorted Colors 

Full size, 134 Crayons, assorted colors 

•"• j size, 88 Crayons, assorted colors 

i .. size. 66 Crayons, assorted colors ■••••« 

■ ; size, Fine. 56 Crayons, extra assorted colors, with < 

V 4 size', 44 Crayons, assorted colors 

i s size, 30 Crayons, Carmine, assorted shades 

i s size, 30 Crayons, Red, assorted shades 

% size, 30 Cravons, Vermilion, assorted shades 

% size, 30 Crayons, assorted colors 

% size, 30 Crayons, Black 

i; size, 30 Crayons, White - • - • • 

i* size, 30 Cravons. Blue, assorted shades 

i s size, 30 Crayons, Brown, assorted sha- 

% size, 30 Crayons, Flesh Tint, assorted shades 

u size, 30 Crayons. Green, assorted shades 

XL size, 30 Crayons, Grey, assorted shades 

2 size, 30 Crayons, Lake, assorted shades 

d size, 30 Crayons, Ochre, assorted shades 

' I size, 30 Crayons, Purple, assorted shades 

K size, 30 Cravons, Rose, assorted shades 

M, size. 30 Cravons, Yellow, assorted shades 

% size, 30 Crayons, Pink, assorted shades . . . . •• • • • 

% size. 30 Cravons, Emerald Green, assorted shades 

% size, 30 Crayons. Violet ported shade a . 

% size, 30 Crayons, Warm Grey, assorted shades 



138 



ARTISTS' MATERIALS 



BOXES OF MATERIALS FOR PASTEL PAINTING 




Outfit No. 1. Polished Wood Box, containing 30 soft Pas* assorted colors, 
Bottle of Fixatif, Folding Tin Atomizer, Leather Stomp, Grey Paper Stomps, 
Tortillons, Brass Crayon Holder, Pointed Rubb'-i Black Conte Cravons, 
Thumb Tacks, Pastel Paper and Chamois 

Outfit No. 2. Polished Wood Bo.v. containing 64 soft Pastels, assorted fine colors. 
Bottle of Fixatif, Folding Tin Atomizer. Leather Stomps. Grey Paper 
Stomj Tortillons. Pointed Rubber. Brass Crayon Holder, Black Conte 
Crayons, Thumb Tacks. PasM Taper and Chamois 



Ea< 



TORTILLON STOMPS 



THIN PAPER STOMPS, POINTED AT ONE END, FOR VERY DELICATE WOR. 







Witt. 









Blue, Pink, or White Paper, in dozen packages 

Paper 

Extra Large. White or Grey! ...... 



So. 




ARTISTS' MATERIALS 



13! 



GIRAULT'S EXTRA SOFT FRENCH PASTEL CRAYONS 



LARC1 DIAMETER 



Separate Shades 



IN BOXES OF ONE DOZEN CRAYONS OF EACH SHADK 

Crayons Extra Size 



Bai 




Mo. 

1 Red Brown, dark. 

2 Red Brown, 

3 Red Brown, 

4 Red Brown, 

5 Red Brown, light. 
C Orange, dark 

7 Orange, 

8 Orange, 

9 Orange, 

10 Orange, 

11 Orange, 

12 Orange, light 

13 Deep Green, dark 

14 Deep Green, 

15 Deep Green, 

16 Deep Green, 

17 Deep Green, 



Per Box 
Per of 12 
Stick Sticks 



No 

18 
19 

20 

21 

24 
25 

27 

34 



* Per Box 

Per of 1 2 
Stick Sticks 



Deep ( n. light 

Violet Purple, dark 

Violet Purple, 

Violet Purple, 

Violet Purple, 

Violet Purple, 

Violet le, light 

Naples Yellow, dark 

Naples Yellow, 

Naples Yellow, 

Naples Yellow, 

Naples Yellow, 

Naples Yellow, light 

Leaf Brown, dark 

Leaf Brown. 

Leaf Brown. 

Leaf Brown, light 



141 



ARTISTS' MATERIALS 



GIRAULT'S EXTRA SOFT FRENCH PASTEL CRAYONS— Continued 



35 Leaf Brown (greenish i. 
o 1 '. Leaf Brown i gre« aish i . 

37 Purple Brown, dai k 

38 Purple Brown 

39 Purple Brown. 
4 Purple Brown 

41 Purple Brown 

42 Purple Brown, light.... 

43 Grey Violet, dark 

44 Grey Violet. 

4.5 Grey Violet. ~ 

4G Grey Violet 

47 Grey Violet 

45 Grey Violet, light 

40 Brown Madd- r. dark. . 
50 Brov [adder, .... 

L Brown Madder, ! 

52 Carmine, dark 

53 Carmine, 

54 Carmine, 

Carmine, 

56 Carmine, 

7 Carmine. 

58 Carmine, light 

' Warjn Brown, dark 

60 Warm Brown, 

61 Warm Brown . , 

62 Warm Brown. 

63 Warm Brown, ligh 

i Vermilion, dark 

Vermilion, 

Vermilion, 

67 Vermilion, 

US Vermilion, 

rmilion, 

1 Vermilion light 

7: Maroon Brown, dark 

72 Maroon Brown, 

73 Maroon Brown, light... 

74 Maroon Lake, dark 

75 Maroon Lake, 

76 Maroon Lake, 

77 Maroon Lake. 

78 Maroon Lake, 



Per Box 
Per of 1 2 
Stick Sticks 



No. 

79 Maroon Lake. 

sn Maroon Lake, light 

8i Ultramarine i dark. 

82 Ultramarine Bin. 

83 Ultramarine Blue 

84 Ultramarine Blue 

85 Ultramarine i 

86 Ultramarine Blue, light. 

87 Burnt I'm light 

88 Burnt Umber, 

89 Burnt Umber 

Burnt Umber 

91 Burnt Umbei 

12 Burnt Umber 

Burnt Uml .lark 

I Chrome Fellow, light . . . 

95 Chrome Yellow 

96 Chrome Yellow. 
'•'7 Chrome Yellow. 

• Chrome Yellow .lark.. . 

99 Chrome Orange, light.. 

100 Chrome Orange, dark.. 

101 Burnt Sienna, (dark 

shades I light 

102 Burnt Stenna, (dark 

shades) 

103 Burnt Sienna, (dark 

shades) 

104 Burnt Sienna. (dark 

si: 

105 Burnt Sienna. (dark 



106 Burnt Sienna. (dark 

shades) 

107 Burnt Sienna. (dark 

shades) dark 

10S Prussian Blue. dark... 

109 Prussian Blue. 

110 Prussian Blue. 

111 Prussian Bine, 

112 Prussian Blue. 

113 Prussian Blue, 

114 Prussian Blue, light. .. 

115 Indigo, dark 



Per Box 
Per of I 

Sticks 



AKT13TS' MATERIALS 



111 



GIRAULT'S EXTRA SOFT FRENCH PASTEL CRAYONS-Continued 



No. 

116 Indigo, 

117 Indigo, 

118 Indigo. 

119 Indigo, 

120 Indigo. 

121 Indigo, light 

122 Gold Ochre, dark 

123 Gold Ochre, 

1^4 Gold Ochre. 

125 Gold Ochre 

126 Gold Ochre. 

127 Gold Ochre, light 

128 Emerald Green, dark. 

129 Emerald Green, 

130 Emerald Green, 

131 Emerald Green, 

132 Emerald Green. 

133 Emerald Green, light. 

134 Italian Earth, dark... 

135 Italian Earth, 

136 Italian Earth, 

137 Italian Earth, 

138 Italian Earth, light... 

139 Flesh Red. dark 

140 Flesh Red, 

141 Flesh Rtd. 

142 Flesh Red, 

143 Flesh Red 

144 Flesh Red, 

145 Flesh Red, light 

146 Leaf Green, 

shades) dark 

147 Leaf Green , 

shades) 

148 Leaf Green, 

shades ) 

149 Leaf Green , 

shades) 

150 Leaf Green, 

shades) 

151 Leaf Green 

shades) light 

152 Yellow Ochre, dark. 

153 Yellow Ochre, 

154 Yellow Ochre, 

155 Yellow Ochre 

156 Yellcw Ochre. 

157 Yellow Ochre, 

158 Yellow Ochre. 

159 Yellow Ochre. lignl 

160 Black 

dark 



Per Box 
Per of 12 
Stick Sticks 



(dark 

i i lark 
(dark 
i (kirk 
(dark 
(dark 



161 Grey, 

162 Grey, 

163 Grey, 

164 Grey, 

165 Grey. 

166 Grey, 



No. 



Per Box 
Per of 12 

Stick Sticks 



180 

lsl 



182 



is:: 



167 Grey, 

L68 Grey, light 

169 White 

17" Warm Grey, dark 

171 Warm Grey, 

17: Warm Grej . 

L73 Warm Grey, 

174 Warm Grey, 

17.". Warm Gn 

L76 Warm Grey, light 

177 Leaf Gr« en, (lignl 

shades) dark 

175 Le a f Qree n, (ligl 

iades) 

17'.' Leaf Green. Might 

shade. 

Leaf Green, (ligl 

shade; 

Leaf Green, (light 

shade 

l.eaf Green, (light 
shade. 

Leaf G re e n, (lignl 

shades) light 

184 Greenish Grey, dark... 

185 Greenish Grey, 

186 Greenish Grey, 

187 Greenish Grey, 

188 Greenish Grey, 
L89 Greenish Grey. ■ 
I 90 Greenish G 
l'tl Veronese 

(Emeraude) 

V e r o n e s i 
i Emeraude] 

V e ronesi 
t Emeraud 

Veronese 

(Emeraude) 
Veronese 

i Emeraude) 

196 Cassel Earth, dark 

197 Cassel Earth, 

198 Cassel Earth, 

99 Cassel Earth. 

200 Cassel Earth, 

201 Tassel Earth, light 

202 Yellowish Grey Green. 
dark - 

203 Yellowish Grey Green, 
i Velio wish Grey Green. 
-. Yellowish Grey Green. 

206 Yellowish Grey Green. 
i Yellowish Grey Green. 
208 Yellowish Grey Gr« 

lteht •••••• 

20? Sap Green, dark 



192 
193 
194 
196 



dark ■ ■ 

reen 



■ • 



G reen 

. • • 

G reen 

• ■ • 

Green 

light 



14U 



ARTISTS' MATERIALS 



GIRAULTS EXTRA SOFT FRENCH PASTEL CRAYONS— Continued 






No. 

210 Sap Green, 

-11 Sap Green 

212 Sap (, n, 

213 Sap Green. 

214 Sap Green, light.. . . 

215 Burnt Sienna. i lig 

shades) dark 

216 Burnt Sienna, flight 

shades) 

217 Burnt Sienna, (lighl 

shades) 

218 Burnt Sienna, (light 

shades i 

219 Burnt Sienna. (light 

shades) 

220 Burnt Sienna. (lig 

shades) light. 

221 Violet Or dark 

222 Violet Grey 

223 Violet G> 

224 Violet Gre 

15 Violet Gre. 

226 Violet Grey, light ... 

227 Sky Blue, dark 



Per Box 
Per of 12 
Slick Sticks 



No. 

228 Sky Blue. 

29 Sky Blue 

230 Sky Bin 

231 Sky Blue, 

232 Sky Blue, light 

233 Vandyke Brown, dark.. 

234 Vandyke Brown, 
5 Vandyke Brown, 

236 Vandyke Brown, 

237 Vandyke Brown 

238 Vandyke Brown, light. . 

239 Chrome Green, dark... 
I Chrome Green. 

241 Chrome Green. 

242 Chrome Gre* 

243 Chrome Green, light... 
-•4 4 Raw Umber, dark 

245 Raw Umber, 

246 Raw T'mher 

1 Raw Umber, 

3 Raw Umber. 

aw Umber. 

I Raw Umber, light 



Per Box 
Per of 12 
Stick Sticks 



Xo. X. Treble Tray Box. containing one Crayon of each of the foregoing 250 
separate shades of Girault's Soft Pastels Per box. 

Note.— Where the first Qumb< of a Color are dark and the last light the inter- 
mediate tints range from dark to light, and where first marked light and last dark 
the range is from light to da? 



ATOMIZERS 

FOR SPRAYIXG FIXATlF ON CRAYON AXD CHARCOAL DRAWINGS 




Japanned Tin. Foldh 
Nickel Plated. Foldi- 
Glass, Folding 



Each 



So. 

1 Ked 1 

2 Red 1 

1 



Bed l 
Bed! 

Red! 

R«i3 
S Red 1 
9 

< ram 

11 Fleb 

12 I 

13 Flesh 

14 Flesh 

15 ! 

16 1 

n i 

1 I at 

19 Pros 

8 Pros 

21 Pros 

Pros 

23 Pros 

24 Pros 

25 Pros 

26 Pros 

B Proa 

29 Olive 

30 Olive 

31 i 

32 I 

33 Olive 
K Olive 
35 Olfo 
36 

?, ~ Leaf 

■ Uaf 

41 

: 

45 
Plot 

■ V, I' 



ARTISTS' MATERIALS 



143 



MONOGRAM EXTRA SOFT PASTELS 

IN BOXES OF TEN STICKS OF EACH SHADE 

Extra Large Size. American Made 



s'o. 

1 
2 
3 
4 
5 
6 
7 
8 



10 

11 

12 

13 

14 

15 

16 

17 

is 

19 

20 

21 

22 

23 

24 

_T. 

jo 

27 

2S 

29 
30 
31 
32 
33 

34 

35 

:;»; 

37 
38 

39 

4n 

41 

42 

43 

44 

45 

41 ; 

47 

48 

40 

50 

51 
52 

54 



Per Box 

Red Brown Dark 

Red Brown Dark 

Red Brown Dark 

Red Brown Dark 

Red Brown 1 >a rk 

Red Brown Dark 

Red Brown Dark 

Ke«] r.rown Lij-'ht 

Orange Dark 

< )range Light 

Flesh Dark 

Flesh Dark 

Flesh Dark 

Flesh Dark 

Flesh Dark 

Flesh Dark 

Flesh Dark 

Flesh Light 

Prussian Bin. Dark 

Prussian Blue Dark 

Prussian Blue Dark 

Prussian Blue Dark 

Prussian Blue I >ark 

Prussian Blue Dark 

Prussian Blue Dark 

Prussian Blue Dark 

Prussian Blue Dark 

Prussian Blue Light 

Olive Green Dark 

Olive Green Dark 

Olive Green Dark 

Olive Green Dark 

Olive Green Dark 

Olive Green l >ark 

olive Green Dark 

olive Green Light 

Leaf Green Dark 

Leaf Green Dark 

Leaf Green Dark 

Leaf Green Dark 

Leal Green Dark 

Leaf Green Light 

Flower Pink Dark 

Flower Pink Dark. . - 

Flower Pink Dark 

flower Pink 1 >ai k 

Flower Pink Dark 

Flower Pink Dark 

Flower Pink Light 

Naples Yellow Dark 

Naples Yellow Dark 

Naples Yellow Dark 

Naples Tellow Dark 

Naples Yellow Light 



No. 

55 
56 

57 

58 

59 

•;<» 

61 

62 

63 

64 

65 

66 

67 

68 

60 

70 

71 

72 

7:j 

74 
75 

76 

77 

78 
70 

80 
81 
82 
83 

si 

85 
86 

87 

88 

so 

90 
01 
92 
93 

01 

95 

96 

07 
Os 

00 

ion 

mi 
102 

103 
104 
105 

106 

107 

ins 



Per Box 

Greenish < tray Dark 

Greenish Gray Dark 

Greenish Gray Dark 

Greenish Gray Dark 

Greenish Gray Dark 

Greenish Gray Dark 

Greenish Gray Dark 

Greenish < rray Dark 

Greenish Gray Light 

Umber Dark 

I Dark 

Umber I >ark 

Umber Dark 

fin her Dark 

Umber Dark 

Umber I >ark 

Umber Dark 

i fmber Light 

Yellow ( tehre I 'ark 

Yellow t >chre i >ark 

fellow Ochre I >ark 

Yellow Oehre Dark 

Yellow < >chre Dark 

Yellow I >cbre Dark 

Yellow I >chre ■ ,:l,k 

Yellow < tehre Light 

Chrome Orange I >ark 

Chrome Orange Light 

Chrome Yellow Dark 

Chrome Yellow Dark 

I !brome Yellow Dark 

Chrome Yellow Dark 

Chrome Yellow Dark 

i Ihrome Yellow Dark 

Chrome Yellow Dark 

Chrome Yellow Light 

Permanent Green Dark 

Permanent Green Dark 

Permanent Green Dark 

Permanent Green Dark 

Permanent Green Dark 

Permanent Green Dark 

Permanent Green Light 

Black 

t , 1 >ark 

Gray Dark 

< Jray Dark 

< ira v 1 >ark 

Gray Dark 

ray Dark 

Gray Dark 

Cray Dark 

Gray Light 

White 






141 



ARTISTS' MATERIALS 



No. 
109 

iKi 
ill 
112 
113 
111 
115 
116 
117 
118 

11 !l 

12( i 

1l'l 
ll'L.' 

123 

1L'4 

125 

1L'«; 

127 

1L'> 

129 
130 

131 

1 

1 .'{.•{ 

134 

135 

136 

137 

138 

i:59 

140 

141 

141' 

143 

144 

145 

146 

147 

148 

1 V.' 

l.-.O 
151 
152 

154 

1 55 
L5 
157 
158 

IT,!. 

160 

i«;i 
162 



MONOGRAM EXTRA SOFT PASTELS— Continued. 



Cardinal Red I>;>rk\. 
( iardinal Red I >ark. . 
<;ir<liJiaI Red Dark., 
Vermilion 



Per Bos 



• t 



Warm Greenish Gray 1 urk.. . 
Warm Greenish Gray 1 >ark.. . 
Warm Greenish Graj l »ark.. . 
Warm Greenish Gray Dark... 
Warm Greenish Gray 1 1 
Warm Greenish Gray 1 
Warm Greenish Graj Light . . 

French Pink I >ark 

French Pink Dark 

French rink Dark 

French Pink 1 >ark 

Frei 'ii i 'ink 1 >ark 

French rink Dark 

French Pink Light 

Violet Dark 

Violel I >ark 

Violel 1 » irk 

\ iolet 1 >ark 

Violet Dark 

Violet l '.iik 

Vi«.let Dark '..[[ 

Violet I 'ark 

Violet Light [] [[ 

Warm Brown Dark 

Warm Brown hark 

Warm Brown Darl , 

Warm Brown 1 1 

Warm Brown Dark ... 

Warm I . u Di . . ., 

Warm Brown I • [ 

Warm Brown Dai 1 . ., 

Warm Brown Light .. 

Lighl Red Dark 

Light Red Dark 

Light Red I 'ark... 
Light Red Dark.. . 

Light Red Dark 

Lighl Red hark 

Light Rod Light... 

Warm Gray hark '.'. 

;y :,n " 9. Dark 

Warm Gray hark 

\V m " ' rk 

;m " ' Dark 

\\ ;,n " G Dark 

Warm Gray 1 ight . . 

l\ k 

JJaroon ; k 

}••"•""" part 

Maroon Lighl 



N. 

164 

1< 

166 

167 

1CS 

1 

170 

,;i 

172 

1 

T 1 
IT - . 
176 

177 

11 

179 

1 

1 
182 

183 

L84 

L86 
187 

v 

190 

L91 

!!»_' 

Li 

194 

L9 

19 

11-7 

198 

•J' tO 

201 

203 
204 
20! 

'6 
207 

'S 
20 
210 
L'll 
212 
213 
214 
2 1 5 
216 



Per R< 



1 erulean Blue I ».nk.. . 
Cerulean Blue 1 'ark. . . 
Cerulean Blue 1 'ark.. . 
Cerulean Blue I lark.. . 
Cerulean Blue Light . . 
Zinm Ireen Dark.. 

Zinnobi ! 1 . 

Zinnoh 

Zinm en hark.. 
'/.u r G rk. . 
Zinnober 1 Light . 
Sky Blue Dark 

v BlUi hark 

SI I Lark 

Blue Dark 

B ue Dark 

Sky Blue hark 

SI Blue Light 

Brown < ■ 1 >ark 

Brown I 1 rk.. . . . 

Brown Green 1 'ark 

B Dark..... 

Brown Green 1 >ark 

I a 1 ii-een Light . . . 
1 Itramj ue Dark 

Cltl Blue hark 

I Lne Blue Dark 

Ultramarine Blue Dai 
Ultramarine Blue Ligl 

Blue hark 

N -' 'irk 

ie Ltgtoi 

hark 

Nile Green Dark 

Nile Green hark 

x I Light 

Purple 1 »;nk 

e Dark 

Pur| Dark 

Purple Darl 

Purple I k 

Pi 1 I i-'ht 

u Madder hark. . . 
Bro¥ n Madder Dark . . 

own Madder Dark. 
Brow n Madder Dark. . . 
Brow n Madder hark. . . 

Carmine 

Dark 

>'!".' hark 

Cobalt Blue Dark 

Cobalt Blue hark 

ill Blue hark 

Cdbalt Blue Light . 



• • 



• • 



No. 1. 
No. 2. 
No. 3. 
No, 4. 
No. 5. 



ASSORTMENTS OF MONOGRAM PASTELS 

10 Stick Past* Each 

I SJ2 !; ,M ^nctocape'woVk) ::::::; 

- K* 5«J (*>r Portrait work). . 

100 s ^p'T s ,r " r Background « ^ 

iou stick Pastels, assorted ... 



ARTISTS' MATERIALS 



14.-, 



"RAPHAEL" COLORED DRAWING CRAYONS 

FRENCH 




6 in box 
i2 in box 



Large Pastel Wax Crayons for School I 

Each 

1 v : in bOX 

24 in box 



Each 



FARDTMUTHS DIAGRAM CHALKS 

IN 3 COLORS 




No. 61B. In paper, assorted Vermilion, Green, Brown. Orange, Blue anc Yellow, 
in box P er box - 

SCHOOL CHALK 

Per Box 

Round. White, ordinary, for blackboard use. in boxes of 1 gross 

Round, assorted colors, for blackboard use, in boxes of 1 gross 



LECTURERS' CHALK CRAYONS 

SIZE OF STICK, lxlx?. INCHES 
Soft Chalk prepared for Lecturers in the following colors: 

Ultramarine Blue. Medium Green. Purple. S*!? 8011 

Light Blue. Dark Green. Lmber. Grey. 

Medium Blue. Light Yellow. Dark Red. Black. 

Dark Blue. Medium Yellow. Magenta. Dull Flesh 

Light Green. Dark Yellow. Scarlet. Dull Flesh. 

Each 

White » ■ \ 

Crimson and Scarlet 

All Other Colors 



Per Doz. 



14b 



ARTISTS' MATERIALS 



THUMB-HOLE PALETTE CHALK BOX 

FOR STUDENTS, SCHOOLS OK ART. ETC. 




PALETTE 



Size of Box. when open, 10%x6% inches; when closed. 694x5% inches. 

The lid of this Box is covered inside with Wash Leather, which forms a Stomping 
Falette. and the thumb-hole is arranged to allow of the Box being held on the hand as 
easily as an ordinary palette. 

The Box contains: Four each Nos. 1, 2 and 3 Square Black Come" Crayon? two 
each Nos. 1 and 2 Lemoine's Round White Crayons; a Bottle of Stomping Chalk 
Velours a Sauce); two White Paper Stomps; one No. 2 White 1 her Stomp, four 
each White and Grey Tortillon Stomps, and a Portecrayon. The Box. complete, weighs 
under eight ounces, or about the weight of an ordinary 12-inch Mahogany palette. 
Complete Each, 



Fren< 

Fa voi 
Favoi 
Favoi 



Braa 



Brass 
Brass 

Bru 



FRENCH STOMPS FOR CRAYON SHADING 

IN PACKAGES CONTAINING ONE-QUARTER GROSS 




Ifo. 2. 





ho I 





YELLOW LEATHER 

No. 1 

No 

No. 3 

No. 4 

No. 5 

No. 6 ... 

No. : 

No. 8 



II*. 6. 



Each 




GREY PAPER 

No. 1 

No. 2 

No 

No. 4 

No 

No. 6 

No. 7 

No. 8 



Each 



*o. i. 
No 

H 3. 

No. f 

No. 5 
No. 6 



ARTISTS' MATERIALS 



147 



RUBBER STOMPS 

Nigrivorine 

ALL RUBBER BOTH ENDS POINTED 

French, small, on cards of 1 dozen Bacb 

French, medium, on cards of 1 dozen 

French, large, on cards of 1 dozen 

Favor, Ruhl & Co.'s small, 1 dozen in 

Favor, Ruhl & Co.'s medium. 1 dozen o\ 

Favor, Ruhl & Co.'s large, 1 dozen in box... 



CRAYON HOLDERS 

(Porte Crayons) 




Brass, 4 inch 

Brass, 5 inch 

Brass. 6 inch. 

Brass, g inch. 

Brass, 10 inch 



Each 



German Silver, Inch 

German Silvei 6 Inch 

Conte\ wiiii hollow wooden center 

and n. 1 

n Hold< rs with 1 



ich 



IMPROVED PANTAGRAPHS 



wtfsw - -- 
> ■ « ■ -- — 1 — 




No. 1. Heavily mounted, with nickel-plated elbow-joint wheel, pencil-holder and 

exchangeable point. Finely polished, black figures 

No. 2. Brass mounted, with brass elbow-joint wheel, pencil-holder and movable 

point. Polished, black figures 

No. 3. Brass mounted, same as No. 2 In »• . ■ .->» poll 

No. 4. Bras* mounted, same as No. 3, except with movable point Instead of 

wheel 

No. 5. Has very neat and substantial triinmin ver ■ factory instrument 

No. 6. A smaller instrument. Is recommended by teachers a Uent 

means of familiarizing children with form and proportion and 

greatly assisting them in acquiring a knowledge of the rudiments of 

drawing by sight from original objects 

Instructions furnished with each Pantagraph 



I ten 



148 



ARTISTS' MATERIALS 



Crayon and Pastel Drawing riaterial. 



FRENCH CHARCOAL 




Per Box 

y £ a— Julio" — Ordinarv. 6 inches long, in boxes o: 

No. ".—Ordinary. 8 inches long, in boxes of 50 . inch thlcK.. 

Xo. 6 — Ordinary. S inches long, in boxes of 50 sticks. Y2 i n,a thick.. 

Conte" — Ordinary . 50 sticks in box 

« onte — Bush. 50 sticks in box 

. e Venetian. 50 sticks in box 

P. A. V. an, 50 sticks in box. extni hard 

Berville Venetian, 5" ks in box. e hard 

Super Venetian. 50 sticks in box. extra hard 

Rouget. E Fine. Nos. 1 ks in box. ... 

Prepared Russian Charcoal (compressed 1 . 12 sticks in b< degrees, Nos. 00 

Xo. 00, the softer and darkest shades the and lightest 



CRAYONS 




Per Do/ 

re, Bla< Nos. 1 and :; 

1 White, Nos. !. _'. and 3 

round, k, Ni and 3 

• nte's round Black, varnished "■ 

square. Red 

Co s square. Blue 

Sepia 1 1 re} ' > 

.e's (1 quare. White 

5 I Paillar'l I iCk 

Len Lithographic •- 1. 2, and • in b b of 12 'rayons... 

Lithograi as. Nos. to 5, in boxes of 1U crayons 



ARTISTS' MATERIALS 



!!!• 



CRAYON SAUCE 




Confers Sauce, Black, extra soft, wrapped in foil.. 
Cont§'s Sauce, Sepia, extra soft, '.rapped in foil. . 
Conte's Sauce, Red, e: tra soft, wrapped in foil... 
ContS's Sauce, Blue, extra soft, wrapped in foil.. 

Conte's Sauce, Black, extra BOft, to glass vials 

Giraulfs Sauce, Black, i ctra soft, wrapped in foil 



Earl) 



CONTE'S CRAYON PENCILS 

IX POLISHED CEDAR 




ich 

Conte's Black Crayon Pencils. No. 1 (hard) 

Conte's Black Crayon Pencils, Xo. _' i medium) 

Conte's Black Crayon Pencils, Xo. 0, extra fine (very hard) 

Conte's Black Crayon Pencils, Xo. 1, extra fine (hard i 

Conte's Black Crayon Pencils, Xo. 2, extra fine ( medium) 

Conte's Black Crayon Pencils, Xo. 3, extra fine (soft ) 

Conte's Black Crayon Pencils. Velvet f Velours) 

ContS's White Crayons, in polished cedar, 7 Inches 

Conte's Crayon Pencils, Red, Blue, and Sepia 

Conte's Lithographic Crayon Pencils, Xos. 1 . 2, and 3 

1 i 

PEARL S PERFECT CRAYON PENCILS 

THREE DISTINCT GRADES 

The invention of the celebrated Crayon Art; Mr. Eugene Pearl, and favorably 
known and used by crayon artists everywhi for man are. 

Each 

No. 1. Hard 

No. 2. -Medium 

No. 3. Soft 



WOLFF'S CARBON DRAWING PENCILS 

FOR DRAWING PURPOSBS— IN FIVE DEGREES 



Each 



HH. H, HB, B, 2B 
3B 



1 -I ) 



ARTISTS' MATERIALS 



SOENNECKEN'S ROUND WRITING PENS 





Per Fer % 
Gross Gr.»ss 



Pens. Single Pointed, Nos. 1. 1%, 2, 2%, 3. ?• 1. 4%, ■" 5%, 0. . 



BISSELLS DOUBLE END PENHOLDER 
For Round Writing Pens 





Double End Holder with Ink Retainers, for use with Round Writing Pens. 
Fitted with Two Round Writing Pens each. 



BISSELL'S AUTOMATIC SHADING PENS 




Widths of Automatic Shading Pen 

Nos 1 2 3 

Width, inches 1/16 M» 3/1C % 

Sets of Six Pens, assorted <iz<>s Per set. 

Assorted Sizes. Nos " 1 2 >. 4, 5 Per dozen. 



4 



5 

Each 






ARTISTS' MATERIALS 



151 



FINE STEEL PENS FOR PEN AND DTK SKETCHING, ETC. 




(About % Actual Sixe.) 

No. 290 Glllott's Mapping, louse ^ DM 

No. 290 Glllott'a Mapping, on cards, with bolder 

No. 291 Glllott'a Mapping, loose 

No. 291 Gillott'.s Mapping, on cards, with holder 

No. 170 Glllott'a Mapping, loose 

No. 303 Gillott'.s Mapping, extra One, loose 

No. 404 Glllott'a Mapping, with bead, fine point 

No. looo Giliott's Drawing Pen, superfine, on card* 

No. 659 Glllott'a Crow Quills, ou cards, with holder 

No. 659 Gillott'.s Crow Quills 

No. 850 Glllott's Crow Quills, on cards, long shoulder 

Blauzy, Poure & Co.'s Crow-Quill Pens, with holders, ou cards 

Each 
Glllott's No. 667. Rosewood. Crow-Quill Peu Holders 

Glllott's No. 1003. Ebony, Crow-Quill Pen Holders 



MOORE PUSH-PINS 





The Moore Push-Pin is superseding, to a great extent, the tack and hammer. 
You push it in with your fingers. Tt can be easily inserted in wood or plaster without 
disfiguring, and when so placed Is surprisingly Btrong and extremely ornamental. 
Made in 2 sizes. No. 1, small : No. 2, large. 

Some of its uses are: For hanging up small picture--, calendars, poster*, lin " 
mounted photographs, newspaper clippings, nick-nacks, and the like.. Per doz. 






ARTISTS' MATERIALS 



"VENUS" DRAWING AND OFFICE PENCILS 




IX 17 DEGREES-9H, 8H. TIL 6H, 5H, 4H, 3H, 2H. II. F, Hi:. B. 2B, 3B, 4B, 5B. OK 

PACKED 1 I PENCIL* ™ * BOX; 1- BOS [IS ^ - «■ I UTTOW 

9H to6B Eacb ' 



r DOZ., 



-VENUS" REFILLS FOR TUBULAR PENCILS 
IX 17 DEGRFI - n:n.M «;n s..rn:sT to 9H iiardi: i 




In boxes of six leads Per Box 



ANGLO-AMERICAN TRACING CLOTH 

Anglo-American Is not e of tbe several "jusl -d" or better than any other" 

Tracing « bs; it Is not an experiment or oew product, t-ut Is of toe best standard 

iropean make and quality that meets the exacting requirements of the discriminating 

draftsman, at the same time Conning in price t<» the demands of the economical 

and close I r. 

In polls of 24 yards. 



Per 

Roll 



Per 

Yard 



30 ii wide 



in.-ii. - wide 
wide 



• 



^ 



ARTISTS* MATERIALS 



153 



Favor, RuKl & Co.'s Grey Pliable Rubber 

Is soft and will be found invaluable for cleaning Drawings, Engravings, Crayons, etc. 



Size 8 Each, 

Size 12 " 

Si/c 24 •' 




Size 40 
Size 60, 



ich, 



■ 



Favor, Ruhl & Co.'s Artists* Beveled Edge Rubber, Red or Green 




ARTISTS 9EVU RUBBER 
FAVOR -RUHL & CO. 

W YORK 



J 



Size 12 Each. 

Size 24 " 



Size 48 Ea« 



SPONGE RUBBER FOR CLEANING DRAWINGS 



Extra Quality, Solid "White" Back 

ich 



Regular Quality, Solid Back 



2x1x1 inch 
2x2x1 inch 
3x2x1 inch 
4x2x1 inch 
6x4x1 inch 



Each 



2 x 1 x I in« h 

1 i .,. \ J \ 1 inch 

2 x 2 x 1 

3 > i' x l in h 

4 x 2 x 1 inch 
4 X 3 X 1 in 

6 x 4 x 1 inch 



PENCIL OR CRAYON POINTERS 




Consists of a number of sheets of 
r made into blocl 



Size. 



K. 



■\ inches, without hand, 
,x4 inches, without handle 
| x 4 inches, with handle. . . . 



:.-.j 



ARTISTS' MATERIALS 



* < 



ABSORBENT" RUBBER 



FOR CLEANING AND ERASING PURPOSES 
CAN BE MOULDED TO ANY SHAPE DESIRED 



incli 



Large, full size 
Small, half size 



Each 



Per Doz 



ART GUM 

THE DRY CLEANER 

Removes pencil marks from books and papers, etc.. without erasing anything 
that is written or printed in ink. 



Size l%xl%xl% inches 

Size 2ij xl%xl% inches 

Size 3 x 2 x 1 inches 

Size :$ c 3 x 2 inches 



Each 



"G-:r 



E. FABER'S RUBBER ERASERS 



Ho 

No. .. 



No. 


111. 


No. 


211. 


No 


112. 


No. 


212. 


No. 


1222. 


No. 


1224. 


No. 


102. 


No. 


104. 





EMERALD 
EBERHARD FABER 




Extra 




No. in 

Emerald Eraser, double beveled, small size 
Emerald Eraser, double beveled, large size 
Ruby Eraser, double beveled, small size 
Ruby Eraser, double beveled, large size 

Kneaded Rubber, small size 

Kneaded Rubber, large size 

Typewriter Eraser, double beveled, small si 
Typewriter Eraser, double beveled, large si 



Per Doz, 



Each 



mrh 
% incb 



A. W. FABER'S ERASERS 

A. W. Faber'e Ink Eraser, small 

A W. Faber's Ink Eraser, large 

A. W. Faber'e Ink Eraser, extra large 



la 

No. 2 
No. 3 



ARTISTS' MATERIALS 



155 



DIMINISHING OR REDUCING GLASSES 

UNMOUNTED 

1 1 4 inches diameter Each, 



"THE PERFECTION 



99 




•'German Silver/ 1 Rounded Heads 
1 dozen on cork 

Per Doz 

% inch diameter 
inch diameter 
inch diameter 



< * 



Brass" Rounded H< 
1 dozen on cork 



IVr Doz 



No. 21. 
No. 22. 
No. 23. 



fc 



No. 24. 

No. 25 
No. 26. 


; inch diamefc 
'_. inch diameter 
£ inch diameter 



Extra Fine German Silver, "Screwed In" and Patent Riveted, Rounded or 

Beveled Head 

Ter Doz. 



•% inch 
% inch 
% inch 



BAYONET THUMB TAOKS 




No. 1 No. 2 No. 3 

Made in Finest Hardened Steel, in One Piece 

In B.«. of 100. with Extractor In Boxes of 100. with Coreroo N.ckel Top 

~ , No. 1 

N °. I I„o 2 

"»■ * ::::: S£ 3 

No. 3 it h 

Thumb Tack Lifter and Paper Knife, nickel plated ^cn. 



150 



ARTISTS' MATERIALS 



DRAWING BOARDS 




12x17. 
16x21, 
I gx24. 



No. 1 
Pinewood, with 2 drawi: .. faces and end cleats 

b 

•_•■ 

23x3J 

12 



Each 




No. 2 

Pinewood. with hardwood cl< retailed Into the board to allow contraction and 

expansion 

80x26 Euch 



31x42 



NO I 



Pinewood. with hardw 1 I as ser. I on. Scr< ran In slots, metal lushed 

allowing for expansion and conti on of board. 

20x26 Each 



f? . 

I * < * 



• • . . 



■ •-......... 



14x20 

Jo 



SCHOOL DRAWING BOARDS 

Drawing Board made of % inch seasoned whitewood with end battens 

E;icb 
20x27 

23x31 

31x42... 



fefl ch 



Three-ply Boards, double faced, will not warp 

16x22 Ea ch 

20x25 '...'. 

23x31 



10x22 
23x31 



Three-ply Drawing Boards, single faced, with cleats 



- • • 





••• 



Each 



• ■ • • . 



■ . - • * 



• ■ • • * 



■ • ... 



■ - . . 



ARTISTS* MATERIALS 



13, 



WOODEN TRIANGLES 
Cherry, Solid 





k60 d( crees. 
30x60 degrees. 



30* j e 

7 in' hes 
9 Inch" 



Ea 






4S° x 45 

■ 

6 iii' 

8 inches 



Cherry, Jointed 
OPEN CENTER WITH MORTISED CORNER JOINTS 





En 



30x60 degrees. 

30x60 degrees. 

30x60 degrees. 

30x60 degrees. 

30x60 degrees. 

30x60 degrees. 1" ineh.s 

30x60 degrees. 12 Inch 

30x60 degrees. 14 indies 



5 inch' 

6 ln< n 

7 inches 

8 inch 

9 inch 



d ■ :. inches. 

6 in. l 

45x45 d-gret 8 in 

15x45 «l< Inch 

10 inchi 

l.v degrees. 12 inches 



Jointed Mahogany, Ebony Lined 
OPEN CENTER 





30° x 60° 

30x60 degrees. 6 inches 
30x60 degrees. 8 Inch 

30x60 degrees. 10 inches 

30x60 degrees. 12 inches 

30x60 degrees. 14 inches 



Each 



ih 



Each 



45° x 43 



45x45 degrees. 6 inches 

. degret 8 inches 

k45 degrees. 10 inches 

45x45 decrees. 12 inches 

4.7.x 45 degrees. 14 inches 



Ea 



l.-s 



ARTISTS' MATERIALS 



AMBER TRIANGLES 





30° x 60 



30x60 degrees. 4 inches 
x60 degrees. 5 inches 
30x60 degrees. 6 inches 
30x60 degrees. 7 inches 
30x60 degrees. 8 inch 
30x60 degrees. 9 inches 
30x60 degrees. 10 inches. 
30x60 degrees. 11 inches. 
30x60 degrees. 12 inches. 
30x60 degrees. 14 inches. 



Ea.h 




45*x45 !> 



45x45 
45x45 
45x45 
45x 15 

i45 
A 5 1 

c45 
45x45 
45x45 



Each 



degrees. 4 

degrees. 5 

degrees. 6 

degrees 7 

degrees. 8 

degrees. 9 

degrees. 10 

degrees. 11 

degrees. 12 



inches 

inches 

inches 

inches 

inches 

inches 

inches 

inches. 

inches. 



RUBBER TRIANGLES 








30°x60 3 

30x60 degrees. 5 facta 
30x60 degrees. 7 inches 
30x60 degrees. 9 Inches. 
30x60 degrees. 11 inches 
30x60 degrees. 12 inches. 
30x6C degrees. 14 inches. 



Each 



45x45 
e4S 
45x45 
45s 

45 
45x45 



degrees, 
degrees, 
degrees, 
degrees, 
degrees, 
degrees. 



45°x45° 

4 inches. 

6 inches. 

8 inches. 
10 inches. 
12 inches. 
14 inches. 



Each 



ARTISTS' MATERIALS 



.5V) 



«< m » » 



T" SQUARES 



Cherry Wood 




Each 



Each 



Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head 


15 
18 
21 
24 
30 
36 
42 
48 


inches 

inches 


Shifting Head. 
Shifting Head. 
Shifting Head. 
Shifting H< ad. 
Shifting HeaJ. 
Shifting Head. 
Shifting Head. 
Shifting Head. 


i,i inc 


I s * Inches 

24 inches 


Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 


inches 




36 inches 




4b inches 



Ashwood Blade 

MAPLE LINED. WALNUT HEAD, SIIKLLAC FINISH 




Eacn 



Fixed Head. 15 inches 

Fixed Head. 18 inches 

Fixed Head. 21 inches 

Fixed Head. 24 inches 

Fixed Head. 30 inches 

Fixed Head. 36 inches 

Fixed Head. 42 inches 

Fixed Head. 48 inches 

Fixed Head. 54 inches 

Fixed Head. 60 inches 

Fixed Head. 72 inches 



Each 



Shifting Head. 
Shitting Head. 
Shifting Head. 
Shifting Head. 
Shifting Head. 
Shifting Head. 
Shifting Head. 
Shifting Mead. 
Shifting Head. 
Shifting Head. 
Shifting Head. 



















is 






ARTISTS' MATERIALS 



••T" SQU APES— Continued 
Mahogany 



EBONY LINED, SHELLAC FINISH 




ch 



Fixed Head. 
Fixed Head. 


15 

18 

21 

30 
36 
42 

."4 
60 
72 


inches 




Fixed Head. 
Fixed Head. 
Fixed Head. 
Fixed Head. 






Fixed Head. 






Fixed Head. 
Fixed Head. 
Fixed Head. 






Fixed Head. 







Shifting Head. 


l". 


in« hi 


Shifting Head. 


is 
21 
24 




Shifting Head. 




Shifting Head. 




Shifting Head. 


30 




Shifting Head 




inehes 


Shifting Hea.i 


41' 




Shifting head. 


48 
54 




Shifting Head. 




Shifting Head. 


60 
72 




Shifting Head. 





Bad 



Maple Blade 

AMBER LINED, CURVED EBONY HEADS 




Fixed 


Head. 
Head. 

Head. 
Head. 
Head. 
Head. 
Head. 
Head. 


15 

21 

24 
30 
36 

42 
48 




ed 


inches 


Fixed 




Fixed 




Fixed 




Fixed 




Fixed 




Fixed 





Each 







Shifting Head. 
Shitting Head. 


is 
21 

30 
36 
42 

48 






Shifting Head. 


inches 




Shifting Head. 
Shifting Head. 
Shifting Head. 


inches 




Shifting Head. 






Shifting Head. 







Each 



In W<x 
In Rut 
In Am 

In Woe 
In Rut 
In Am 

'a Woe 
In Rub 
to Ami 



ARTISTS' MATERIALS 



I til 



IRREGULAR CURVES 

IX AMBER, RUBBER AND WOOD 




Xos. 1 

In Wood 

In Rubber 

In Amber each 

No . 

In Wood ea< 

In Rubber each, 

In Amber each, 

Nos. 

In Wood each, 

In Rubber each, 

In Ambpr each. 






8 



10 

27 

4. r > 
50 

18 
33 

90 



Ji 



12 



13 









16 



17 



19 



20 



21 



22 













SPECIAL CURVE 

MAIM] IN AMBER AND RUBBER 



Each 



In Kubber 

In Ami' 



j . -■ ■ 



ARTISTS MATERIALS 






TRIANGULAR BOXWOOD SCALES 
U. S. Standard, Machine-Divided 



DIVIDED IN 10THS 







Triangular Boxwood Chain Scales, graduated ir 10, 20, 30. 40, 50 and 60 parts to 
the inch. 



Each 



Each 



>. 4£ inches long 

No. 481. 12 inches long 



No. 4S2. 18 inches long 
No. 483. inches long 



Triangular Boxwood Chain Scales, graduated in 20, 30. 4 >, 60 and parts to 

inch. 



Each 



Each 



No. 4S hes lo! 

No. inches long 



No. 486. 18 inches long 
No. 487. 24 inches long 



TRIANGULAR BOXWOOD SCALES 

DIVIDED IN 12THS 

Triangular Boxwood Scales, graduated 16, 1-8, I 4, 8-8, 3-4, 1-2, 1, 11-2 and 3 

inch, s to the foot, one edge 16 to the inch. 



Each 



Each 



No. 488. 6 inches long 
No. 4S9. 12 inches long 



No. 490. ^8 inches long 
No. 491. 24 inches long 



Triangular Boxwood Scales graduated %. * 4 . V 1. %. 94, 1%, 3. 2 and 4 inches 

to the foot, one edge 16 to the inch. 

Each 
No. 492. 12 inches long 

No. 493. 18 inches long 

No. 494 inches long 



No. 492A. 

No. 493A. 
No. 494A. 



TRIANGULAR BOXWOOD METRIC SCALES 

20 cm. long; div. .01. .02. .03. .05, .025, .012:. 

30 cm. long; div. .01, .02, .03, .05, .02. r >, .0125 

cm. long; div. .01. .02. .03. .0.",. .02.',. .012:. 



Each 



Scale Guards 



Triangular Scale Guard, Nickel Plated 



Eacb 



ARTISTS' MATERIALS 



U. S. Standard, Machine-Divided 






TRIANGULAR WHITE EDGE SCALES 



No. 570. 

Xo. 573 

Xo. 574, 

No. 575 



Division: 10, 20, 30, ".0, 60 parts to the inch 

Each 
6 inches No. 571A. 18 Inches 

12 inches Xo. .'Tin. LM inches 

Division: 3-16, ' . ' . '_. % 1. i%, 3 Inches to the foot 

Each 

6 inches No. 575A. 18 Inches 

12 inches Xo. B75B. - l inches 



Each 



Xo. 576. 
Xo. 576 A. 
No. 576B. 



Division: %, %. %, ',. -,. 1. 1>_. 2. 3, 1 inches to the foot 



Triangular White Edge Scale. 12 inches 
Triangular White Edge Scale, 18 inches 
Triangular White Edge Seal.-. _' I inches 









No. 


496. 


No. 


498. 


No. 


493. 


No. 


502. 


No. 


510. 


No. 


512. 


No. 


513. 


No. 


516. 



FLAT BOXWOOD SCAI*ES 
U. S. Standard, Machine-Divided 



CHAIN' SCALES 



1 1 1 s :■ 1 1 • 1 1 1 • ■ ■ 
i 




TTTTTTTPT" - 



tttt mn — j"i»|rfirr t. ■ 'jHMMPji ' ■'" ir|ltlll 



10 



Hlll-1 



m 



i • 



.! 



' '••'■•/•'• 9 1 




Flat Boxwood Chain Scale, 6 in.. <liv. lOx 50 parts to the inch 

Flat Boxwood Chain Scale, 6 in., <liv. 20l I" parts to the inch 

Flat Boxwood Chain Scale, 6 in., div. 80s 60 parts to the inch 

Flat Boxwood Chain Scale, 6 in., div. m)x100 parts to the inch 

Flat Boxwood Chain Scale. 12 in., div. U ' parts to the inch 

Flat Boxwood Chain Scale. 12 in. div. 40 ] I to the inch 

Flat Boxwood Chain Scale. 12 in., div. 30x 60 pans to the inch 

Flat Boxwood Chain Scale. 12 in., div. 80x100 parts to the inch 



SHIFTING PARALLEL RULE 

IX EBOXY WOOD 



Eai 



6 inches 

9 inches 




Each 



12 inches 

inches 



Each 



w 



No. 535 

Xo. 536 



No. 543 
Xo. 542 



ARTISTS' MATERIALS 



FLAT BOXWOOD SCALES 

Division: %, V '_• and 1 Inch to the foot 

Each 

6 inches No. 537. 18 Inches. 

12 inches Xo. 538. 24 inches.. 

Division 14, l 1 ^ and 3 inches to the foot 

Each 

6 inches Xo 543. 18 inches.. 

12 inches Xo. 544. 24 inches.. 



Each 



Each 



Xo. 


596. 


No. 


98. 


Xo. 


99. 


Xo. 


602. 


\o. 


6' 


<(• 


C 


N'o. 


606 


No. 


609 


Xo. 


580. 


Xo. 


581. 



Xo. 586. 
No. 587 



FLAT WHITE EDGE SCALES 
U. S. Standard, Machine-Divided 



6 in., div. lOx 50 parts to inch. 

6 in., div. 20x 40 parts to inch 

6 in., div. 30x 60 parts to inch 

6 in., div. 80x100 parts to inch 

12 in., div. lOx 50 parts to inch 

12 in., div. 20x 40 parts to inch 

12 in., div. 30x 60 parts to inch 

u in., div. 80x100 parts to inch 

Each 

6 inches 

inches 



Xo. 584. 1^ inches 
Xo. 24 inches 



Division: ". . ',. l ' .. and 3 inches to the foot 

Each 

6 inches Xo. 588. 18 inches.. 

12 inches Xo. 589. 24 inches.. 



Eact 



Each 



Each 






POLISHED FOLDING POCKET RULES 

EXTRA FIXE QUALITY YELLOW OR WHITE ENAMELED FINISH 

&& - > >> >^t~, ^ ■"■■ 77/ / // /, -. '*/* /Tn / /A 

1 , t / t { , .' f , ( 4 t / . / { / ■ ■ / . / / 

to 

Invisible rivets, with springs, brass tipped 

Whits 
Yellow Enameled 
Each Each 

Pocket Rule. 2 feet. 4 fold. div. inches 

Pocket Rule. 4 feet. 8 fold. div. inches 

Pocket Rule. 6 feet. 12 fold, div inches 

Porket Rule. 4 feet. 8 fold, inches and meters 



ARTISTS' MATERIALS 






PROTRACTORS 





1° ' 110 ' f fo , 

W 
Na 2SS No. 293 

No. 287. Tin, l degree. 2-inch Kach 

No. 288. Braea, 1 degree. 3%-ineh.'; 

No. 288. Brass, better quality. 3%-inch 

No. ijjjo. i> niss , .,„„, , |U;t , itv> , degree , in( . h 

v " f;l V 2 rass ' H,,e «' ,,a!it > '••-'•• •■• Hn* 

v ->;,,' ,rass ' flne quality, fc degree, 5-lnen 

jo. -.'■.- Brass, rine quality, >,. degree, 6-inch. . . 

No. 294. German silver, rine quality, J... degree, i Inch 

No. 295. German silver, fine quality, % degree, 5-inch . 

-Na. 296. Carman Silver, nne quality. % degree, 6-Inch .".WW" !!.'!." ! 

Horn Protractors 

Horn Protractor, half circle. 4-inch diameter, 1 degree Each 

Horn Protractor, half circle. 5-inch diameter, V. degree 

Horn I rotractor, half circle. 6-incb diameter, C de 

Transparent Celluloid Protractors 

Celluloid Protractor, half circle. 4-inch diameter, i, degree. . E "'" 

Celluloid Protractor, half circle, 5-inch diamecer. C ,} 

Celluloid Protractor, half circle. 6-inch dlani. -u ■>. . y. <] 



EAGLE COMPASS AND DIVIDER 




No. -jG9. 
No. 570. 



Packed each In a box, together with a nickel box containing G refills. . . 
Packed 1 dozen to a box. nickel finish • 






BOXWOOD SCHOOL RULERS 

FLAT. BEVELED EDGE tJ. S. STANDARD 



12-lnch. divided, 1-10. %. %. Vi> etc 



Each 



ififi 



ARTISTS MATFRIALS 




Adjustable 

drawing 

Table 

Tins Table can be 

raised or lowered and 

any Ired in- 

i fo ahding 

i. and 

ilded when not Ln n« 

Top made of ar 

\v and Stand 

Oak with One shellac 

finish. 

SIZE OF BOARD 

Each 
j % inch. 

Pine 

\-2 inch, 
Pine 



"Tesco" Drawing Table • 

Polished k Drawing T 
raised or lowered and at any <l 

ne, and can be fo win 

not in use. 

Tray on side fur Water Gl - 

Co 



Each 



Drawing Table Bracket 

The in ">t nvenient practical and eco- 
nomical device of it^ kind, adapted for 
i mmerclal, Illustrating and newspaper 
artists. Can be attached to any style 

Drawing Board. 

i.acb 

Japan Finish 

Oxidized 



j 



\ 




4 X 

Attac 



ARTiSTS' MATERIALS 



167 




The Hoffman Adjustable Drawing 

Bracket Stand 

The Stand is made of steel tubing, therefore is very 
light, yet strong kable. Stands firm and 

n be folded in compac by 

inch* I inches for shipment or handling. 

rh« tl 10 inches, for ink, paint mate- 

rial can be arranged in any desired position. 

Each 
without board : 

Tra\ ith attachments 



«« 



r 



Kensington" Improved Easel and Drawing Table 
Indispensable in Studio, School, College, Drafting Rooms, Etc. 

T :i 1) Mg 

JUS ^H 

^ or sitting j i 

■ The entire table is 
m; 

cept the to] It is 
enamelled in imita- 
tion mahogany and 
makes a splendid appearance. The top is made 
of three-; d. Suppl in two styles; 

with stati y drawing- board, or revolving 

dra It is the only prac- 

tical combination drawing board or 
easel with jiving top that can 

tilted, raised or lowered 
unscrewing or tightening of bolts 
or nuts. 





"Kensington" Easel Drawing Table 
With Stationary Top 

22 x 30 inches Each 

20 x 40 inches Each 



"Kensington" Easel Drawing Table 
With Revolving Top 

22 x 30 inches Each 



' 



30 x 40 inches I a- 

Attachment with double ilging arm and material drawer, as illustrated, for cither 

stationary top or revolving top "Kensington" J ! drawing table, each $3.30. 

"Kensington" 
School Drawing Kit 

This outfit consists of a well- 

ide board, T-squarc, and two 
triangles. The board is so con- 
structed that when the T-square 
and triangle are not in use they 
are held firmly to the under side 
of the board. The outfit is com- 
pact, inexpensive and durable 
and very practical for school or 
home use. 




No. 1 Size 10x12 in. 
No. 2 Size 13x19 in. 
No. 3 Size 17x22 in. 



. * 



Each 

Each 
Each 













ARTISTS' MATERIALS 



INSTRUCTION BOOKS ON ART 
Books on China Painting 



China Painting. By August Klimke. Dec- 
orator and G'-i Manager of the 
Roy*] Pottery Works at Berlin, Pub- 
lished by Miiiier & Hennig, Dresden, 

Germany. Each 

Practical L< ns in Painting on China, 
Etc. Bj Madame La Baronne Dela- 
niardelle and M. F. Guopil. Each, 

China P A I Heal Manual foi 
the IV'- of Amateurs In the Decorati i 
of 1" rcelain. By Miss M. Louise Mc- 
Laughlin. Each 

How to Apply Matt, Bronze. Lacrolx and 
Dresden i M >\ to China. J 

Miss a. II. ' I - -■ ■'.. Each 

A Manual for China Painters. Being a 
practi< -ud < on 

the art of painting i .1 od 

mineral col Mrs. N. di R. Mon- 



achesi. With colored plates, showing 
138 mineral colors. Second Edition. 
Cloth. Each 

The Teach rr of China Painting. The most 
practical manual for the Study of China 
Painting. By D. M. Campana. Each. 

ring China Lessons on Everything are 
contained in this book: How to stack, 
how to fire, how to repair kilns, china, 
etc. By D. M. Campana. Each.. 

100 Lustre ''"lor Combinations. Contains 
all the new colors and combinations. 
how to apply, how to correct mistake - 
etc. By D. M. Campana. Each.. 

Monogram Book. Showing a large variety 
of Monograms in all sizes, also separate 
letters. By D. M. Campana. Each. 



Books on Oil and Water Color Painting 



Wat<r By Grace Barton 

Allen. With 11 atlons and cover de- 

sign by author. 250 pages. A. 

plates Showing washes of modern wal 

The author, who has had ex- 
] nee with both blic classes and 
private i'ii] I s, aims to convey informa- 
tion in so clear, direct and minute a 
tint there can be no 1 bility of 
misconception, and has illustrated the 
book with c headings and tail- 
nieces which serve as a commentary on 
the text. The washes of color D In 

the volume will prove to be of gre 
value to the an ir as well as the 
artist. Each 



.... 



• ■ 



0,i 1 " tor. By Hume 

Nesbil ith illustrations in Mack and 



white and with four examples in color. 
Limp cardboard binding. Each. .. 

The Painter in Oil. By Burleigh Park- 
hurst. A practical treatise on the 
theory and process of oil painting. Fully 
illustrated and containing colored 
plates, showing specimens of oil colors 
Contains 406 pages. Each 

1 Plain Guide to on Painting. By Home 
Nesbfct Each 

Amateur Art. By Henri Clarlse. The 
best and mo concise look of instruc- 
i 3 for amateur artists ever published. 

Each 

Th< I t of Mixing Tints of Colors. By 
M. E. P: >tt In oil or water colors. 
Each 



BelVs Ana* 1 Phi v of Expres* 

$ion. Each 

ut's Prim ' Harmony an>1 
Contrast of Colors. b 

ChfvreuV.o Principles Of Harmony, with 
Color Plates. Each 

Church's Chemistry of Paints and Paint- 
ing. Each 



Books on Various Subjects 

Crnut 's The Bases of Design. Each, 

Crane's Line and Form. Each 

'op'* Anatomical Diagrams for the 
I 1 Art Students. Each 

!. eland's Drawing and Designing. Each, 



sj,anton's Science and Art Drawing. Each, 






ARTISTS' MATERIALS 



169 



INSTRUCTION BOOKS ON ART— Continued 
Books on Various Subjects— Continued 



Bpanton's Complete Perspective Course 

Each 

8panton'a Geometrical Drawing and Dr. 

signing. Bach 

Strange'* Alphabets : A Handbook of Let- 
tering. Each 

Ware's Modern Perspi ctive. Each . . 
White** Practical Designing. Each.. 

Lessons on Art. By J. D. Harding. 126 

lemons, with 48 lithographic plates and 
other Illustrations. Commencing w\\ 
line-;, objects, rural buildings, ruins etc 
Each 

De.«/<7n in Theory and Practice. By Bach- 
elder. Each 

Renai*sanre and Modern Art. By Good- 
year. Each. 

Roman and Mediaeval Art. By Goodyear 

Each ' 

The Art of Making and Using Sketches. 

By G. Fraspont. Each 

Teacher of Drawing. By D. M. Campana. 
Each 

The JTuman Figure. By J. IT. Vander- 
poel. Lecturer ou Drawing and Con- 
struction of the Human Figure at the 
Art Institute of Chicago. Each.. 

Materials for Permanent Painting. By 
Maximilian Toeh. A manual for manu- 
facturers, ar t dealers, artists and col- 
lectors Each 

Sanfnrd'* Manual of Color. By J. I. $^\n- 
ford. With complete chart of the pris- 
matic or rainbow colors. Each. . . . 

Berne Painting and Pointing in Distemper. 

Gives full Instructions In the pre;»a ra- 
tion of the colors, drawing for scene 
painters, stage settings, and useful in- 
formation regarding Btage appliance 
and effects. Numerous illustrative dia- 
grams and engravings. Octavo. Papi 



cover. Each 

Drawing Lessons: The Human Read. Bj 

Frederick Koch. A simple practical sys- 
tem adapted for children. Its Scien- 
tific correctness is a guide and refer- 
ence to artists. It offers interesting 
entertainment nnd Instructions for the 
family. These lessons are appropria 
gifts for children, students and t 
ere. First vol. 4 books in one, 20 I 
sons. 50 practicing sheets. Each. 

Bow 'o Draw and Paint. A compl to 
handbook on the whole art i Irawl • 
and painting, containing concise instru 
tions in outline, light and shade, p 
spectlve. sketching from nature, figure 
drawing, artistic anatomy, 
marine, and portrait painting; the prin- 
ciples of colors applied to : 

etc., etc.. with ■ 100 illustr ns. 
12mo. Board cover. ich 

Row to Thoroughly Master L- ipe 

Painting. Bj H. Leldel, Jr. Bach, 

Taw ttry Painting. By II T. Wvnne. 
Each 

Pyrography. Pap p 3J iud 

Maude. Each 

Use Of Colors. A valuable treatise on the 
character, use. and mixing of 
their permanent or fugitive quallt!< 

of the different pigments and r en 

ableness. Also a - rr. the 

pr;M-i of painting in oil and water 
colors. 16mo. Pfl r. Each. 

Simplified Illustrating. By Charles n.pe 
Prevost. a sel *' Insl n ;i rt < 
Each 

This and That About Caricature. By 
'*Zim." a book calculated to < the 

anxiety of the comic art student Each 



Books on Alphabets and Sign Writing" 



Standard American Lettering and Dm 
ing Book. The Modern Art of Sign 



Writing. 



Each 



Standard Scroll Book A collection of up- 
ward of two hundred designs for paint- 
ers, jewelers, designers, decorators, and 
every branch requiring ornamental 
scrollwork. Prominent features 1n this 
book are the shaded scrolls, and the de- 
signs for signs and wagons and omni- 
buses. Paper cover. Each ....... 



The Bigntst. A Dilation of the most 
modern a c dt - and alpha- 
1 Bach 

Render son* s n Designs. Paper cover. 
Each 

Painter's Manual. A compl e;* practic 
guide to house and i painting, grain- 
ing, varnishing, polishing, kalsomin ng. 
papering, lettering, staining, gilding 
glazing, silvering, analysis of colors, 
harmony, contrast, philosophy, theory. 



no 



ARTISTS' MATERIALS 



INSTRUCTION BOOKS ON ART— Continued 
Books on Alphabets and Sign Writing — Continued 



and practice of c prlncipb s of \ 
staining, etc. Including a new and val- 
uable treatise on "How 4 «* Mix Pain; 
16mo. Paper cover. Each 

Sign, Carriagi and D\ Painting. 

T! ook is the combined work of 
eial prominent pain a full of 

valuable points upon the several 
branches of the ti 

It Includes fresco and car palnl ad 

other useful matter. 16n rtb cover. 
Each 

Sign Writing and Glass Embossing. A 

complete practical illustrated manual 
th "tot j-q writing 
bossing, based upon the pra< vl- 

edt:*» and experience of one of the lead- 
ing rtgn writers of the day. The sug- 
gests ad Information given in tl 
book will aid an; acquire a thor- 

ough knowledge of the art. 192 pag< 



12;uo. oth cover. Each 



Odder** ttni. A guide to gilding in 

all its branches as used in the several 
trades, such as Interior decoration, pic- 
ture and look fra tnd 

f ldin*j. r< ling, gilding chin 
glass, . etc 16mo. Paper 
cove Each 

Bool Alphabi ts. For painters, 

wrii draft - l desig <. efo All 

i nd many m \ ml popu- 

lar om-. I German, Old Englis 

and 112 other specimens Bach.*, 

Album of Fancy Alp] ts. These alpha- 
hots have long been favorites with sit 
painters and others on account of their 
gracefulness Of ornament, and 
g iveness to t who ure called np 

by their pr ice the fash- 

ionable styles of the day. Paper cover. 
ich 



Hand Books of Reference 

Black, full r with pocket and gilt edge Each, 



No. 

1. Thi I •■'•-• *s Pocketbook. Dealing 

with plans, copy, t graphy, illus 
t 1 ■diums. n menl d 

other details of ad Using practice. 

2. Th- ketbook A trea- 

tise on all styli f bookkeeping 
worthy of a place on the desk 
every bookkeeper, banker, busine^ 
man and office worker. 

3. Thr Building Trades Pocketbook. A 

handy manual of ref^r^nce on build 
ing construction including structural 
design, D "iiry. bricklaying, car- 
pentry, joinery, roofing, plasterinj 
paint inir. plumbing, etc. 

\. Thr Business Man's Pocketbook. A 
handy book of reference for business 

men. 

5. The Concrete Engineer's Pocketbook. 

A convenient reference book for en- 
gineers connects! with this branch 
of work- 

6. The Electrical Engineer's Handbook. 

Treating on electricity and magne- 
tism, dynamos and motors, electric 
ligrhtinp. interior wiring and mainte- 
nance of electrical apparatus. 



No. 

7. The Mariner's Handbook. For navi| 

tors, yachtsmen and seamen of all 
cla>- and nautical matrers gener- 
ally. 

8. Thr Mechanics' Pocketbook. For all 

persons interested in mechanical en 
leering, steam engineering, elec- 
trical engineering, railroad engin- 
eering, hydraulic entrineerinn. brid 
engineering, etc 

9. Thr Plumbers' and Fit* Po<l<? 

book. For persons Interested in 
pluinbi] ream heating, ventilation, 
drainage, etc. 

10. Telephone and Telegraph Engineer * 
I Ihook. For persons interested 

in telephone and telegraph systems 
and their cons t ruc ti on. 

11. Stenc,ffraphrr8 and Correspondents* 
Handbook. A reference work on 
stenographic and ty p ewr it ing meth- 
ods, correspondence, etc. 

Xotc. — We furnish gratis a counter dis- 
play case with initial order of twelve 
assorted pockethooks. 



ARTISTS' MATERIALS 



.1 



VERE FOSTER'S DRAWING COPY BOOKS 

New Edition 






Freehand Series (20 Numbers) 



Al 

A 2 

I'.l 

B2 

CI 

C2 

Dl 

D2 



I l 
.1 2 
J 3 

.r 4 

Kl 

K2 



o 

ni 

03 

(il 
05 
06 
OT 



K2 

i:.. 
R4 

SI 



El 
i 2 

I'4 

VI 
V2 



Elementary— Easy Obje (Straight 

Lines) Fl 

ientarj Simple I Ibj i ts (Stralghl F2 

Lines) '■! 

Stralghl Line Objects I Flal I. 02 

Straight Line ■ i I Per n 

Curved Line « >bjects i Flal H2 

Curved Line O eta iPei sped Ive). 1 

I.. .,, Nature i Slmplesl Fori I. 12 

Natural Foliage ami Spr i J •"■ 

Plants from Nature, 1 ■* 



iple ; il Fon 
Flowers from " 
Floi and Frul 

i irnamental i 

ntal i ■■ I Frul 

i ii i iii' 

ctg 
( a rj 1 1 
>ral < >i mi ni' nt. l' 
Anthemlon and On lornis 

Vd I < mi t 1 it iv Orn i 



Landscape Series (12 Numbers) 



Trees <>;ik. Fir. &f. 
Trees BftM h, Elm, & 
Trees -Ash, Ch< 

es— Larch, Lime, Willow. 
Landscai — Slmpi.- etehli g 

Shading. 
Landscape—Sketches Boldly Shaded 



and 



K3 

E k 

1.1 
Ml 
M2 
M.l 



Landscape Full 

i [] 

Rustic Figuri ' D S 

Marine O - I' 

Y;i ol W ;tcr, &c. 



Animal and Human Figures (16 Numbers) 



Elementary Animal Drawing. 

Irupeds and Bird 
poull rj - •' rtous breeds. 

[tish small Birds 
British Wild Animals. 
II, (Arab, Hunter, Dray, ft' 

lh, i- R r, Ponj Mule). 

Dogs (Seventeen Species), 



08 l 

09 Cattli Lai ial, & 

in ii Koi i ign Wild Ainu, 

Oil i Kltl 

FTumai ! h 

<>.: Human I •'» 

04 ii ::. I -.-ure — Slightly Shaded. 



Geometrical Series (10 Numbers) 



Practical Geometry— Simple Pro M. 
Practical amel icm-h-. Ellipse, 

). 
Applied Geometry. 

Solid Geomi 

Drawing to Scale — Simple Lessons. 



S2 

11 

I ' * 

T4 



M nical I [nitiatorj 

Details ol I ools, & 

Working Drawlti - lea, a 

] fetalis ol Machines, A 



Perspective, Model Drawing, Shading (15 Numbers) 



Ground 



Perspective (Definitions, &c 
Perspective I Picture Plane, 

Rani _ . . A w 

Perapective (Cir- Pyramlda, 

\W t S 1 

Perspective (Squares. Cylinders, Ob- 

Model and Object Drawing (Simple) 
Model and Object Drawing (Advanced). 



v:: Model nnd ■ i wing I Advanced). 

V4 Model and ' t Drawing (Adi di. 

\vi Shad m *1 

vi pracl ical Ar bite* ; tn 

y_- practical An Drawing. 

XI Shaded Ornaments, 

X2 Shaded • >rna i 

X3 v d Ornaments. 

7. Blank. 



Complete Edition. IS Parts, eacH part complete in itself. Each, 40 Cents. 



Part 
Part 

Part 

Part 

Part 

Part 
Part 

I -art 

Part 



1.— ELEMENTARY. Contains Al. A 

O 1 D 9 

2. OBJECTS." Contains CI, C 2. HI. 

H 2 
g, — PLANTS. Contains E 1 , E 2. f li 

V 2 
4 —ORNAMENTAL FOLIAGE. Coo- 
tains Dl. D2. Ol, 2. 

B, — ORNAMENT. Contains II. I -. ' ••• 

I -4. 
— TREES Contains J 1 . i -_ J 3, J 4, 
7.— LANDSCAPE Contains Kl. K- 

8.— MARIN Contains LI. Ml. M - 

9_CATS,' DOGS, ETC. Contains O. 
1. 7, Oil. 



Part 10.— CATTLE. ETC. Contains O 8. 
Part 11.— HORSES C Contains O :. 

Part 12.— HI tf.iN FIOCRE. Contains Q 1, 

i 2 Q H Q 4. 
Part 13.— GEOMETRY. ontatnfl R 1. R 

R R 4 
,.. irt 14_MECH.\NICAL. contains Tl. "• 

T" 4 

Part 15.— PERSPECTIVE Contains U 1. D2, 

v ■'.. r -i 

Part 16. — MODEL. Contains Tl, V 2. V 3 V 

V 4 
Part IT— ARCHITECTURE. 

Part 18. — SHADING. 



I 72 



ARTISTS' MATERIALS 



PEARL'S STUDIES OF THE FACE 

HINTS OX EXPRESSION 

Tl Pace Studies has met with edented success. Over vtl e thou- 

sand complimentary tetters from art achers. amateur .nner- , received 

commending them. The engraving, reduced by photograph* ut a fair idea of the series 




stud. ESILh! elf-instruction, which will enable anyone, without prev.ous 
8t,,d - ' ,! »mpany each ,. r mplete , .,J 



WINSOR & NEWTON'S HAND BOOKS 

WITH ILLUSTRATIONS 
I'aper Covers. vch. 






S:>. 
1. 



-4. 






7. 

S. 



R " iham' Art of Sketching from 
Natun 

lotham's Art of Landscape Painting 
, Water Colon 

nley's m of Water Color Paint- 

Carmicha Art of Marine Painting in 

Water 

Hatt Hints for Sketching in Water 

i Nature. 

Merrifli -t of Portrait Painting in 

water Coloi 

Day's Art of Miniature Painting. 

Duffield Art of ig i n 

^ut.-r rs, 






10. 

11. 

13. 

14. 

16. 



I 

IS. 



Gillian \ ■ t of Landscapi Painting In 

b Instructions for 
-Mixing and Composition ol TInl 

Hurray's Art of Portrait Painting in OH 

■ 

Ca id's Art of Marine Painting in 

lors. 

Penl meats of Perspective. 

Laing's Manual of Illumination. 

Lalng's Manual Companion of Illumina- 
tion 

Welgall's Art of Figure Drawing. 

W krtlstlc Anatomy of the Human 

i .. 

Hawkins' Anatomy of the Hone. 

Murray's Art of Drawing in Colored 
Pa-i rayons. 



ARTISTS' MATERIALS 






No. 
SO. 



33. 
84. 



36. 

37. 
39. 

40. 



WINSOR & NEWTON '8 HAND BOOKS-Continued 



Martel's Principles of Coloring in Paint- 41. 
lng. 

Mogford's Instructions for Cleaning, Re- 42 
pairing, Lining, and Restnrii^ Oil 
Paintings, with a Chapter on Varnish- 
ing. 43 

Robertson's Art of Etching on Copper 

Robertson's Art of Painting on China, 
wltb a Chapter on Terra Cotta Paint- 
ing in Oil and Water Colors. 44 

Wallis' Water Color Sketcher's Manual, 
containing Dictionary of Mixed Tints 45. 
and romhinatlons of Water Colors for 
all subjects In Landscape Painting. 

Muckleys Flower Painting in Oil Colors 46. 
(with Colored Illustrations 1 

Muckley's Fruit and Still Life Painting 
in Oil and Water Colors (with Colored 47. 
Illustrations I 

Robertsons Pen-and-ink Drawing 



Drlamotte'a Tre-a and How to Draw 
lnem. 

D n2Lii£! S Interl "r Decoration of 
Dwelling House- iwlth Illustrations of 
Colors suir.-iti:.- for Room 

Taylor;* Description of Modern Water 

Color Pigments, Illustrated with Washe* 
of Seventy two l raduat-d bv 

^ b ,and on \\ be Drawing Pap, 

°SB5SS.PS l 2!» lin « : ' '^including 
la nting on Mirrors, windows, el 

Cartlidges oil Pa ntlng for Banners. 

(with t n!(, r .-d Illustrations 
P. C Bodington'a The Drawing Book or 

free Hand if Taught (with Practical 

Illustrations I. 
Macbeth Raeburn's T Sketches Oil 

« <>lors Manual (OH Color Techuiqu- 



. 



No, 
l. 

2. 

3. 

4. 

5. 

6. 

7. 

8. 

9. 
10. 
11. 
12. 
33. 
14. 
16. 
17. 
18. 
19. 
20. 
21. 

23. 

24. 

25. 
26. 



ROWNEY & CO.'S HA] 

WITH ILLUSTRATIONS 



Paper Covers. Eacb. 



Part 



Part 
Part 



Hints on Sketching from Nature. 

I. By N. E. Green. 
Hints on Sketching from Nature. 

II. By N. E. Green. 
Hints on Sketching from Nature. 

III. By N. B. Green. 
Guide to Landscape Animal Drawing. By 

N. E. Green. 
Guide to Portrait Painting in Oil Color. 

By F. Haynes. 
Guide to Figun* Painting In Water Colors. 

By Sidney T. Whlteford. 
Guide to Sketching from Nature Bv 

Leonldas Clint Miles. 
Principles of Perspective. I'v Henry 

Lewis. B. A 
Guide to Water Color Painting. By R. 

P. Noble. 
nints for Sketching Trees from Nature, 

in Water Colors. By Thomas Ilatton. 
Guide to Oil Painting. Part I. By J. S. 

Tcmpleton. 
Guide to Oil Painting. Part IT (Land- 
scape from Nature.) Bv A. Clint 
Guide to Light and Shade Drawing. 

Mrs. M. Merrlfield. 
Guide to Pencil and Chalk Drawing. 

G. Barley. 
Guide to Pictorial Perspective. By B. 

Green. 

Figure Drawing. By G. 



By 

Ey 
R. 

E. 



Flower Painting in Water 
By G. Rosenberg. 
Painting on Glass. By H. 



Guide to 
Kicks. 

Guide to 
Colors. 

Guide to 
Blefleld. 

Guide to Miniature Painting and Coloring 
Photographs. Bv J. S. Templeton. 

Guide to Animal Drawing. By C. H. 
Welgall. 

Theory of Coloring. By J. Bacon. 

Guide to Porcelain Painting. By Sidney 
T. Whlteford. 

^«)lde to Modeling and the Principles and 
Practice of Sculpture. With illustra- 
tions. By George Halse. 

The Materials Used In Painting, with Re- 
marks on Varnishing and Cleaning 
Pictures. By Charles Mattel. 



No. 
27. 



2h 
20 

30. 

31. 

32. 

33 

.14. 

36. 
37. 
39. 

40. 
41. 
4 2. 
43. 

44. 

45. 

46. 
47. 



Manual of Colors—Showing the Coropo- 

..K a L " nd ' r "P"-ti'* of Art! i ion. 

with Experiments on Tb.-lr Permanence 



L. 



Oil 
Anl- 

011 

Part 



By H Seward, r. C -«»"«* 

Guide to ,Ing. By \V. G. Shrubsole. 

Guide to Pastel Painting. J. 

Sprlnck. 

Guide to Landscape FUure Drawing. By 
N. E. Green. 

Practical Manual of Painting in 
Colors. Part I Stll! Life, Flowers, 
*ru t. and Interior. Bv Ernest Har.mx 

Practlc] Manual of Painting in Oil 
Colors. Part II landscape and Ma- 
rine. By truest Hareux. 

Practical Manual of intlng In 

Colors. Part III Figures a. 
ma is. By Ernest Hareux 

Practical Manual of Painting in 
I olors. Art of Making a Picture. 
II. By Ernest Hareuz. 

Tbe Sk.'fher'a '"olor Manual (Water 
Color Technique). 

Flower Painting In Oil Colors (with Col- 
ored Illustrations | 

Fruit and Still Life Painting in Oil and 

Water Coli (with Colored Illustra- 

tion 

The Art of Pen and Ink Drawing (with 
Illustration! 

Trees, and How to Draw Them (with Illus- 
tration 

Interior Peroration for Dwelling Houses 
(with Colored Illustrations 

A Description of Modern Wafer Color Pig- 
ments. Illustrated with Washes of ninety 
bIz Colors, Graduated by Hand on What 
man's Drawing Paper 

Oil Painting on Glfl Including Mirrors, 
Windows, etc., with Remarks upon the 
Principles of Painting and Decorative Art 
Generally 

Oil Painting for Beginners, a Manual of 
Elementary Instruction by S. J Cart- 
ridge A. R. C. A. (London). 

Tbe Drawing Book, or Freehand Self- 
Taught. 

Tbe Sketcher's Oil Color Manual 1011 
Color Technique). 



. : I 



INDEX 



A Page 

Absorbent Rubber 154 

Academy Boards 

Air Pencils 66 

Arnold's Drawing Papers 11 

Arnold's Water Color Board 130 

Art Gum l- ;4 

Art Students' Water Colors 87 

Art Students' Water Outfits 87 

Atomizers I" 1 -' 

Artists' Cabinets 61 

Aulich's China Colors 10 

Asbestos Cord 14 

B 

Beveled Rubber 1 

Banding Wheels 18 

Bissell's Show Card Colors 94 

Bissell's Show Card Outnts 95 

Bissell's Show Card Books 95 

Bissell's Show Card Brushes. 114 to 116 

BischofFs China Colors 9 

Black, Intense 91 

Black Crayon Sauce 134 

Blue Print Paper 130 

Bonney's White 90 

Books on China Painting 

Bourgeois Water Colors 92 & 93 

Bristol Boards 131 

Brushes for China Painters 22 to 32 

Brushes for Oil Color Painting. . 72 to 83 
Brushes for Water Color Painting.. 

107 to 117 

Brush Washers (Tin ■ 

Brush Cases (Tin) 55 

Burnishing Sand 14 

Burnishers 16 

C 

Campana's Colors and M< ns 11 

Campana's Liquid Bright Gold 13 

Campana's Studies 29 

Canvas Prepared for Oil Paintii 41 t< 

Canvas Panels 

Canva- Pliers 4 ; - 

Canvas Pins 43 

elluloid ..66 

Cement for Mending China 14 

Charcoal 148 



Page 

China Color Cups 106 

China Marking Pencils 15 

ina Painters' Palettes 18 & 19 

i ina Painters' Outfit 21 

China Palettes 104 

China Slants, Slabs and Tiles. .104 to 106 

China Tiles 15 

Cloth, Tracing, Anglo-American.... 152 

Clover Ink Stands 99 

Compasses 165 

Convex Glasses 66 

Colors, Air Brush, Permanent, Bis- 
sell's 96 

Cooley's Gold for China Painting... 13 

lyons and Chalks 145 & 148 

ayons, Conte 149 

Crayon Holders I 47 

Crayon Outnts 146 

ayon Pencils, Conte's 149 

ayon, Pencils. Pearls 149 

I rayon Pointers 153 

ayon Sauce 149 

Curves 161 

D 

Diminishing or Reducing Glasses... 155 

Drawing Boards l5o 

Drawing Table, Bracket Stand 167 

Dresden China Colors 4 

Dresden Tracing Paper 14 

Dunne's Pastel Outfit 99 

Drawing Tables 166 & 167 

Drawing Table Bracket 166 

E 

Easels 58 to 62 

Erasers, Steel 16 

Extra Fillers 134 

F 

Faber's Erasers 154 

Folding Stools 61 

French Metal Atomizer 134 

Fry's China Colors 5 & 6 

Fry's Lustres and Mediums 6 

Fry's Outfits 10 

Fry's Roman Gold and Liquid Bright 

Gold 13 

Fry's Tracing Wax 14 









INDEX 






1 



G Page 

Gauges 17 

Gelatine for Lithographers 122 

llott's Pens 151 

Glass Brushes 17 

Glass Slabs and Mullers 15 

Gold for China Painters 12 & 13 

Gold in Cups and Shells 97 

Gold Paint 71 

Gold in Powder Form 14 

Gowns, Artists' , 39 

Graphite Paper 14 

Gummed Paper, Transparent 70 

H 

Hasburg's Gold for China Painting. 13 

I 

Illustration Boards 125 & 12 

India Inks in Sticks 97 

Inks 97 to 99 

Inks, Bourgeois 99 

Inks, Favor, Ruhl & Co.'s Gold ! 

Inks, Higgins °o 

Inks, Larrabee's White 99 

Instruction Books 168 to 171 

Ivory in Sheets 97 

J 

Japanese Water Color Paper 119 

Japanned Tin Boxes for China 

Painters 20 

Japanned Tin Boxes for Oil Colors, 

Empty and Fitted 49 to 51 

Japanned Tin Boxes for Water Col- 
ors, Empty l ,K -> 

L 

Lacroix China Colors 2 & 3 

Lead Pencils 152 

Lecturer's Crayons 145 

Line-O-Graph 96 

Liquid Lustre Colors, Favor. Ruhl & 

Co.'s ^ 

Loose Leaf Sketch Books 134 

M 

Mahl Sticks 56 

Maratta's Artists' Oil Colors 30 

Martin's Tempera Colors 89 

Manikins "8 

Marsching's Gold for China Painting 13 



Page 

Marsching's Liquid Bright Gold and 

Silver 13 

Mason's China Colors 7 & 8 

Mason's Lustres and Mediums 8 

Mason's Roman Gold and L. B. Gold 13 

Metallic Water Colors 87 

Modeling Clay and Outfits 67 & 

Modeling Tools 69 & 7') 

Monogram Liquid Bright Gold and 

Silver 13 

Mounting Boards 127 

Mounts and Medallions 30 & 31 

N 

Nigrovine Stomps 147 

O 

Oil Colors, Favor, Ruhl & Co.'s.. 33 & 34 
Oil Colors, Winsor & Newton's. .35 to 38 
Oil Color Boxes, \\ ooden.. .45 to 48 

Oil Color Boxes, Japanned Tin, 

Empty and Fitted 49 to 51 

Oil Colors, Decorative, Favor Ruhl 

& Co 

ils and Medium for Ch 
Oil Sketching Paper. Blocks and 

Boards 43 

Oils and Varnishes 64 & 65 

Osgood's Specialties 10 



Panels, Sketching. "Kensington".... 40 

Palettes, Various . . 57 

Palettes, Metal 103 

Palette Cups 

Palette Knives, Steel and Horn.. 18 & 

Pantagraphs 142 

Papers, Carbon 1 

Papers, Charcoal 121 

Papers, Drawing, Rolls 12* 

Papers, Drawing. Sheets 118 to 121 

Papers, Detail 1 

Papers, Blue Print 1 

Papers, Pastel 122 & 123 

Papers. Tracing 122 & 123 

Pastel Outfits 136 to 142 

Pastels, Ex. Softs Monogram. .143 & 144 

Passe Partout Paper 133 

Paste for Gold 14 

Pastel Crayons 136 to 142 



INDEX 



Page 

Pearl's Studies 172 

Pencils, "Venus" 152 

Pens, Gillott's 151 

Pens, Shading 150 

Pens, Soennecken - 150 

Pen Holder, Bissell's 150 

Pencils and Brushes, French... 22 to 29 

Plate Spacers and Dividers 17 

Platten 15 

Pliable Rubber 153 

Portfolios 131 

Protractors 165 

Pointers, Lead Pencils or Crayon... 153 
Push Pins 151 

R 

Ragged Edge Cards 133 

Retouch Colors, Gunther Wagner's. 90 

Rowney Books on Art 173 

Rubbers, Various 154 

Kules 163 to 165 

S 

Scales 162 to 164 

School Drawing Kit 167 

Seccotine 99 

Semple's White 90 

Sherratt's Gold for China Painting.. 13 

Silver in Cups and Shells 97 

Sketch Blocks 132 & 133 

Sketch Box. "Kensington" 40 

Sketch Books and Tablets 135 

Sketching Easels 58 to 62 

Sketching Stools 63 

Sleeper's Gold for China Painting.... 12 

Sponge Rubber 153 

Spring Clip 44 

Square Shaders 22 to 29 

Stencil Paper and Board 53 

Stencil Outfits 53 

Stilts 15 

Stomps 136 & 146 

Stomps, Rubber 147 

Strathmore Boards 126 to 128 

Stretcher Strips 44 



Page 

Styk-um-phast 133 

Superior White 91 

T 

Tapestry Colors 65 

Tempera Colors and Outfits, Stu- 
dents', Gunther Wagner "Gee 

Wee" 88 

Thumb Tacks 155 

Tin Oil Bottles 55 

Tin Water Bottles 100 

Tortillon Stomps 138 

Tracing Cloth 129 

Tracing Cloth Powder 129 

Tracing Taper, Sheets 122 

Tracing Paper, Rolls 129 

Triangles, Wood 157 

Triangles. Amber 158 

Triangles. Rubber 158 

T" Squares 159 & 160 

U 

Umbrellas 57 

Umbrella Staffs 63 

Universal Air Painting Tool 134 

V 

Varnishes, American 64 

Varnishes, French 65 

Varnishes, Winsor & Newton's 64 

W 

Water Color Boxes, Empty 100 

Water Color Boxes, Fitted... 100 to 103 

Water Color Cups 103 

Water Glasses 106 

Weis Paste 99 

Whatman's Paper 119 

White, Intense 91 

White Wood Panels 45 

Winsor & Newton's Books on Art 

172 & 173 

Winsor & Newton's Canvas 41 

Winsor & Newton's Water Colors 

84 to 86 
Wolff's Pencils 149 

Wood Oil Color Boxes. Empt> 45 

Wood Oil Color Boxes. Fitted 54 

Wooden Palettes 57